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Leoš Janáček
October 13, 2024
Artistic depiction of the event

Jakub Hrůša, Behzod Abduraimov

Sun, Oct 13, 2024, 17:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Behzod Abduraimov (Piano), Czech Philharmonic Choir Brno (Chorus)
Gorgeous late-romantic soundscapes – featuring works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša’s favourite composers. It is thus a matter of the heart for him to regularly introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The captivating »Asrael« Symphony already delivered proof of how well this works – and Josef Suk is also being celebrated this year on the occasion of his 150th birthday with an imposing musical autobiography: the programme includes his tone poem »Zráni«, finished in 1917, revolving around human maturity and elevating love to the core aspiration of our existence. Even the conductor of the premiere was absolutely enthusiastic, as he is said to have kissed the score in front of the concert audience and exclaimed in honour of Smetana’s famous cycle: »A second fatherland!« Janáček’s grandiose work was composed at virtually the same time – the scoring of a story about a Cossack culminating in a marvellous apotheosis. Jakub Hrůša fell in love with this composition, as he explained in an interview: »'Taras Bulba' is at the centre of my musical life. I didn't choose it, it just so happened. It was the first work and I’m still in love with it.« The brilliant »Paganini Rhapsody« by Rachmaninov from 1934 – who once answered the question »What is music?« in his typically poetic language: »That which goes from heart to heart, love.« – is also an emotional companion to the two Bohemian pieces.
October 12, 2024
Artistic depiction of the event

Jakub Hrůša, Behzod Abduraimov

Sat, Oct 12, 2024, 18:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Behzod Abduraimov (Piano), Czech Philharmonic Choir Brno (Chorus)
Gorgeous late-romantic soundscapes – featuring works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša’s favourite composers. It is thus a matter of the heart for him to regularly introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The captivating »Asrael« Symphony already delivered proof of how well this works – and Josef Suk is also being celebrated this year on the occasion of his 150th birthday with an imposing musical autobiography: the programme includes his tone poem »Zráni«, finished in 1917, revolving around human maturity and elevating love to the core aspiration of our existence. Even the conductor of the premiere was absolutely enthusiastic, as he is said to have kissed the score in front of the concert audience and exclaimed in honour of Smetana’s famous cycle: »A second fatherland!« Janáček’s grandiose work was composed at virtually the same time – the scoring of a story about a Cossack culminating in a marvellous apotheosis. Jakub Hrůša fell in love with this composition, as he explained in an interview: »'Taras Bulba' is at the centre of my musical life. I didn't choose it, it just so happened. It was the first work and I’m still in love with it.« The brilliant »Paganini Rhapsody« by Rachmaninov from 1934 – who once answered the question »What is music?« in his typically poetic language: »That which goes from heart to heart, love.« – is also an emotional companion to the two Bohemian pieces.
October 9, 2024
Artistic depiction of the event

Public moderated rehearsal

Wed, Oct 9, 2024, 19:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Martin Timphus (Presenter)
Wonderful late-romantic soundscapes - including works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša's favourite composers. It is therefore regularly a matter close to his heart to introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The grandiose work by Janáček will be rehearsed on Wednesday night - the setting of a story about a Cossack that culminates in a magnificent apotheosis. Jakub Hrůša has really fallen for this composition, as he explained in an interview: ‘’Taras Bulba' is at the centre of my musical life. I didn't choose it, it just happened that way. It was the first work and I'm still in love with it.’The format of the public and moderated rehearsal offers the opportunity to take a look at the working phase before our symphony concerts. Our chief conductor Jakub Hrůša and moderator and violist Martin Timphus will explain and comment during the rehearsal and answer questions about the planned programme and our orchestral work.
September 22, 2023
Artistic depiction of the event

Opening Concert in Bamberg

Fri, Sep 22, 2023, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Christian Schmitt (Organ), Kristina Fialová (Viola), Kateřina Kněžíková (Soprano), Jarmila Vantuchová (Mezzo Soprano), Eduard Martyniuk (Tenor), Jan Šťáva (Bass), Tschechischer Philharmonischer Chor Brno
»Adorn yourself, O beloved soul, forsake this dark den of sin, enter into the bright light, and begin to gleam gloriously!« Thus goes a favorite hymn for the Lord’s Supper centuries ago, from which Bach created a wonderfully tranquil organ work – about which Mendelssohn commented, »If life had taken everything from me, this piece would bring me comfort again.« After this, our opening concert is all about the city of Brno, the home of our Principal Conductor. Also Petr Fiala, founder of the famous Czech Philharmonic Choir Brno and composer himself, was born here in 1943. It was his heart’s desire for Jakub Hrůša to conduct his »Stabat Mater« one day: A colourful setting of the medieval poem, focusing on the mother of Jesus in her mourning for her crucified son. We will also perform Janáček's highly original »Glagolitic Mass«, premiered in Brno in 1927: when the composer, aged 72, wrote the piece shortly before his death, he deliberately wanted to distinguish himself from Western practices and therefore spoke of a »joyful mass« – inspired by the nature spectacle of a thunderstorm and spreading an utterly secular atmosphere. And while the traditional ordinarium from Kyrie to Agnus Dei is adhered to here, the text is not in Latin but in the old Church Slavonic from the 9th century – for Janáček loved to occupy himself with different types of human tonality, which he described as his »little windows to the soul«. Musically, the agitated events are sometimes contrasted with tender passages – and just before the finale there is a brilliant organ solo, which brings this unique mass to an end like a joyful celebration.