Keywords: Symphony Concert, Vocal Music
| Marie Jacquot | Conductor |
| Simone Schneider | Soprano |
| Ekaterina Gubanova | Mezzo-Soprano |
| Benjamin Bruns | Tenor |
| Mika Kares | Bass |
| Wiener Singakademie | |
| Wiener Symphoniker |
| Ludwig van Beethoven | Symphony No. 9 in d minor op. 125 "Choral" |
These events are similar in terms of concept, place, musicians or the program.
Uniting the vocal and orchestral forces of which he is the artistic heart and soul, Philippe Herreweghe celebrates solidarity, with Beethoven’s symphony inspired by Schiller’s Ode to Joy and Austrian composer Hanns Eisler’s pacifist oratorio Against the War.
What could be a more stylish way to end the year than with Beethoven's Ninth Symphony? This monumental work is far more than a musical classic – it is a message to humanity. With the famous Ode "To Joy," Beethoven celebrates the ideals of freedom, brotherhood, and hope. The rousing choral finale is a musical fireworks display that gives you goosebumps and makes you feel the power of community. The symphony begins with mysterious, quiet sounds, but then unfolds a seemingly endless variety of emotions: from dramatic tension to dance-like lightness to triumphant joy. Beethoven's Ninth Symphony leaves no one untouched and is perfect for the occasion – after all, New Year's Eve and New Year also stand for new beginnings, unity, and looking towards a better future.
What could be a more stylish way to end the year than with Beethoven's Ninth Symphony? This monumental work is far more than a musical classic – it is a message to humanity. With the famous Ode "To Joy," Beethoven celebrates the ideals of freedom, brotherhood, and hope. The rousing choral finale is a musical fireworks display that gives you goosebumps and makes you feel the power of community. The symphony begins with mysterious, quiet sounds, but then unfolds a seemingly endless variety of emotions: from dramatic tension to dance-like lightness to triumphant joy. Beethoven's Ninth Symphony leaves no one untouched and is perfect for the occasion – after all, New Year's Eve and New Year also stand for new beginnings, unity, and looking towards a better future.
On May 7, the premiere of Ludwig van Beethoven's Ninth Symphony will mark its 200th anniversary. The Orchestre des Champs-Élysées and the Collegium Vocale Gent choir under Philippe Herreweghe will perform the work. Herreweghe places the symphony in a pacifist context alongside Hanns Eisler's "Gegen den Krieg."
The SummerConcerts powered by VriendenLoterij present two months of wonderful concerts, from classical to jazz and from pop music to film scores. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as tributes to Leonard Cohen and The Beatles, and all your favourite film music.We also present a host of young talent in our summer concerts, including youth orchestras from South Africa and Turkey, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
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