Ab in den Ring!

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Ab in den Ring!

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it? AB IN DEN RING! is the Tischlerei’s latest collaboration with an independent company and tutti d*amore’s first premiere to be staged at an opera house. It is based on DIE LUSTIGEN NIBELUNGEN, a burlesque operetta by Oscar Straus and his lyricist Rideamus, first performed in Vienna in 1904. The source material is a witty satire aimed at their idol, Richard Wagner, a parody that, in the imperial era, dared to poke fun at themes such as heroism, patriotism and war fever. The operetta’s catchy couplets and jaunty waltzes and marches gave the Austrian composer his first major triumph. Tutti d*amore has rewritten the text, extending and transposing Straus’s satirical look at Wilhelminian Germany into present day society. AB IN DEN RING! is a sharp dig at the culture wars raging in the theatre and opera community between supporters of conservatism and tradition on the one hand and woke progressives on the other. The theatrical sphere fuses with the mythological realm of the Nibelungs, triggering a to and fro over which attitudes should hold sway. A slapstick tussle where – as in a classic operetta - no single side comes out on top. On tutti d*amore The core mission of ...

Kammermusik in den Rauhnächten

Nach den Sternen greifen

Looking at the stars is special, evoking a sense of vastness and wonder. The phrase "reaching for the stars" signifies ambition and courage to try new things, be creative, dream, and find friendship. This concert explores the stars' significance, blending storytelling, poetry, art, and music to bring their magic closer.

Nach den Sternen greifen

Looking at the stars is special, evoking a sense of vastness and wonder. The phrase "reaching for the stars" signifies ambition and courage to try new things, be creative, dream, and find friendship. This concert explores the stars' significance, blending storytelling, poetry, art, and music to bring their magic closer.

Nach den Sternen greifen

Looking at the stars is special, evoking a sense of vastness and wonder. The phrase "reaching for the stars" signifies ambition and courage to try new things, be creative, dream, and find friendship. This concert explores the stars' significance, blending storytelling, poetry, art, and music to bring their magic closer.