Set your preferred locations for a better search. You can sign up here.
Filters
composer
Bohuslav Martinů
Today
Artistic depiction of the event

Jakub Hrůša, Seong-Jin Cho

Wed, Jan 22, 2025, 18:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Seong-Jin Cho (Piano)
»To play without passion is unforgivable.« Beethoven famously said – and under the spirited conducting of Jakub Hrůša, emotionally moving concerts happen regularly. In this programme, we delve into the depths of two moving pieces: We start with Beethoven’s last piano concerto, with which he opened the door wide for the incipient Romantic period. He wrote this popular masterpiece at a time of unfavourable circumstances, when Vienna was occupied by the Napoleonic troops. It was premiered in 1811 and features revolutionary, upbeat passages as well as a rich variety of complex emotions. As soloist we welcome the young South Korean artist Seong-Jin Cho, one of the most remarkable pianists of his generation. Our Chief Conductor is always in his element with Martinů’s colourful pieces. He has loved the visionary power of this composer since his childhood and is now President of the International Martinů Circle. The composer was an exceptionally prolific man – and with the Symphony No. 4 we are interpreting one of his impressive instrumental masterpieces: it was written in exile in America in 1945 and reflects his joy over the end of the war as well as his longing for his homeland with folkloristic episodes. Martinů’s Fourth is one of those fascinating pieces that fulfils what Jakub Hrůša once said about the appeal of his Czech compatriot: »It’s wonderful to play Martinů. He is one of those composers who speak directly to everyone – musicians and audience alike. As soon as you put his music on the programme, it’s a success.«
February 3, 2025
Artistic depiction of the event

Public moderated rehearsal

Mon, Feb 3, 2025, 19:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Martin Timphus (Presenter)
»Listen carefully to all folk songs! They are a treasure trove of the most beautiful melodies and open your eyes to the nature of different cultures.« Robert Schumann once noted these wise words in his collection of »Musical House and Life Rules« – and Jakub Hrůša loves to rummage through the various treasure chests of late Romanticism with its manifold folkloristic styles. He constantly includes pieces by his beloved composer Dvořák on the programme – even the lesser-known ones, as he sees him as an artist »who is always interesting, in every work«. And so we now have the rarely performed »Heldenlied« to discover: a tone poem from 1898, which grippingly revolves around different moods from happiness to sorrow. For fans of sophisticated melodic works, we conclude with a large load of these: the Symphony No. 5 by Martinů, one of Jakub Hrůša’s favourite composers, revels in his typical soundscapes – with a rich array of colours, yearning parts, pulsating rhythms and hymn-like pathos.
February 9, 2025
Artistic depiction of the event

Jakub Hrůša, Ray Chen

Sun, Feb 9, 2025, 17:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Ray Chen (Violin)
»Listen carefully to all folk songs! They are a treasure trove of the most beautiful melodies and open your eyes to the nature of different cultures.« Robert Schumann once noted these wise words in his collection of »Musical House and Life Rules« – and Jakub Hrůša loves to rummage through the various treasure chests of late Romanticism with its manifold folkloristic styles. He constantly includes pieces by his beloved composer Dvořák on the programme – even the lesser-known ones, as he sees him as an artist »who is always interesting, in every work«. And so we now have the rarely performed »Heldenlied« to discover: a tone poem from 1898, which grippingly revolves around different moods from happiness to sorrow. For one of the most famous violin concertos from 1878, which we have long had on our wish list, we welcome Ray Chen, a gifted virtuoso: he loves playing with us and can now immerse himself in the emotions alongside our orchestra – because the often emotionally fragile Tchaikovsky always wanted to express »all the agony and ecstasy of love« in his music. For fans of sophisticated melodic works, we conclude with a large load of these: the Symphony No. 5 by Martinů, one of Jakub Hrůša’s favourite composers, revels in his typical soundscapes – with a rich array of colours, yearning parts, pulsating rhythms and hymn-like pathos.
March 1, 2025
Artistic depiction of the event

Jakub Hrůša, Jan Bartoš

Sat, Mar 1, 2025, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Jan Bartoš (Piano)
Fascinating expedition: Thanks to Jakub Hrůša, we and our audience regularly get to enjoy gems from the rich treasure trove of Bohemian music repertoire. He loves to bring the stories to the stage that the composers from there have set to music so ingeniously. Smetana in particular was a master of symphonic poems, and in this programme we play no fewer than three of them. They were all composed decades before his famous cycle »Má vlast« and are far too rarely heard in Germany. Based on literature by Shakespeare, Schiller and Adam Oehlenschläger, they revolve around different characters: »Richard III«, »Wallenstein’s Camp« and »Haakon Jarl«. They were inspired around 1860 by an encounter with Franz Liszt – who once praised Smetana with the words: »Here you have the composer with the true Bohemian heart, the artist gifted by God.« To set the mood for these dazzling tone poems, we also present two richly nuanced works: firstly Stravinsky’s magnificent wind symphonies, in his words a »ceremony in which different groups meet in short litany-like dialogues«. Our Chief Conductor has chosen these pieces, first performed in 1921, because he loves the sound of our wind section so much – and is thus able to present them in a perfect light. There is also a work from the pen of the Czech modernist composer that Jakub Hrůša has long been fond of and therefore always wants to draw attention to: together with the accomplished pianist Jan Bartoš, we will perform Martinů's imaginative fifth and final piano concerto from 1958 – a charming example of the emotional power of his music.