Gustavo Dudamel returns to the podium of the Simón Bolívar Symphony Orchestra with which he made his conducting debut in his adolescence, for two consecutive evenings—the first with the women’s and children’s choirs of the Orchestre de Paris.
Klaus Mäkelä lets loose on a program of changing colours, from modernism to impressionism. As a bonus, Gustavo Dudamel takes the podium to conduct one of Beethoven's most brilliant pieces!
Vocal and orchestral colours are the order of the day in this contrasting program where the shine of the brass contrasts with the impressionist moire, with the added bonus of Poulenc's smiling spirituality and Mussorgsky’s irresistible pictures!
A deeply moving production in which Romeo Castellucci conjures up an excavation simultaneously macabre and contemplative where, as if from a pit – that of the dead, that of the orchestra – Mahler's restless metaphysics, grippingly embodied, emerge.
A deeply moving production in which Romeo Castellucci conjures up an excavation simultaneously macabre and contemplative where, as if from a pit – that of the dead, that of the orchestra – Mahler's restless metaphysics, grippingly embodied, emerge.
A deeply moving production in which Romeo Castellucci conjures up an excavation simultaneously macabre and contemplative where, as if from a pit – that of the dead, that of the orchestra – Mahler's restless metaphysics, grippingly embodied, emerge.
ConcertPulse