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Symphonieorchester des Bayerischen Rundfunks
orchestra
Symphonieorchester des Bayerischen Rundfunks
Antonín Dvořák
composer
Antonín Dvořák
January 30, 2025
Artistic depiction of the event

Iván Fischer & Kirill Gerstein

Thu, Jan 30, 2025, 20:00
Iván Fischer (Conductor), Kirill Gerstein (Piano), Symphonieorchester des Bayerischen Rundfunks
The genesis of Brahms’ First Piano Concerto proved to be an arduous affair. Originally Brahms wanted to write a sonata for two pianos, and then a symphony, until the work finally became what it is today: a classic of its genre – and a masterpiece of the concerto literature. For keyboard virtuoso Kirill Gerstein, it is an “incredibly noble, introspective piece with wonderfully lyrical motifs that subtly lie beneath the surface like watermarks.” It was a defining work for Brahms, who was 25 years old at the time. Conductor Iván Fischer juxtaposes it with Dvořák’s Eighth Symphony: a work that enabled Dvořák to finally step out of the shadow of his friend and patron Brahms, and probably one of his most famous and most popular due to its lively cheerfulness, easy-going optimism, and unbroken joie de vivre.
January 31, 2025
Artistic depiction of the event

Iván Fischer & Kirill Gerstein

Fri, Jan 31, 2025, 20:00
Iván Fischer (Conductor), Kirill Gerstein (Piano), Symphonieorchester des Bayerischen Rundfunks
The genesis of Brahms’ First Piano Concerto proved to be an arduous affair. Originally Brahms wanted to write a sonata for two pianos, and then a symphony, until the work finally became what it is today: a classic of its genre – and a masterpiece of the concerto literature. For keyboard virtuoso Kirill Gerstein, it is an “incredibly noble, introspective piece with wonderfully lyrical motifs that subtly lie beneath the surface like watermarks.” It was a defining work for Brahms, who was 25 years old at the time. Conductor Iván Fischer juxtaposes it with Dvořák’s Eighth Symphony: a work that enabled Dvořák to finally step out of the shadow of his friend and patron Brahms, and probably one of his most famous and most popular due to its lively cheerfulness, easy-going optimism, and unbroken joie de vivre.
February 2, 2025
Artistic depiction of the event

Iván Fischer & Kirill Gerstein

Sun, Feb 2, 2025, 19:00
Iván Fischer (Conductor), Kirill Gerstein (Piano), Symphonieorchester des Bayerischen Rundfunks
The genesis of Brahms’ First Piano Concerto proved to be an arduous affair. Originally Brahms wanted to write a sonata for two pianos, and then a symphony, until the work finally became what it is today: a classic of its genre – and a masterpiece of the concerto literature. For keyboard virtuoso Kirill Gerstein, it is an “incredibly noble, introspective piece with wonderfully lyrical motifs that subtly lie beneath the surface like watermarks.” It was a defining work for Brahms, who was 25 years old at the time. Conductor Iván Fischer juxtaposes it with Dvořák’s Eighth Symphony: a work that enabled Dvořák to finally step out of the shadow of his friend and patron Brahms, and probably one of his most famous and most popular due to its lively cheerfulness, easy-going optimism, and unbroken joie de vivre.
March 27, 2025
Artistic depiction of the event

James Gaffigan & Janine Jansen

Thu, Mar 27, 2025, 20:00
James Gaffigan (Conductor), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.
March 28, 2025
Artistic depiction of the event

James Gaffigan & Janine Jansen

Fri, Mar 28, 2025, 20:00
James Gaffigan (Conductor), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.