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November 9, 2024

NDR Elbphilharmonie Orchestra / Ingo Metzmacher

Sat, Nov 9, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Ingo Metzmacher (Conductor), Solist:innen in »Messe Nr. 1«, Claire de Sévigné (Soprano), Avery Amereau (Alto), Toby Spence (Tenor), Michael Nagy (Bariton), Solist:innen in »Die Jakobsleiter«, Brenden Gunnell (Tenor), Bernard Richter (Tenor), Jens Persson Hertzman (Bariton), Sean Michael Plumb (Bariton), Anne Schwanewilms (Soprano), Miriam Kutrowatz (Soprano), Marie Maidowski (Soprano), Solist:innen des NDR Vokalensembles, Lucy De Butts (Soprano), Sophia Körber (Soprano), Alexandra Hebart (Mezzo-Soprano), Solist:innen des MDR-Rundfunkchors, Ramona Laxy (Soprano), Lisa Germeshausen (Soprano), Falk Hoffmann (Tenor), Oliver Kaden (Tenor)

Ingo Metzmacher is one of the great explorers among conductors. He tirelessly explores new and little-known areas of the repertoire. His curiosity already characterised him during his time as General Music Director in Hamburg between 1997 and 2005. And this also characterises the vocal symphonic programme with which he returns to the podium of the NDR Elbphilharmonie Orchestra in November. One day before his 67th birthday, Metzmacher conducts two rarely performed works by two jubilarians from the Romantic and modern eras with a round birthday in 2024 – and fills the stage in the Grand Hall with an opulent line-up that, alongside the NDR Elbphilharmonie Orchestra, includes the MDR-Rundfunkchor and nine vocal soloists.

Info (www.elbphilharmonie.de)

September 13, 2024

Opening Night: NDR Elbphilharmonie Orchestra / Alan Gilbert

Fri, Sep 13, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, NDR Vokalensemble, MDR-Rundfunkchor, Rundfunkchor Berlin, Simon O’Neill (Tenor), Christina Nilsson (Soprano), Jamie Barton (Waldtaube), Michael Nagy (Bauer), Michael Schade (Narr), Thomas Quasthoff (Narrator), Klaas Stok (Choir rehearsal), Alan Gilbert (Conductor)

On 13 September 1874, one of the most influential and revolutionary composers in musical history was born in Vienna: Arnold Schönberg. Exactly 150 years later, the XXL-filled NDR Elbphilharmonie Orchestra under principal conductor Alan Gilbert and several hundred choristers along with top-class soloists congratulate him with a veritable mammoth serenade: the »Gurre-Lieder« is probably one of the most large-scale works in the entire repertoire of classical music. At the same time, a worthy start to the new NDR season full of further highlights! At the premiere of the monumental oratorio in 1913 in Vienna, Anton Webern enthused: »What a moment in my life! Unforgettable… The sensation of this roaring sound really moves me«. And this pupil of Schönberg was not the only one: the entire hall rejoiced when faced with the opulent, intoxicating sounds, which no one would have expected from Schönberg at all! The pioneer of atonality and twelve-tone music had long since distanced himself from his late-Romantic Jugendstil. When he completed the orchestration for this piece in 1910/11, which he had already started between 1900 and 1903, he, nevertheless, did not consider it obsolete, but as the »key to my entire development« and document of his musical origin. Five renowned solo singers, Thomas Quasthoff as the narrator, the combined radio choirs from Leipzig, Berlin and Hamburg as well as the NDR Elbphilharmonie Orchestra with double and triple wind, string and percussion strengths then let the tragic story of jealousy surrounding the Danish King Valdemar and his mistress Tove become the sonorous event for the opening of the 2024/25 NDR Season. Jens Peter Jacobsen set the medieval myth play at Gurre Castle in Zealand in 1868 in several poems, which provided Schönberg with text templates for his profound orchestral song cycle.

Info (www.elbphilharmonie.de)

September 11, 2024

Opening Night: NDR Elbphilharmonie Orchestra / Alan Gilbert

Wed, Sep 11, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

On 13 September 1874, one of the most influential and revolutionary composers in musical history was born in Vienna: Arnold Schönberg. Exactly 150 years later, the XXL-filled NDR Elbphilharmonie Orchestra under principal conductor Alan Gilbert and several hundred choristers along with top-class soloists congratulate him with a veritable mammoth serenade: the »Gurre-Lieder« is probably one of the most large-scale works in the entire repertoire of classical music. At the same time, a worthy start to the new NDR season full of further highlights! At the premiere of the monumental oratorio in 1913 in Vienna, Anton Webern enthused: »What a moment in my life! Unforgettable… The sensation of this roaring sound really moves me«. And this pupil of Schönberg was not the only one: the entire hall rejoiced when faced with the opulent, intoxicating sounds, which no one would have expected from Schönberg at all! The pioneer of atonality and twelve-tone music had long since distanced himself from his late-Romantic Jugendstil. When he completed the orchestration for this piece in 1910/11, which he had already started between 1900 and 1903, he, nevertheless, did not consider it obsolete, but as the »key to my entire development« and document of his musical origin. Five renowned solo singers, Thomas Quasthoff as the narrator, the combined radio choirs from Leipzig, Berlin and Hamburg as well as the NDR Elbphilharmonie Orchestra with double and triple wind, string and percussion strengths then let the tragic story of jealousy surrounding the Danish King Valdemar and his mistress Tove become the sonorous event for the opening of the 2024/25 NDR Season. Jens Peter Jacobsen set the medieval myth play at Gurre Castle in Zealand in 1868 in several poems, which provided Schönberg with text templates for his profound orchestral song cycle.

Info (www.elbphilharmonie.de)

May 5, 2024

NDR Elbphilharmonie Orchestra / Alan Gilbert

Sun, May 5, 2024, 18:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Rundfunkchor Berlin, Susanna Phillips (Soprano), Gerhild Romberger (Alto), Maximilian Schmitt (Tenor), Michael Nagy (Bariton), Dominique Horwitz (Narrator), Alan Gilbert (Conductor)

It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.

Info (www.elbphilharmonie.de)

May 3, 2024

NDR Elbphilharmonie Orchestra / Alan Gilbert

Fri, May 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

It only lasts seven minutes, but it is nonetheless monumental: Arnold Schoenberg’s melodrama »Ein Überlebender aus Warschau« (A Survivor from Warsaw). Schoenberg had readopted the Jewish faith, and he wrote the piece, which opens with a fierce trumpet signal, in 1947 to commemorate the uprising in the Warsaw Ghetto. The score mixes the narrative of a man hiding in the sewers with German commands, martial rhythms – and finally the hopeful Hebrew words »Schma Yisrael«, which the Jews use to prepare for death. The part of the narrator is taken by Dominique Horwitz, himself the son of Jewish parents. The French-German actor and chansonnier is in great demand for performances of literary works of music, from Tom Waits’s »Black Rider« to Stravinsky’s »Histoire du soldat«. And the soloists in the second part of the programme likewise have resounding names: among them are the American soprano Susanna Phillips, alto Gerhild Romberger and baritone Michael Nagy. »War and Peace« is the motto of the Hamburg International Music Festival, and chief conductor Alan Gilbert and his NDR Elbphilharmonie Orchestra place the emphasis on a work of hope and brotherly love: Beethoven’s world-famous Ninth Symphony. The overwhelming finale culminates in Friedrich Schiller’s lines »All men shall be brothers«, which win the day against all the powers of destruction. Beethoven not only touched a nerve in his own time by ending the symphony with a large-scale chorus of rejoicing: nowadays, everyone is familiar with the melody in the guise of the European anthem. Even the playing time of a compact disc, when the CD format was introduced, was geared to enable Beethoven’s oversized Ninth to be played without a break.

Info (www.elbphilharmonie.de)

Opening Night: NDR Elbphilharmonie Orchestra / Alan Gilbert

Wed, Sep 11, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

On 13 September 1874, one of the most influential and revolutionary composers in musical history was born in Vienna: Arnold Schönberg. Exactly 150 years later, the XXL-filled NDR Elbphilharmonie Orchestra under principal conductor Alan Gilbert and several hundred choristers along with top-class soloists congratulate him with a veritable mammoth serenade: the »Gurre-Lieder« is probably one of the most large-scale works in the entire repertoire of classical music. At the same time, a worthy start to the new NDR season full of further highlights! At the premiere of the monumental oratorio in 1913 in Vienna, Anton Webern enthused: »What a moment in my life! Unforgettable… The sensation of this roaring sound really moves me«. And this pupil of Schönberg was not the only one: the entire hall rejoiced when faced with the opulent, intoxicating sounds, which no one would have expected from Schönberg at all! The pioneer of atonality and twelve-tone music had long since distanced himself from his late-Romantic Jugendstil. When he completed the orchestration for this piece in 1910/11, which he had already started between 1900 and 1903, he, nevertheless, did not consider it obsolete, but as the »key to my entire development« and document of his musical origin. Five renowned solo singers, Thomas Quasthoff as the narrator, the combined radio choirs from Leipzig, Berlin and Hamburg as well as the NDR Elbphilharmonie Orchestra with double and triple wind, string and percussion strengths then let the tragic story of jealousy surrounding the Danish King Valdemar and his mistress Tove become the sonorous event for the opening of the 2024/25 NDR Season. Jens Peter Jacobsen set the medieval myth play at Gurre Castle in Zealand in 1868 in several poems, which provided Schönberg with text templates for his profound orchestral song cycle.

Info (www.elbphilharmonie.de)