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Classical Concerts in
Tutzing

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Upcoming Concerts

Concerts in Tutzing in season 2024/25 or later

February 23, 2025
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Chamber Concert

Sun, Feb 23, 2025, 18:00
Julita Smoleń (Violin), Andrea Eun-Jeong Kim (Violin), Alice Marie Weber (Viola), Benedict Hames (Viola), Frederike Jehkul-Sadler (Cello)
No other instrument has had to endure more jokes than the viola. Of course this is completely unjustified when one listens carefully to its richly warm and refined sound, which will be evident in this program of chamber music. The concert opens with nine captivating minutes in which two violas literally intertwine in George Benjamin’s Viola, Viola. The tightly woven dialogue between the two instruments unfolds with tonal depth and polyphonic, highly complex textures, assuming in places an almost orchestral quality: a surging, dance-like, ingeniously direct drama of the viola repertoire. In Beethoven’s String Quintet, the two violas create a remarkably lyrical, warm atmosphere, and in the Mendelssohn they are surprisingly captivating, full of verve and exuding optimism.
March 16, 2025
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Chamber Concert

Sun, Mar 16, 2025, 18:00
Daniela Jung (Violin), Stephan Hoever (Violin), Christiane Hörr (Viola), Jan Mischlich (Cello), Jaka Stadler (Cello)
The Swiss composer (and excellent flautist) Philippe Racine wrote his Adagio for string quintet for the 80th birthday of a friend, the cellist Walter Grimmer. In concert, it is meant to be performed before Franz Schubert’s great String Quintet in C major, which Racine has described as the “Himalayas of chamber music” – a wonderful means of providing this Romantic monument with a fitting introduction (a “hillock,” as Racine modestly puts it) and opening up new perspectives by placing it in a contemporary context. In between these two works will be Brahms’ luxuriant String Quartet in A minor, in which the composer amiably refers to Schubert’s Quartet in A minor. Either way, this will be a concert among friends.
April 13, 2025
Artistic depiction of the event

Chamber Concert

Sun, Apr 13, 2025, 18:00
Andrea Eun-Jeong Kim (Violin), Alexander Kisch (Violin), Emiko Yuasa (Viola), Anja Kreynacke (Viola), Katharina Jäckle (Cello), Heinrich Treydte (Clarinet), Heinrich Treydte (Bass clarinet)
What does fantasy sound like? In Robin Milford’s 1933 composition based on English folklore, when the solo clarinet glides over a delicate wave of strings – it sounds dance-like, lyrical, expressive, full of humor, and rich in contrasts. In the similarly titled composition by the English late Romantic composer York Bowen, the distinctive bass clarinet, which is rarely featured in chamber music concerts, blends irresistibly into the string sound with its sonorous velvety tone. It is captivating and seamlessly flowing. Finally, Bruckner’s only large-scale chamber music work provides a mystical dimension to this concert: like his great symphonies, the String Quintet in F major is imbued with the mysticism of nature and of the Catholic faith.
May 25, 2025