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Ida Aldrian

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January 17, 2025

Die Zauberflöte (The Magic Flute)

Fri, Jan 17, 2025, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Hubert Kowalczyk (Sarastro), Aaron Godfrey-Mayes (Tamino), Olivia Boen (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Gemma Summerfield (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Nicholas Mogg (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

January 9, 2025

Die Zauberflöte (The Magic Flute)

Thu, Jan 9, 2025, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Han Kim (Sarastro), Aaron Godfrey-Mayes (Tamino), Olivia Boen (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Gemma Summerfield (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Nicholas Mogg (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

January 4, 2025

Die Zauberflöte (The Magic Flute)

Sat, Jan 4, 2025, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Hubert Kowalczyk (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Gemma Summerfield (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

January 1, 2025

Die Zauberflöte (The Magic Flute)

Wed, Jan 1, 2025, 18:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Hellen Kwon (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

December 30, 2024

Die Zauberflöte (The Magic Flute)

Mon, Dec 30, 2024, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Christian Günther (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Hellen Kwon (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

December 28, 2024

Die Zauberflöte (The Magic Flute)

Sat, Dec 28, 2024, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

December 25, 2024

Hänsel und Gretel (Hansel and Gretel)

Wed, Dec 25, 2024, 18:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Adam Hickox (Musical Director), Luiz de Godoy (Leitung Kinderchor), Alexey Bogdanchikov (Peter), Katja Pieweck (Gertrud), Ida Aldrian (Hänsel), Olivia Warburton (Gretel), Peter Galliard (Knusperhexe), Aebh Kelly (Sandmännchen), Marie Maidowski (Taumännchen), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Philharmonisches Staatsorchester Hamburg (Orchestra)

“Don‘t you know the horrible dark place, don’t you know the evil one lives there?” Hastily, their parents set out for the woods to save Hansel and Gretel from the witch Rosina Leckermaul. As they feared, the children have got lost in the woods and found the gingerbread house. They cannot resist the sweet temptation – and fall straight into the trap of the witch, who likes children so much she could eat them up… literally. As in most tales of the Brothers Grimm, in Engelbert Humperdinck’s setting of the fairytale all ends well: until that point, however, Humperdinck’s romantic music accompanies the children deep into the dark forest of legend. Here it invokes magical beings, calls on 14 angels to protect the siblings and allows the witch to ride her broomstick through the air. Today, Humperdinck’s classic, premiered in Weimar in 1893, is as much a part of Christmastime as gingerbread and tree decorations – and has invited young audiences and those young at heart all over the world into its fairytale world ever since. Director: Peter Beauvais Set Designer: Jan Schlubach Costume Designer: Barbara Bilabel / Susanne Raschig Premiere: 06.12.1972

Info (www.staatsorchester-hamburg.de)

December 21, 2024

Die Zauberflöte (The Magic Flute)

Sat, Dec 21, 2024, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Leo Hussain (Musical Director), Eberhard Friedrich (Chorus), Luiz de Godoy (Leitung Hamburger Alsterspatzen), Alexander Roslavets (Sarastro), Aaron Godfrey-Mayes (Tamino), Adriana González (Pamina), David Minseok Kang (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Gemma Summerfield (Erste Dame), Claire Gascoin (Zweite Dame), Ida Aldrian (Dritte Dame), Benjamin Appl (Papageno), Peter Galliard (Monostatos), Yeonjoo Katharina Jang (Papagena), Mziwamadoda Sipho Nodlayiya (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Solisten des Hamburger Knabenchores (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.

Info (www.staatsorchester-hamburg.de)

December 20, 2024

Hänsel und Gretel (Hansel and Gretel)

Fri, Dec 20, 2024, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Adam Hickox (Musical Director), Luiz de Godoy (Leitung Kinderchor), Alexey Bogdanchikov (Peter), Katja Pieweck (Gertrud), Ida Aldrian (Hänsel), Olivia Boen (Gretel), Jürgen Sacher (Knusperhexe), Aebh Kelly (Sandmännchen), Marie Maidowski (Taumännchen), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Philharmonisches Staatsorchester Hamburg (Orchestra)

“Don‘t you know the horrible dark place, don’t you know the evil one lives there?” Hastily, their parents set out for the woods to save Hansel and Gretel from the witch Rosina Leckermaul. As they feared, the children have got lost in the woods and found the gingerbread house. They cannot resist the sweet temptation – and fall straight into the trap of the witch, who likes children so much she could eat them up… literally. As in most tales of the Brothers Grimm, in Engelbert Humperdinck’s setting of the fairytale all ends well: until that point, however, Humperdinck’s romantic music accompanies the children deep into the dark forest of legend. Here it invokes magical beings, calls on 14 angels to protect the siblings and allows the witch to ride her broomstick through the air. Today, Humperdinck’s classic, premiered in Weimar in 1893, is as much a part of Christmastime as gingerbread and tree decorations – and has invited young audiences and those young at heart all over the world into its fairytale world ever since. Director: Peter Beauvais Set Designer: Jan Schlubach Costume Designer: Barbara Bilabel / Susanne Raschig Premiere: 06.12.1972

Info (www.staatsorchester-hamburg.de)

November 19, 2024

Elektra

Tue, Nov 19, 2024, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

Kent Nagano (Musical Director), Violeta Urmana (Klytämnestra), Iréne Theorin (Elektra), Jennifer Holloway (Chrysothemis), John Daszak (Aegisth), Kyle Ketelsen (Orest), Liam James Karai (Pfleger des Orest), Kristina Susic (Vertraute), Marie Maidowski (Schleppträgerin), Seungwoo Simon Yang (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Anna-Maria Torkel (Erste Magd), Ida Aldrian (Zweite Magd), Jana Kurucová (Dritte Magd), Clare Tunney (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)

The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina

Info (www.staatsorchester-hamburg.de)

November 15, 2024

Elektra

Fri, Nov 15, 2024, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina

Info (www.staatsorchester-hamburg.de)

November 12, 2024

Elektra

Tue, Nov 12, 2024, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina

Info (www.staatsorchester-hamburg.de)

November 10, 2024

Elektra

Sun, Nov 10, 2024, 18:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina

Info (www.staatsorchester-hamburg.de)

May 1, 2024

Wagner: Die Walküre

Wed, May 1, 2024, 17:00

Elbphilharmonie, Großer Saal (Hamburg)

Dresdner Festspielorchester, Concerto Köln, Derek Welton (Wotan), Åsa Jäger (Brünnhilde), Sarah Wegener (Sieglinde), Maximilian Schmitt (Siegmund), Patrick Zielke (Hunding), Claude Eichenberger (Fricka), Natalie Karl (Helmwige), Chelsea Zurflüh (Gerhilde), Karola Schmid (Ortlinde), Ulrike Malotta (Waltraute), Ida Aldrian (Siegrune), Marie-Luise Dreßen (Roßweiße), Eva Vogel (Grimgerde), Jasmin Etminan (Schwertleite), Kent Nagano (Conductor)

Richard Wagner’s opera »Die Walküre« is a passionate exploration of big themes such as love and betrayal, loyalty and rebellion. The god Wotan wanted to rule through contracts rather than violence but, as a result of broken promises, becomes increasingly entangled in problems until blood begins to flow. Finding no solutions, Wotan finally cries: »One thing alone do I want: the end!« But his daughter Brünnhilde thwarts his plans… At the Hamburg International Music Festival, there is an opportunity to experience the opera in historical original sound for the first time under conductor Kent Nagano. At the festival, Kent Nagano is not conducting »his« orchestra, the Hamburg State Opera, but rather the Dresdner Festspielorchester, Concerto Köln and a top-class cast of soloists, who explore the playing and singing techniques of the 19th century. »More intimate tone colours, a more multi-layered and transparent sound, freed from the ballast of the centuries,« say the performers about the project, which seems to have been tailor-made for the transparent acoustics of the Elbphilharmonie Grand Hall. One of Wagner’s most famous pieces, the »Ride of the Valkyries« – famously used by director Francis Ford Coppola as background music to a helicopter attack in the anti-war film »Apocalypse Now« – thus sounds altogether different.

Info (www.elbphilharmonie.de)