Thomas Hengelbrock & Brahms 1 & 2

Date & Time

Sat, Jan 13, 2024, 20:00

Venue

Audimax der Universität Regensburg (Regensburg)

Unfortunately, Herbert Blomstedt had to cancel his Brahms cycle due to illness. Now we will experience the complete programme of the four symphonies with two different guests on the podium. Thomas Hengelbrock, who has already realised many exciting programmes with the BRSO, will conduct the first part with Symphonies No. 1 and No. 2. Brahms’ struggle for his first symphonic work, which the scrupulous composer only presented to the public at the age of 43, is legendary. In line with... Read full text

Keywords: Guest Concert, Subscription Concert, Symphony Concert

Info & Ticket (www.brso.de)

Musicians

Thomas Hengelbrock	Conductor
Symphonieorchester des Bayerischen Rundfunks

Program

Symphony No. 1 in c Minor, op. 68	Johannes Brahms
Symphony No. 2 in D major, op. 73	Johannes Brahms

Give feedback

Last update: Fri, Nov 22, 2024, 12:42

Similar events

These events are similar in terms of concept, place, musicians or the program.

Thomas Hengelbrock & Brahms 1 & 2

Thu, Jan 11, 2024, 20:00

Herkulessaal (München)

Thomas Hengelbrock (Conductor), Symphonieorchester des Bayerischen Rundfunks

Unfortunately, Herbert Blomstedt had to cancel his Brahms cycle due to illness. Now we will experience the complete programme of the four symphonies with two different guests on the podium. Thomas Hengelbrock, who has already realised many exciting programmes with the BRSO, will conduct the first part with Symphonies No. 1 and No. 2. Brahms’ struggle for his first symphonic work, which the scrupulous composer only presented to the public at the age of 43, is legendary. In line with the high expectations, Brahms finally presented a monumental work with a serious, pathetically coloured mood with his C minor Symphony. After that the Second Symphony in D major followed just one year later, which has a completely different character: Due to its cheerful, idyllic tone, it was also referred to as Brahms’ “Pastoral”.

Info (www.brso.de)

Thomas Hengelbrock & Brahms 1 & 2

Fri, Jan 12, 2024, 20:00

Herkulessaal (München)

Thomas Hengelbrock (Conductor), Symphonieorchester des Bayerischen Rundfunks

Unfortunately, Herbert Blomstedt had to cancel his Brahms cycle due to illness. Now we will experience the complete programme of the four symphonies with two different guests on the podium. Thomas Hengelbrock, who has already realised many exciting programmes with the BRSO, will conduct the first part with Symphonies No. 1 and No. 2. Brahms’ struggle for his first symphonic work, which the scrupulous composer only presented to the public at the age of 43, is legendary. In line with the high expectations, Brahms finally presented a monumental work with a serious, pathetically coloured mood with his C minor Symphony. After that the Second Symphony in D major followed just one year later, which has a completely different character: Due to its cheerful, idyllic tone, it was also referred to as Brahms’ “Pastoral”.

Info (www.brso.de)

Thomas Søndergård & Augustin Hadelich

Thu, Jun 15, 2023, 20:00

Herkulessaal (München)

Thomas Søndergård (Conductor), Augustin Hadelich (Violin), Symphonieorchester des Bayerischen Rundfunks

The barely ten-minute “Legend for Orchestra” about the guardian of the Finnish realm of the dead, The Swan of Tuonela, is one of Jean Sibelius’ best-known compositions and a showpiece for English horn – it is entrusted with the elegiac song with which the swan attracts the souls of the deceased. Afterwards, violinist Augustin Hadelich will interpret Ligeti’s Violin Concerto. The work, composed thirty years ago, captivates the listener with its iridescent, shimmering soundscapes and rhythmically motoric pulse. Furthermore the concert will conclude with Dvořák’s Seventh Symphony, his formidable response to Brahms’ Third. With this symphony, the Czech composer wanted to set “a world in motion”. The work was written for London. Long before he achieved the recognition he deserved on the continent, Dvořák was already held in high regard by the English audiences of the time.

Info (www.brso.de)

Thomas Søndergård & Augustin Hadelich

Fri, Jun 16, 2023, 20:00

Herkulessaal (München)

Thomas Søndergård (Conductor), Augustin Hadelich (Violin), Symphonieorchester des Bayerischen Rundfunks

The barely ten-minute “Legend for Orchestra” about the guardian of the Finnish realm of the dead, The Swan of Tuonela, is one of Jean Sibelius’ best-known compositions and a showpiece for English horn – it is entrusted with the elegiac song with which the swan attracts the souls of the deceased. Afterwards, violinist Augustin Hadelich will interpret Ligeti’s Violin Concerto. The work, composed thirty years ago, captivates the listener with its iridescent, shimmering soundscapes and rhythmically motoric pulse. Furthermore the concert will conclude with Dvořák’s Seventh Symphony, his formidable response to Brahms’ Third. With this symphony, the Czech composer wanted to set “a world in motion”. The work was written for London. Long before he achieved the recognition he deserved on the continent, Dvořák was already held in high regard by the English audiences of the time.

Info (www.brso.de)

Joana Mallwitz & Janine Jansen

Thu, Jun 23, 2022, 20:00

Herkulessaal (München)

Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks

At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.

Info (www.brso.de)

Joana Mallwitz & Janine Jansen

Fri, Jun 24, 2022, 20:00

Herkulessaal (München)

Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks

At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.

Info (www.brso.de)

Joana Mallwitz & Janine Jansen

Sat, Jun 25, 2022, 19:30

Regentenbau (Bad Kissingen)

Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks

At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.

Info (www.brso.de)

Sir Simon Rattle

Thu, Mar 14, 2024, 20:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Symphonieorchester des Bayerischen Rundfunks

A cleverly woven programme in which demise comes first: Sir Simon Rattle begins by letting Tristan and Isolde “lament, drown, and sink” in their “swelling, welling, resounding, flowing, urgent, vibrant” yearning for love. However, this sensation that has been transposed into music by Wagner along with its obsessive tragedy finally dissolves into the peaceful, contemplative atmosphere of birdsong, the babbling of a brook, footsteps, and a cleansing thunderstorm: Beethoven’s Pastoral transforms the walk of a city dweller in nature into an onomatopoeic experience and is thus decidedly reminiscent of Rattle’s inaugural concert as Chief Conductor that featured Haydn’s Creation. Between breathtaking harmonies and an intimate finale lies a substantial new orchestral work by Thomas Adès, composed for the 75th anniversary of the BRSO. Greatness in every respect.

Info (www.brso.de)

Sir Simon Rattle

Fri, Mar 15, 2024, 20:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Symphonieorchester des Bayerischen Rundfunks

A cleverly woven programme in which demise comes first: Sir Simon Rattle begins by letting Tristan and Isolde “lament, drown, and sink” in their “swelling, welling, resounding, flowing, urgent, vibrant” yearning for love. However, this sensation that has been transposed into music by Wagner along with its obsessive tragedy finally dissolves into the peaceful, contemplative atmosphere of birdsong, the babbling of a brook, footsteps, and a cleansing thunderstorm: Beethoven’s Pastoral transforms the walk of a city dweller in nature into an onomatopoeic experience and is thus decidedly reminiscent of Rattle’s inaugural concert as Chief Conductor that featured Haydn’s Creation. Between breathtaking harmonies and an intimate finale lies a substantial new orchestral work by Thomas Adès, composed for the 75th anniversary of the BRSO. Greatness in every respect.

Info (www.brso.de)

Sir Simon Rattle

Sat, Mar 16, 2024, 19:30

Musikverein Wien (Wien)

Sir Simon Rattle (Conductor), Symphonieorchester des Bayerischen Rundfunks

A cleverly woven programme in which demise comes first: Sir Simon Rattle begins by letting Tristan and Isolde “lament, drown, and sink” in their “swelling, welling, resounding, flowing, urgent, vibrant” yearning for love. However, this sensation that has been transposed into music by Wagner along with its obsessive tragedy finally dissolves into the peaceful, contemplative atmosphere of birdsong, the babbling of a brook, footsteps, and a cleansing thunderstorm: Beethoven’s Pastoral transforms the walk of a city dweller in nature into an onomatopoeic experience and is thus decidedly reminiscent of Rattle’s inaugural concert as Chief Conductor that featured Haydn’s Creation. Between breathtaking harmonies and an intimate finale lies a substantial new orchestral work by Thomas Adès, composed for the 75th anniversary of the BRSO. Greatness in every respect.

Info (www.brso.de)