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The flamboyant Cameron Carpenter takes on two musical monuments daringly arranged by himself: Mussorgsky’s phantasmagorias and Bach’s Goldberg Variations, the alpha and omega of his oeuvre.
András Schiff in his own garden, exploring with relish Bach’s Triple Concerto for flute, violin and harpsichord and the enchanted paths of two of Mozart’s most awe-inspiring piano concertos.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
At just 20 years of age, and already winner of the Van Cliburn International Piano Competition, South Korean pianist Yunchan Lim embodies the new generation of pianists, and creates subtle resonances between repertoires, movements and composers.
Powerful, syncretic if we take the Credo in its most universal sense, the Mass in B minor is one of the most profound and hermetic monuments in the history of music. As Cioran once cheekily opined, “If anyone owes everything to Bach, it's God!”
Powerful, syncretic if we take the Credo in its most universal sense, the Mass in B minor is one of the most profound and hermetic monuments in the history of music. As Cioran once cheekily opined, “If anyone owes everything to Bach, it's God!”
For Easter Monday, Bach’s Oratorio for the holiday written exactly 300 years ago. Conductor Christophe Rousset leads Les Talens Lyriques in a score they know well.
András Schiff is a master of the Germanic repertoire, especially the works of Bach, which he has performed tirelessly for half a century. He now tackles The Art of Fugue, a score as monumental as it is enigmatic.
For two exceptional evenings, guest composer Thierry Escaich in person performs on the organ. A tribute to Bach, the God of Music, this program also takes us to Shakespeare and the Eternal City.
For two exceptional evenings, guest composer Thierry Escaich in person performs on the organ. A tribute to Bach, the God of Music, this program also takes us to Shakespeare and the Eternal City.
Les Arts Florissants, with co-director Paul Agnew, presents a programme of cantatas by Bach and his contemporaries, from which the audience will be invited to sing excerpts as an encore.
It is a feature of masterpieces that they inspire—without being diminished by—various forms of reappropriation. Nevermind, a quartet of Baroque music adepts, inventively reimagines the illustrious Goldbergs, offering an eloquent variation on variations.