Events in Hamburg | ConcertPulse

Filters

musician

Manfred Honeck

2hits in season
2024/25 or later 4hits in
the archive

September 4, 2024

Pittsburgh Symphony Orchestra / Yefim Bronfman / Manfred Honeck

Wed, Sep 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Pittsburgh Symphony Orchestra, Yefim Bronfman (Piano), Manfred Honeck (Conductor)

The Pittsburgh Symphony Orchestra has a distinguished history of promoting new American works. In 1986, for example, it premiered John Adams’s fanfare for orchestra »Short Ride in a Fast Machine«, with which the musicians opened their concert in the Elbphilharmonie Grand Hall under the direction of long-standing chief conductor Manfred Honeck. For Rachmaninov’s mighty »Concerto for Elephants«, whose piano part allegedly has the most notes per second of all the great piano concertos, the Grammy award winning orchestra will be joined by brilliant American pianist Yefim Bronfman. The programme continues in a late Romantic style after the interval with an orchestral suite from Giacomo Puccini’s last opera »Turandot« – even without vocals, great emotions unfold in an arrangement by Manfred Honeck. The work is juxtaposed with Stravinsky’s music to the ballet »The Firebird«, in which Ivan Tsarevich defeats the evil sorcerer Kastschei with the help of a fantastic bird.

Info (www.elbphilharmonie.de)

September 3, 2024

Pittsburgh Symphony Orchestra / Anne-Sophie Mutter / Manfred Honeck

Tue, Sep 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Pittsburgh Symphony Orchestra, Anne-Sophie Mutter (Violin), Manfred Honeck (Conductor)

»It’s a stroke of genius. This music is immortal,« Anne-Sophie Mutter enthused about Felix Mendelssohn’s Violin Concerto back in 2009. The star violinist is not alone in this opinion: since its premiere, the captivating work has delighted performers and audiences alike – no wonder, given the abundance of musical beauty it offers. At first, Gustav Mahler could only dream of such a sensational success for his Fifth Symphony: »The Fifth is a cursed work. No one understands it,« he grumbled, disappointed about the lack of understanding that the monumental work was met with everywhere. However, it is also possible that Mahler was simply overtaxing the listening habits of the time. Today, Mahler’s Fifth is his most popular symphony and it is impossible to imagine the repertoire of concert halls around the world without it. And when a world-class orchestra like the Pittsburgh Symphony Orchestra offers a performance, nothing stands in the way of a great concert evening!

Info (www.elbphilharmonie.de)

March 3, 2024

NDR Elbphilharmonie Orchestra / Manfred Honeck

Sun, Mar 3, 2024, 18:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Manfred Honeck (Conductor)

Manfred Honeck, who has been chief conductor of the Pittsburgh Symphony Orchestra for more than 15 years, still returns to conduct the NDR Elbphilharmonie Orchestra each year. After presenting the sensational programme »Mozart and Death in Words and Music« last season, this year’s programme is all about love after death. In Greek mythology, the heroes who were particularly beloved by the gods found eternal peace on the »Isles of the Blessed«: Elysium. The Berlin-based Canadian composer Samy Moussa has dedicated a musical work to this paradise. It was premiered in Barcelona in 2021 and subsequently given its first German performance by Manfred Honeck. The musical depiction of the eagerly desired reward for all earthly toil is now also being performed at the Elbphilharmonie. It’s no coincidence that Honeck has chosen to programme Moussa’s work, which was certainly inspired by Anton Bruckner’s expansive style, just before the latter’s Ninth Symphony. Moussa’s piece thereby functions, in a way, as a prologuing fourth movement to the deeply religious composer’s »Unfinished« Symphony – as a forecast of where everything could, in the end, lead. »And now I dedicate my last work to the majesty of all the majesties, the beloved God, and hope that he will give me so much time to complete the same,« Bruckner allegedly said during work on his monumental Symphony in D Minor – although this wish was ultimately not granted. He died while working on drafts for the finale.But even without this closing movement, the symphony bears all the features of an »opus ultimum«, a summary of all that constitutes Bruckner’s tonal language. The suspenseful opening phase, for example, that is a feature of every single one of his symphonies, is carried to extremes here with an extra-long preparation phase. Nowhere do things get as wild as in the Scherzo of the Ninth, and nowhere does the listener feel that Elysium is closer than in the magnificent Adagio, which fades away with reminiscences of previous Bruckner symphonies.

Info (www.elbphilharmonie.de)

March 1, 2024

NDR Elbphilharmonie Orchestra / Manfred Honeck

Fri, Mar 1, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Manfred Honeck (Conductor)

Manfred Honeck, who has been chief conductor of the Pittsburgh Symphony Orchestra for more than 15 years, still returns to conduct the NDR Elbphilharmonie Orchestra each year. After presenting the sensational programme »Mozart and Death in Words and Music« last season, this year’s programme is all about love after death. In Greek mythology, the heroes who were particularly beloved by the gods found eternal peace on the »Isles of the Blessed«: Elysium. The Berlin-based Canadian composer Samy Moussa has dedicated a musical work to this paradise. It was premiered in Barcelona in 2021 and subsequently given its first German performance by Manfred Honeck. The musical depiction of the eagerly desired reward for all earthly toil is now also being performed at the Elbphilharmonie. It’s no coincidence that Honeck has chosen to programme Moussa’s work, which was certainly inspired by Anton Bruckner’s expansive style, just before the latter’s Ninth Symphony. Moussa’s piece thereby functions, in a way, as a prologuing fourth movement to the deeply religious composer’s »Unfinished« Symphony – as a forecast of where everything could, in the end, lead. »And now I dedicate my last work to the majesty of all the majesties, the beloved God, and hope that he will give me so much time to complete the same,« Bruckner allegedly said during work on his monumental Symphony in D Minor – although this wish was ultimately not granted. He died while working on drafts for the finale.But even without this closing movement, the symphony bears all the features of an »opus ultimum«, a summary of all that constitutes Bruckner’s tonal language. The suspenseful opening phase, for example, that is a feature of every single one of his symphonies, is carried to extremes here with an extra-long preparation phase. Nowhere do things get as wild as in the Scherzo of the Ninth, and nowhere does the listener feel that Elysium is closer than in the magnificent Adagio, which fades away with reminiscences of previous Bruckner symphonies.

Info (www.elbphilharmonie.de)

Pittsburgh Symphony Orchestra / Yefim Bronfman / Manfred Honeck

Wed, Sep 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

The Pittsburgh Symphony Orchestra has a distinguished history of promoting new American works. In 1986, for example, it premiered John Adams’s fanfare for orchestra »Short Ride in a Fast Machine«, with which the musicians opened their concert in the Elbphilharmonie Grand Hall under the direction of long-standing chief conductor Manfred Honeck. For Rachmaninov’s mighty »Concerto for Elephants«, whose piano part allegedly has the most notes per second of all the great piano concertos, the Grammy award winning orchestra will be joined by brilliant American pianist Yefim Bronfman. The programme continues in a late Romantic style after the interval with an orchestral suite from Giacomo Puccini’s last opera »Turandot« – even without vocals, great emotions unfold in an arrangement by Manfred Honeck. The work is juxtaposed with Stravinsky’s music to the ballet »The Firebird«, in which Ivan Tsarevich defeats the evil sorcerer Kastschei with the help of a fantastic bird.

Pittsburgh Symphony Orchestra / Anne-Sophie Mutter / Manfred Honeck

Tue, Sep 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

»It’s a stroke of genius. This music is immortal,« Anne-Sophie Mutter enthused about Felix Mendelssohn’s Violin Concerto back in 2009. The star violinist is not alone in this opinion: since its premiere, the captivating work has delighted performers and audiences alike – no wonder, given the abundance of musical beauty it offers. At first, Gustav Mahler could only dream of such a sensational success for his Fifth Symphony: »The Fifth is a cursed work. No one understands it,« he grumbled, disappointed about the lack of understanding that the monumental work was met with everywhere. However, it is also possible that Mahler was simply overtaxing the listening habits of the time. Today, Mahler’s Fifth is his most popular symphony and it is impossible to imagine the repertoire of concert halls around the world without it. And when a world-class orchestra like the Pittsburgh Symphony Orchestra offers a performance, nothing stands in the way of a great concert evening!

NDR Elbphilharmonie Orchestra / Manfred Honeck

Sun, Mar 3, 2024, 18:00

Elbphilharmonie, Großer Saal (Hamburg)

Manfred Honeck, who has been chief conductor of the Pittsburgh Symphony Orchestra for more than 15 years, still returns to conduct the NDR Elbphilharmonie Orchestra each year. After presenting the sensational programme »Mozart and Death in Words and Music« last season, this year’s programme is all about love after death. In Greek mythology, the heroes who were particularly beloved by the gods found eternal peace on the »Isles of the Blessed«: Elysium. The Berlin-based Canadian composer Samy Moussa has dedicated a musical work to this paradise. It was premiered in Barcelona in 2021 and subsequently given its first German performance by Manfred Honeck. The musical depiction of the eagerly desired reward for all earthly toil is now also being performed at the Elbphilharmonie. It’s no coincidence that Honeck has chosen to programme Moussa’s work, which was certainly inspired by Anton Bruckner’s expansive style, just before the latter’s Ninth Symphony. Moussa’s piece thereby functions, in a way, as a prologuing fourth movement to the deeply religious composer’s »Unfinished« Symphony – as a forecast of where everything could, in the end, lead. »And now I dedicate my last work to the majesty of all the majesties, the beloved God, and hope that he will give me so much time to complete the same,« Bruckner allegedly said during work on his monumental Symphony in D Minor – although this wish was ultimately not granted. He died while working on drafts for the finale.But even without this closing movement, the symphony bears all the features of an »opus ultimum«, a summary of all that constitutes Bruckner’s tonal language. The suspenseful opening phase, for example, that is a feature of every single one of his symphonies, is carried to extremes here with an extra-long preparation phase. Nowhere do things get as wild as in the Scherzo of the Ninth, and nowhere does the listener feel that Elysium is closer than in the magnificent Adagio, which fades away with reminiscences of previous Bruckner symphonies.

NDR Elbphilharmonie Orchestra / Manfred Honeck

Fri, Mar 1, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)