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Léo Marillier

1hits in season
2024/25 or later 3hits in
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November 4, 2024

Hamburg Philharmonic State Orchestra/ Iveta Apkalna / Kent Nagano

Mon, Nov 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Iveta Apkalna (Organ), Yun-Peng Zhao (Violin), Léo Marillier (Violin), Franck Chevalier (Viola), Alexis Descharmes (Cello), Kent Nagano (Conductor)

At some point towards the end, when Helmut Lachenmann’s »Tanzsuite mit Deutschlandlied«, composed in 1980, actually quotes or at least hints at Haydn’s Imperial Quartet, it has long been clear that this is not a hymn we should be singing along to. And there is certainly no suggestion of an invitation to dance in this piece, by one of the most impactful composers of recent decades. In this provocative work, once premiered – where else – in Donaueschingen and performed here with the sensational Quatuor Diotima from Paris, Lachenmann was interested in noises, breaks and the question of what a sound actually really is.

Info (www.elbphilharmonie.de)

November 3, 2024

Hamburg Philharmonic State Orchestra/ Iveta Apkalna / Kent Nagano

Sun, Nov 3, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Philharmonisches Staatsorchester Hamburg, Iveta Apkalna (Organ), Yun-Peng Zhao (Violin), Léo Marillier (Violin), Franck Chevalier (Viola), Alexis Descharmes (Cello), Kent Nagano (Conductor)

At some point towards the end, when Helmut Lachenmann’s »Tanzsuite mit Deutschlandlied«, composed in 1980, actually quotes or at least hints at Haydn’s Imperial Quartet, it has long been clear that this is not a hymn we should be singing along to. And there is certainly no suggestion of an invitation to dance in this piece, by one of the most impactful composers of recent decades. In this provocative work, once premiered – where else – in Donaueschingen and performed here with the sensational Quatuor Diotima from Paris, Lachenmann was interested in noises, breaks and the question of what a sound actually really is.

Info (www.elbphilharmonie.de)

March 13, 2024

Quatuor Diotima

Wed, Mar 13, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Yun-Peng Zhao (Violin), Léo Marillier (Violin), Franck Chevalier (Viola), Alexis Descharmes (Cello)

Formed in 1996, Quatuor Diotima from France is a familiar name in the field of New Music. Because with »Fragmente – Stille, An Diotima« of 1980, Luigi Nono composed one of the epochal works of contemporary music. And because Nono also refers to Beethoven’s equally innovative, late String Quartet Op. 132 in his work, Quatuor Diotima now combines these two compositions for an evening of great string quartet music. Luigi Nono described his string quartet, which was premiered at the Bonn Beethovenfest in 1980, as »transcendental music«. Nono wove a number of quotations into the fine soundscape that oscillates between silence and non-silence, including from Verdi’s »Ave Maria«. Reference is also made to the slow, transcendentally beautiful movement »Heilige Dankgesang eines Genesenen an die Gottheit« from Beethoven’s final official String Quartet Op. 132.

Info (www.elbphilharmonie.de)

Hamburg Philharmonic State Orchestra/ Iveta Apkalna / Kent Nagano

Mon, Nov 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

At some point towards the end, when Helmut Lachenmann’s »Tanzsuite mit Deutschlandlied«, composed in 1980, actually quotes or at least hints at Haydn’s Imperial Quartet, it has long been clear that this is not a hymn we should be singing along to. And there is certainly no suggestion of an invitation to dance in this piece, by one of the most impactful composers of recent decades. In this provocative work, once premiered – where else – in Donaueschingen and performed here with the sensational Quatuor Diotima from Paris, Lachenmann was interested in noises, breaks and the question of what a sound actually really is.

Hamburg Philharmonic State Orchestra/ Iveta Apkalna / Kent Nagano

Sun, Nov 3, 2024, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Quatuor Diotima

Wed, Mar 13, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Formed in 1996, Quatuor Diotima from France is a familiar name in the field of New Music. Because with »Fragmente – Stille, An Diotima« of 1980, Luigi Nono composed one of the epochal works of contemporary music. And because Nono also refers to Beethoven’s equally innovative, late String Quartet Op. 132 in his work, Quatuor Diotima now combines these two compositions for an evening of great string quartet music. Luigi Nono described his string quartet, which was premiered at the Bonn Beethovenfest in 1980, as »transcendental music«. Nono wove a number of quotations into the fine soundscape that oscillates between silence and non-silence, including from Verdi’s »Ave Maria«. Reference is also made to the slow, transcendentally beautiful movement »Heilige Dankgesang eines Genesenen an die Gottheit« from Beethoven’s final official String Quartet Op. 132.