BELCEA QUARTET & STUDENTS OF THE BARENBOIM-SAID AKADEMIE

BELCEA QUARTET

Continuing its close collaboration with the Pierre Boulez Saal, the Belcea Quartet returns to Berlin for two concerts. Following a performance of string quartets by Arnold Schoenberg and Ludwig van Beethoven, the four musicians will be joined by students of the Barenboim-Said Akademie two days later for the rousing String Octet by 16-year-old Felix Mendelssohn.

Belcea Quartet

Belcea Quartet

Beethoven's five late string quartets are a listening adventure like no other. One of the most performed and beloved is No. 14, with opus number 131. Here, it seems as if Beethoven is searching for the freedom of thought and soul through his music. Perhaps that's also why this music speaks so strongly to us, with its warmth, imagination, and intensity, transcending all historical barriers. And the slow, dense first movement is among the most beautiful ever created for a string quartet.The Belcea Quartet is one of the world's most prominent string quartets. The quartet has performed at Konserthuset Stockholm on several occasions previously, including in a series of concerts featuring all of Beethoven's string quartets.Here, instead, the quartet combines Beethoven with Arnold Schönberg, whom many associate with twelve-tone music. But Schönberg was a great romantic, and the string quartet we hear here, the first of four numbered ones, was his first truly major composition. It is music brimming with wild energy and swelling late romanticism, composed in 1905 in Vienna, a city that had a significant influence on Schönberg with its vibrant art scene and Freud's psychological investigations.

Belcea Quartet

Belcea Quartet

Belcea Quartet

Belcea Quartet

Belcea Quartet

Belcea Quartet

CHIAROSCURO QUARTET

A critic once described the first encounter with the Chiaroscuro Quartet as a “shock for the ears.” Over the past two decades, the group has come to be regarded as the leading string quartet for historically informed performance practice, and with their adventurous interpretations the four musicians transform even familiar repertoire classics into unexpected discoveries. A fixture of past Pierre Boulez Saal seasons, the ensemble has chosen works by Haydn, Beethoven, and Schubert for its latest program.

HEATH QUARTET

Josef Suk’s close bond with his composition teacher Antonín Dvořák was not merely artistic—he was also his older colleague’s son­-in-­law. The Heath Quartet juxtaposes Dvořák’s String Quartet Op. 51, known as the “Slavonic” due to its many allusions to Czech folk music, with Suk’s meditation on an ancient chorale for Wenceslas, the patron saint of Bohemia. Written on the eve of World War I, the composition is a plea for peace and protection as well as an expression of new­ found Czech patriotism. Works by Benjamin Britten and Joseph Haydn complete the program.

LEONKORO QUARTET

Over the course of two seasons, several acclaimed ensembles have performed Jörg Widmann’s String Quartets Nos. 6–10 at the Pierre Boulez Saal. Titled “Studies on Beethoven,” these five works offer a contemporary creative response to the works of one of the greatest composers of all time. The concert cycle concludes with the young Leonkoro Quartet perform­ ing Widmann’s Ninth String Quartet, which was written in 2022 as the last of the group

JACK QUARTET

Pierre Boulez’s Livre pour quatuor is among the most complex chamber music works of the 20th century. At the same time, the score—left unfinished by the composer—also has a fragmentary quality. The JACK Quartet, regularly heard at the Pierre Boulez Saal over the last few seasons, performs individual movements from Boulez’s only string quartet, pairing them with recent works by Eva­-Maria Houben and Anthony Cheung, among others, and the String Quartet in Four Parts by Boulez’s contemporary John Cage.