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Josef Suk

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October 13, 2024

Jakub Hrůša, Behzod Abduraimov

Sun, Oct 13, 2024, 17:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Behzod Abduraimov (Piano), Czech Philharmonic Choir Brno (Chorus)

Gorgeous late-romantic soundscapes – featuring works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša’s favourite composers. It is thus a matter of the heart for him to regularly introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The captivating »Asrael« Symphony already delivered proof of how well this works – and Josef Suk is also being celebrated this year on the occasion of his 150th birthday with an imposing musical autobiography: the programme includes his tone poem »Zráni«, finished in 1917, revolving around human maturity and elevating love to the core aspiration of our existence. Even the conductor of the premiere was absolutely enthusiastic, as he is said to have kissed the score in front of the concert audience and exclaimed in honour of Smetana’s famous cycle: »A second fatherland!« Janáček’s grandiose work was composed at virtually the same time – the scoring of a story about a Cossack culminating in a marvellous apotheosis. Jakub Hrůša fell in love with this composition, as he explained in an interview: »'Taras Bulba' is at the centre of my musical life. I didn't choose it, it just so happened. It was the first work and I’m still in love with it.« The brilliant »Paganini Rhapsody« by Rachmaninov from 1934 – who once answered the question »What is music?« in his typically poetic language: »That which goes from heart to heart, love.« – is also an emotional companion to the two Bohemian pieces.

Info (www.bamberger-symphoniker.de)

October 12, 2024

Jakub Hrůša, Behzod Abduraimov

Sat, Oct 12, 2024, 18:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Behzod Abduraimov (Piano), Czech Philharmonic Choir Brno (Chorus)

Gorgeous late-romantic soundscapes – featuring works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša’s favourite composers. It is thus a matter of the heart for him to regularly introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The captivating »Asrael« Symphony already delivered proof of how well this works – and Josef Suk is also being celebrated this year on the occasion of his 150th birthday with an imposing musical autobiography: the programme includes his tone poem »Zráni«, finished in 1917, revolving around human maturity and elevating love to the core aspiration of our existence. Even the conductor of the premiere was absolutely enthusiastic, as he is said to have kissed the score in front of the concert audience and exclaimed in honour of Smetana’s famous cycle: »A second fatherland!« Janáček’s grandiose work was composed at virtually the same time – the scoring of a story about a Cossack culminating in a marvellous apotheosis. Jakub Hrůša fell in love with this composition, as he explained in an interview: »'Taras Bulba' is at the centre of my musical life. I didn't choose it, it just so happened. It was the first work and I’m still in love with it.« The brilliant »Paganini Rhapsody« by Rachmaninov from 1934 – who once answered the question »What is music?« in his typically poetic language: »That which goes from heart to heart, love.« – is also an emotional companion to the two Bohemian pieces.

Info (www.bamberger-symphoniker.de)

November 19, 2023

Chamber Concert: Piano Quartet

Sun, Nov 19, 2023, 17:00

Harmonie (Bamberg)

Melina Kim-Guez (Violin), Paulina Riquelme (Viola), Lucie de Roos (Cello), Paul Rivinius (Piano)

There is intriguing soul food to be discovered in this chamber concert: The symphonist Mahler is hardly connected with small ensembles. However, he loved »Hausmusik« and wrote the inventive and passionate quartet movement in A minor in 1876 during his time as a student in Vienna, music that even back then »stirred up great sympathy«. Later, in 1973, the sketched opening of a scherzo surfaced, which Mahler had apparently intended to be the second movement – and Alfred Schnittke adopted these bars as the foundation for his exciting Piano Quartet from 1988: He developed a process with the aspiration to »remember something that never came to be«. But the endeavour to track Mahler's tonal language fails repeatedly and the composition finally culminates in the original quotation from the fragment: »It appears and pauses« – and so remains further unfinished. Brahms wrote his Piano Quartet op. 25 during a difficult phase of his life, full of self-doubt. It remains a speculation whether he thought of his beloved Clara Schumann with every bar – who played the piano part at the premiere in 1861 and was »terribly nervous« because the work »lay so heavily on her heart«. It captivates with its intense motivic relationships and features a Hungarian-flavoured rondo as a sweeping finale. The first string quartet by Josef Suk is likewise deeply emotional: it was composed in 1896 and a contemporary raved that it was »the best« he knew of Suk. The beguiling work does indeed also revel in Bohemian folklore, but the sometimes very introspective view and the fluctuating moods make it sound like a confessional psychogram – after all, Josef Suk saw himself as an artist who wanted to express with music »what the soul was full of«.

Info (www.bamberger-symphoniker.de)

February 23, 2023

Jakub Hrůša & Corinne Winters (cast change)

Thu, Feb 23, 2023, 20:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Jakub Hrůša (Conductor), Corinne Winters (Soprano)

Live stream on www.medici.tv

Info (www.bamberger-symphoniker.de)

Jakub Hrůša, Behzod Abduraimov

Sun, Oct 13, 2024, 17:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Gorgeous late-romantic soundscapes – featuring works by Josef Suk and Leoš Janáček, who are among Jakub Hrůša’s favourite composers. It is thus a matter of the heart for him to regularly introduce audiences to pieces by these fascinating composers that are still relatively unknown outside the Czech Republic. The captivating »Asrael« Symphony already delivered proof of how well this works – and Josef Suk is also being celebrated this year on the occasion of his 150th birthday with an imposing musical autobiography: the programme includes his tone poem »Zráni«, finished in 1917, revolving around human maturity and elevating love to the core aspiration of our existence. Even the conductor of the premiere was absolutely enthusiastic, as he is said to have kissed the score in front of the concert audience and exclaimed in honour of Smetana’s famous cycle: »A second fatherland!« Janáček’s grandiose work was composed at virtually the same time – the scoring of a story about a Cossack culminating in a marvellous apotheosis. Jakub Hrůša fell in love with this composition, as he explained in an interview: »'Taras Bulba' is at the centre of my musical life. I didn't choose it, it just so happened. It was the first work and I’m still in love with it.« The brilliant »Paganini Rhapsody« by Rachmaninov from 1934 – who once answered the question »What is music?« in his typically poetic language: »That which goes from heart to heart, love.« – is also an emotional companion to the two Bohemian pieces.

Jakub Hrůša, Behzod Abduraimov

Sat, Oct 12, 2024, 18:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Chamber Concert: Piano Quartet

Sun, Nov 19, 2023, 17:00

Harmonie (Bamberg)

There is intriguing soul food to be discovered in this chamber concert: The symphonist Mahler is hardly connected with small ensembles. However, he loved »Hausmusik« and wrote the inventive and passionate quartet movement in A minor in 1876 during his time as a student in Vienna, music that even back then »stirred up great sympathy«. Later, in 1973, the sketched opening of a scherzo surfaced, which Mahler had apparently intended to be the second movement – and Alfred Schnittke adopted these bars as the foundation for his exciting Piano Quartet from 1988: He developed a process with the aspiration to »remember something that never came to be«. But the endeavour to track Mahler's tonal language fails repeatedly and the composition finally culminates in the original quotation from the fragment: »It appears and pauses« – and so remains further unfinished. Brahms wrote his Piano Quartet op. 25 during a difficult phase of his life, full of self-doubt. It remains a speculation whether he thought of his beloved Clara Schumann with every bar – who played the piano part at the premiere in 1861 and was »terribly nervous« because the work »lay so heavily on her heart«. It captivates with its intense motivic relationships and features a Hungarian-flavoured rondo as a sweeping finale. The first string quartet by Josef Suk is likewise deeply emotional: it was composed in 1896 and a contemporary raved that it was »the best« he knew of Suk. The beguiling work does indeed also revel in Bohemian folklore, but the sometimes very introspective view and the fluctuating moods make it sound like a confessional psychogram – after all, Josef Suk saw himself as an artist who wanted to express with music »what the soul was full of«.