Keywords: Chamber Music, Special Concert, Vocal Music
| Les Lilas | |
| Elena Kodin | Violin |
| Isabella Stepanek | Viola |
| Wilfried Bartel | Guitar |
| Jean-Bernard Descharles | Guitar, Vocals |
| Thomas Reimer | Double bass |
Not provided |
These events are similar in terms of concept, place, musicians or the program.
Fünf Freunde [Five Friends] is the title of the exhibition (which runs until August 17) dedicated to the works and artistic circle of Cy Twombly, Robert Rauschenberg, Jasper Johns, Merce Cunningham, and John Cage. Examining cultural politics during the Cold War as well as the issue of what it meant to be a homosexual during this time opens up new perspectives on the historiography of post-war Modernism. As part of this collaboration, the musicians of the BRSO will be joined by more than 100 friends and will focus on the composer John Cage through chamber music concerts and panel discussions as well as “BRSO und du” programs at Museum Brandhorst.
Fünf Freunde [Five Friends] is the title of the exhibition (which runs until August 17) dedicated to the works and artistic circle of Cy Twombly, Robert Rauschenberg, Jasper Johns, Merce Cunningham, and John Cage. Examining cultural politics during the Cold War as well as the issue of what it meant to be a homosexual during this time opens up new perspectives on the historiography of post-war Modernism. As part of this collaboration, the musicians of the BRSO will be joined by more than 100 friends and will focus on the composer John Cage through chamber music concerts and panel discussions as well as “BRSO und du” programmes at Museum Brandhorst.
Fünf Freunde [Five Friends] is the title of the exhibition (which runs until August 17) dedicated to the works and artistic circle of Cy Twombly, Robert Rauschenberg, Jasper Johns, Merce Cunningham, and John Cage. Examining cultural politics during the Cold War as well as the issue of what it meant to be a homosexual during this time opens up new perspectives on the historiography of post-war Modernism. As part of this collaboration, the musicians of the BRSO will be joined by more than 100 friends and will focus on the composer John Cage through chamber music concerts and panel discussions as well as “BRSO und du” programs at Museum Brandhorst.
“Sorrow always – upward glance – celestial dew – recollection”: thus the words that Anton Webern set in his aphoristically short work for soprano and string quartet. They also stand as a motto for this unusual and cleverly assembled programme. The works in the first section come from completely different eras and interlock like meditations – devout, contemplative, ravishingly beautiful, yet pervaded by a “sweet” tone of sorrow. Schubert’s G major Quartet also directs its gaze into unknown dimensions. Few works of chamber music sustain the combination of sorrow and supplication with such existential force and urgency as this unique visionary creation from the year 1826.
“Sorrow always – upward glance – celestial dew – recollection”: thus the words that Anton Webern set in his aphoristically short work for soprano and string quartet. They also stand as a motto for this unusual and cleverly assembled programme. The works in the first section come from completely different eras and interlock like meditations – devout, contemplative, ravishingly beautiful, yet pervaded by a “sweet” tone of sorrow. Schubert’s G major Quartet also directs its gaze into unknown dimensions. Few works of chamber music sustain the combination of sorrow and supplication with such existential force and urgency as this unique visionary creation from the year 1826.
Concert Pulse