Keywords: Symphony Concert
| Joseph Bastian | Conductor |
| Members of the BRSO Academy |
| Canzon seconda à 4 | Giovanni Gabrieli |
| Siegfried Idyll | Richard Wagner |
| Symphony No. 61 in D major, Hob. I:61 | Joseph Haydn |
These events are similar in terms of concept, place, musicians or the program.
Outside subscription
On this afternoon, when the new scholarship holders of our Joseph Keilberth Orchestra Academy perform chamber music together with musicians from our orchestra, it shows best how we make the young orchestral talents of tomorrow fit for the job: Listening to one another in a small ensemble is essential for the large community of the symphony orchestra. And what better way to learn than in concert? We can look forward to a colourful programme with masterpieces of chamber music literature. A surprise concert, as it were, because many scholarship holders have just been called into our orchestra, so that an exact programme can only be announced a few weeks before the concert. Looking forward to a »carte blanche« that will certainly not disappoint.
For years Mariss Jansons was the principal conductor of both the BRSO and the Amsterdam Concertgebouw Orchestra. If gifted young musicians from two academies now assemble in Munich for a concert, they do so in memory of this great conductor, who left an indelible imprint on both orchestras. Jansons had a firm commitment to talented young orchestral musicians, and the idea of the academy continues in his spirit, helping graduates to find their way into professional orchestras. Now, for the first time since their initial exchange of 2019, the two academies reunite in a concert that straddles the boundaries of Germany and the Netherlands. Wagner’s Siegfried Idyll, George Benjamin’s modernist take on Purcell and Richard Strauss’s Suite from Der Bürger als Edelmann give these young musicians ample opportunity to display their prowess under the baton of Daniel Harding.
When the young fellows of our Joseph Keilberth Orchestra Academy play chamber music together with musicians from our orchestra on this afternoon, it will be the best example of how we prepare the young orchestra musicians of tomorrow for the job: Listening to each other in a small ensemble is essential for the large community of the symphony orchestra. And what could be a better way to learn than performing? In other words, we can look forward to a colourful programme of great works from the chamber music literature. A surprise concert, so to speak, as some of the scholarship recipients have only just been appointed to our orchestra, meaning that an exact programme can only be announced a few weeks before the concert. We are looking forward to a »carte blanche« that will certainly not disappoint.
Since 2016, the Royal Stockholm Philharmonic Orchestra has hosted an ”Orchestra Academy”. The international RSPO Orchestra Academy is a one-year, advanced academic programme for young musicians. Under the guidance of the section leaders from the Royal Stockholm Philharmonic Orchestra and the Piteå School of Music, the musicians receive intensive training individually, in chamber music, and orchestral playing.They also showcase their talents through a series of public chamber music concerts – such as this one featuring this year’s academy musicians.
Since 2016, the Royal Stockholm Philharmonic Orchestra has hosted an ”Orchestra Academy”. The international RSPO Orchestra Academy is a one-year, advanced academic programme for young musicians. Under the guidance of the section leaders from the Royal Stockholm Philharmonic Orchestra and the Piteå School of Music, the musicians receive intensive training individually, in chamber music, and orchestral playing.They also showcase their talents through a series of public chamber music concerts – such as this one featuring this year’s academy musicians.
ConcertPulse