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Concerts with works by
Ferruccio Busoni

Overview

Quick overview of Ferruccio Busoni by associated keywords

Upcoming Concerts

Concerts in season 2024/25 or later where works by Ferruccio Busoni is performed

Artistic depiction of the event
This season
In München

Antonio Pappano & Igor Levit

Thu, Jun 19, 2025, 20:00
Sir Antonio Pappano (Conductor), Igor Levit (Piano), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.
Artistic depiction of the event
This season
In München

Antonio Pappano & Igor Levit

Fri, Jun 20, 2025, 20:00
Sir Antonio Pappano (Conductor), Igor Levit (Piano), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.
Artistic depiction of the event
This season
In München

Antonio Pappano & Igor Levit

Sat, Jun 21, 2025, 19:00
Sir Antonio Pappano (Conductor), Igor Levit (Piano), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.