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Ludwig van Beethoven

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May 30, 2025

Symphonic Concert

Fri, May 30, 2025, 19:30

Filharmonia Narodowa, Concert Hall (Warszawa)

Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Juanjo Mena (Conductor), Piotr Anderszewski (Piano), Bartosz Michałowski (Chorus Director)

Piotr Anderszewski, photo: Simon Fowler / Warner Classics 150th Anniversary of the Birth of Maurice Ravel Maurice Ravel’s ballet Daphnis et Chloé was already hailed as a masterpiece on the day of its premiere. Commissioned by the famous Ballets Russes, it gained popularity mainly in the form of two orchestral suites. In this Suite, the references to ancient Greece, from which the ballet’s libretto derives, are subtle and impressionistic, thanks principally to the composer’s masterful handling of the orchestra. Ravel brings out the gamut of colouristic possibilities in Daphnis et Chloé, enriching the orchestra with the most beautiful and natural sound of the human voice. Łukasz Kaczmarowski

Info & Ticket (filharmonia.pl)

May 31, 2025

Symphonic Concert

Sat, May 31, 2025, 18:00

Filharmonia Narodowa, Concert Hall (Warszawa)

Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Juanjo Mena (Conductor), Piotr Anderszewski (Piano), Bartosz Michałowski (Chorus Director)

Piotr Anderszewski, photo: Simon Fowler / Warner Classics 150th Anniversary of the Birth of Maurice Ravel Maurice Ravel’s ballet Daphnis et Chloé was already hailed as a masterpiece on the day of its premiere. Commissioned by the famous Ballets Russes, it gained popularity mainly in the form of two orchestral suites. In this Suite, the references to ancient Greece, from which the ballet’s libretto derives, are subtle and impressionistic, thanks principally to the composer’s masterful handling of the orchestra. Ravel brings out the gamut of colouristic possibilities in Daphnis et Chloé, enriching the orchestra with the most beautiful and natural sound of the human voice. Łukasz Kaczmarowski

Info & Ticket (filharmonia.pl)

June 13, 2025

Closing Concert in the 2024/2025 Season

Fri, Jun 13, 2025, 19:30

Filharmonia Narodowa, Concert Hall (Warszawa)

Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Krzysztof Urbański (Conductor), Sophia Brommer (Soprano), Sophie Harmsen (Mezzo-Soprano), Martin Platz (Tenor), Andrew Moore (Bass-Bariton), Bartosz Michałowski (Chorus Director)

Krzysztof Urbański, photo: Marco Borggreve Ludwig van Beethoven was regarded as a revolutionary (but also an eccentric) in his time, while for subsequent generations he became the epitome of the Classical (and, for many, of what was finest in music). The turbulent reception history of his monumental Symphony No. 9 in D minor proves that the significance of a work is never defined once and for all. It has fascinated not only musicians and listeners with different tastes, but also representatives of different political options and adherents of extreme ideologies. Along the way, it has encountered both nationalism and hope-giving universalism. Today, one of the themes of the Symphony’s finale, considered by some of Beethoven’s contemporaries to be a sign of extravagance, is one of the most recognisable melodies in Western musical culture and is known as the anthem of the European Union.

Info & Ticket (filharmonia.pl)

June 14, 2025

Closing Concert in the 2024/2025 Season

Sat, Jun 14, 2025, 18:00

Filharmonia Narodowa, Concert Hall (Warszawa)

Krzysztof Urbański, photo: Marco Borggreve Ludwig van Beethoven was regarded as a revolutionary (but also an eccentric) in his time, while for subsequent generations he became the epitome of the Classical (and, for many, of what was finest in music). The turbulent reception history of his monumental Symphony No. 9 in D minor proves that the significance of a work is never defined once and for all. It has fascinated not only musicians and listeners with different tastes, but also representatives of different political options and adherents of extreme ideologies. Along the way, it has encountered both nationalism and hope-giving universalism. Today, one of the themes of the Symphony’s finale, considered by some of Beethoven’s contemporaries to be a sign of extravagance, is one of the most recognisable melodies in Western musical culture and is known as the anthem of the European Union.

Info & Ticket (filharmonia.pl)

Symphonic Concert

Piotr Anderszewski, photo: Simon Fowler / Warner Classics 150th Anniversary of the Birth of Maurice Ravel Maurice Ravel’s ballet Daphnis et Chloé was already hailed as a masterpiece on the day of its premiere. Commissioned by the famous Ballets Russes, it gained popularity mainly in the form of two orchestral suites. In this Suite, the references to ancient Greece, from which the ballet’s libretto derives, are subtle and impressionistic, thanks principally to the composer’s masterful handling of the orchestra. Ravel brings out the gamut of colouristic possibilities in Daphnis et Chloé, enriching the orchestra with the most beautiful and natural sound of the human voice. Łukasz Kaczmarowski

Symphonic Concert

Closing Concert in the 2024/2025 Season

Krzysztof Urbański, photo: Marco Borggreve Ludwig van Beethoven was regarded as a revolutionary (but also an eccentric) in his time, while for subsequent generations he became the epitome of the Classical (and, for many, of what was finest in music). The turbulent reception history of his monumental Symphony No. 9 in D minor proves that the significance of a work is never defined once and for all. It has fascinated not only musicians and listeners with different tastes, but also representatives of different political options and adherents of extreme ideologies. Along the way, it has encountered both nationalism and hope-giving universalism. Today, one of the themes of the Symphony’s finale, considered by some of Beethoven’s contemporaries to be a sign of extravagance, is one of the most recognisable melodies in Western musical culture and is known as the anthem of the European Union.

Closing Concert in the 2024/2025 Season