Antonio Pappano & Igor Levit

Date & Time

Sat, Jun 21, 2025, 19:00

Venue

Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.

Keywords: Subscription Concert

Info & Ticket (www.brso.de)

Musicians

Sir Antonio Pappano	Conductor
Igor Levit	Piano
Bavarian Radio Chorus
Symphonieorchester des Bayerischen Rundfunks

Program

Ferruccio Busoni

Concerto for piano and orchestra with male choir in C major, op. 39

Give feedback

Last update: Sat, Mar 29, 2025, 18:23

Similar events

These events are similar in terms of concept, place, musicians or the program.

This season

In München

Antonio Pappano & Igor Levit

Thu, Jun 19, 2025, 20:00

Isarphilharmonie (München)

Sir Antonio Pappano (Conductor), Igor Levit (Piano), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.

Info & Ticket (www.brso.de)

This season

In München

Antonio Pappano & Igor Levit

Fri, Jun 20, 2025, 20:00

Isarphilharmonie (München)

Sir Antonio Pappano (Conductor), Igor Levit (Piano), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.

Info & Ticket (www.brso.de)

Finished

Sir Antonio Pappano & Yuja Wang

Thu, Feb 17, 2022, 20:00

Isarphilharmonie (München)

Sir Antonio Pappano (Conductor), Yuja Wang (Piano), Symphonieorchester des Bayerischen Rundfunks

“I have an idea for a new work, which has no programme, but which will express what we understand by zest for life or expressions of life … where one would simply say, ’This is life’.” Thus Carl Nielsen wrote of his Fourth Symphony, which he called “The Inextinguishable”. Composed between 1914 and 1916, it is considered to be a milestone in Scandinavian music, reflecting the events of the Great War with the dramatic timpani duel in the final movement. A life in harmony and the violence of nature are likewise synonymous with Desdemona and Othello in Antonín Dvořák ’s Othello Overture. Here, too, the timpani becomes a seismograph of the emotions. Between these two “life works”, conductor Antonio Pappano has placed Liszt’s Piano Concerto No. 1, played by Yuja Wang. This Chinese pianist will pound the keys in the highly demanding solo part while caressing the delicate hues with ingratiating elegance.

Info (www.brso.de)

Finished

Sir Antonio Pappano & Yuja Wang

Fri, Feb 18, 2022, 20:00

Isarphilharmonie (München)

Sir Antonio Pappano (Conductor), Yuja Wang (Piano), Symphonieorchester des Bayerischen Rundfunks

“I have an idea for a new work, which has no programme, but which will express what we understand by zest for life or expressions of life … where one would simply say, ’This is life’.” Thus Carl Nielsen wrote of his Fourth Symphony, which he called “The Inextinguishable”. Composed between 1914 and 1916, it is considered to be a milestone in Scandinavian music, reflecting the events of the Great War with the dramatic timpani duel in the final movement. A life in harmony and the violence of nature are likewise synonymous with Desdemona and Othello in Antonín Dvořák ’s Othello Overture. Here, too, the timpani becomes a seismograph of the emotions. Between these two “life works”, conductor Antonio Pappano has placed Liszt’s Piano Concerto No. 1, played by Yuja Wang. This Chinese pianist will pound the keys in the highly demanding solo part while caressing the delicate hues with ingratiating elegance.

Info (www.brso.de)

Finished

Sir Antonio Pappano & Yuja Wang

Sat, Feb 19, 2022, 19:00

Isarphilharmonie (München)

Sir Antonio Pappano (Conductor), Yuja Wang (Piano), Symphonieorchester des Bayerischen Rundfunks

“I have an idea for a new work, which has no programme, but which will express what we understand by zest for life or expressions of life … where one would simply say, ’This is life’.” Thus Carl Nielsen wrote of his Fourth Symphony, which he called “The Inextinguishable”. Composed between 1914 and 1916, it is considered to be a milestone in Scandinavian music, reflecting the events of the Great War with the dramatic timpani duel in the final movement. A life in harmony and the violence of nature are likewise synonymous with Desdemona and Othello in Antonín Dvořák ’s Othello Overture. Here, too, the timpani becomes a seismograph of the emotions. Between these two “life works”, conductor Antonio Pappano has placed Liszt’s Piano Concerto No. 1, played by Yuja Wang. This Chinese pianist will pound the keys in the highly demanding solo part while caressing the delicate hues with ingratiating elegance.

Info (www.brso.de)