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musician
Aleš Briscein
November 18, 2024
Artistic depiction of the event

Die Sache Makropulos

Mon, Nov 18, 2024, 19:00
Robert Jindra (Musical Director), Claus Guth (Director), Caroline Staunton (Szenische Einstudierung), Caroline Staunton (Spielleitung), Étienne Pluss (Set Design), Ursula Kudrna (Costumes), Sebastian Alphons (Light), Sommer Ulrickson (Choreography), Dorothea Röschmann (Emilia Marty), Aleš Briscein (Albert Gregor), Stephan Rügamer (Vítek), Natalia Skrycka (Krista), Adam Plachetka (Jaroslav Prus), Linard Vrielink (Janek), Jan Martiník (Dr. Kolenatý), Dionysios Avgerinos (Stage Technician), Adriane Queiroz (Cleaning Woman), Jan Ježek (Hauk-Šendorf), Sandra Laagus (Chambermaid)
A documentary account of a bizarre complex inheritance dispute, a crime drama, a meta-opera featuring a singer playing a singer, a treatise on the sense and nonsense of human immortality. 'The Makropulos Affair' is all of the above. With inexplicably detailed background knowledge, opera diva Emilia Marty inserts herself into a century-long inheritance dispute and recklessly exploits her irresistibility to men for her own cryptic purposes.No one suspects that somewhere among the tall stacks of paper from the court battle lies a mysterious old recipe for an elixir that can extend life by 300 years. Marty has already taken the potion once and is now trying to get it back in order to extend her life a second time. But after literally stopping at nothing to get her hands on the recipe, when she finally holds it, she realises the price of eternal life. Janáček’s penultimate opera is his most peculiar, and not only because of its surprising plot twists. The main theme of all his operas – love – appears here in relief, in the form of its absence. In his operatic adaptation, Janáček transforms the aloof frigidity and irony of Karel Čapek’s original play into a veritable tragedy that provokes sympathy for its unapproachable, weary and emotionally impoverished lead character.
November 16, 2024
Artistic depiction of the event

Die Sache Makropulos

Sat, Nov 16, 2024, 19:00
Robert Jindra (Musical Director), Claus Guth (Director), Caroline Staunton (Szenische Einstudierung), Caroline Staunton (Spielleitung), Étienne Pluss (Set Design), Ursula Kudrna (Costumes), Sebastian Alphons (Light), Sommer Ulrickson (Choreography), Dorothea Röschmann (Emilia Marty), Aleš Briscein (Albert Gregor), Stephan Rügamer (Vítek), Natalia Skrycka (Krista), Adam Plachetka (Jaroslav Prus), Linard Vrielink (Janek), Jan Martiník (Dr. Kolenatý), Dionysios Avgerinos (Stage Technician), Adriane Queiroz (Cleaning Woman), Jan Ježek (Hauk-Šendorf), Sandra Laagus (Chambermaid)
A documentary account of a bizarre complex inheritance dispute, a crime drama, a meta-opera featuring a singer playing a singer, a treatise on the sense and nonsense of human immortality. 'The Makropulos Affair' is all of the above. With inexplicably detailed background knowledge, opera diva Emilia Marty inserts herself into a century-long inheritance dispute and recklessly exploits her irresistibility to men for her own cryptic purposes.No one suspects that somewhere among the tall stacks of paper from the court battle lies a mysterious old recipe for an elixir that can extend life by 300 years. Marty has already taken the potion once and is now trying to get it back in order to extend her life a second time. But after literally stopping at nothing to get her hands on the recipe, when she finally holds it, she realises the price of eternal life. Janáček’s penultimate opera is his most peculiar, and not only because of its surprising plot twists. The main theme of all his operas – love – appears here in relief, in the form of its absence. In his operatic adaptation, Janáček transforms the aloof frigidity and irony of Karel Čapek’s original play into a veritable tragedy that provokes sympathy for its unapproachable, weary and emotionally impoverished lead character.