ConcertPulse
Guest in Erlangen
How is the house built? When are the roof, walls and floors added? And will the structure be able to support itself? These are the questions of an architect – but they can also be the questions of conductors when they approach musical structures with their very own style and passion. It is therefore hardly surprising that Bertrand de Billy, who was already fantasising about becoming a conductor at the age of four, once said: »If it hadn’t worked out with music, I would probably have been an architect.« From an early age, he carefully observed the movements of conductors – whether from the choirboy's perspective or as an orchestral musician. Today, he conducts numerous renowned orchestras himself. His specialities include classics and key works of the 20th century and, as a native of Paris, time and again declarations of love for French music. With us, he combines Gershwin and Ravel, two composers who knew each other well and both absorbed the other’s idiom. Ravel’s dazzling piece »Daphnis et Chloé« is a fairytale story about two foundlings, which premiered in the French metropolis in 1912. Gershwin’s pulsating piano concerto also has something to do with the city of love: although it was composed in 1925 in the jazzy melting pot that is New York, large parts of it were later woven into the film »An American in Paris«. As a congenial sound designer, Bertrand de Billy will work with us and the pianist Kit Armstrong to delicately emphasise the different currents and similarities of the compositions like a musical architect: Because he never wants to be an overbearing chef d'orchestre, but simply to be an artist among artists: »The fulfilment of creating something together is indescribably beautiful.«