| Guillermo Anzorena | Bariton |
| Ensemble Aventure | |
| SWR Experimentalstudio: | |
| Thomas Hummel | Sound Director |
| Leon Aviles Fucyman | Klangregieassistenz |
| Siphonophoraefür für sechs InstrumenteEpitafiofür Flöte, Klarinette, Violine, Cello, Klavier, Percussion und ElektronikAltazorfür Bariton, Flöte, Oboe, Klarinette, Percussion, Klavier, Violine, Viola, Cello und Elektronik | Hilda Paredes |
These events are similar in terms of concept, place, musicians or the program.
In his late work, Luigi Nono always also transformed the music into moving ambient sound. To achieve that, he regularly worked with the legendary SWR Experimentalstudio. One example is his vocal and instrumental work »Diario polacco No. 2«, in which electronic sounds permeate the hall. His work »›Hay que caminar‹ sognando«, in contrast, features two violinists wandering from one music desk to the next. Under conductor Léo Warynski, the Les Métaboles vocal ensemble and the SWR Experimentalstudio remember Nono the political man. When martial law was introduced in Poland in 1981 he wrote »Quando stanno morendo / Diario polacco No. 2« and dedicated it to persecuted Polish friends and comrades. Nono composed »›Hay que caminar‹ sognando« in 1989, one year before his death. With its »choreographic« arrangement, it epitomises an inscription, seen on a monastery wall, that had fascinated Nono: »Wanderer, there is no path. All that matters is the walking.«
“I’m fascinated by the problem of composing intermediate spaces – that is, the spaces that lie often between polarities, however covert, fragile or breathless.” Mark Andre explores the transitions between spirit and matter with a passion and meticulousness second to none. Fixed variables are far less interesting to him than states of flux. He is concerned with experiences that only become possible when borders are crossed. The two solo pieces on this programme arose in close collaboration with two equally gifted performers: the clarinettist Jörg Widmann and the double bass player Frank Reinecke. Both are famous for probing their own mental and physical limits, over and over again. Andre and Reinecke worked on the double-bass piece iv 18 “Sie fürchten sich nämlich” for three years. Reinecke describes the result: “It’s always a question of the ineffable. We’re suddenly very close to a secret, but the closeness doesn’t unveil the secret”. Fear and bliss lie cheek by jowl in the musical world of Mark Andre – and it’s almost always the Bible that opens the gateways to new dimensions.
Die Maus geht wieder ins Konzert – in einem bunten Mix aus Live-Musik, Lach- und Sachgeschichten, Videos und Rätseln entdeckt und erforscht sie das Leben und die märchenhafte Musik des norwegischen Komponisten Edvard Grieg. Ein Konzert zum Entdecken, Lernen und Erleben.
Anke and André go on a trip to the mountains, where they have many musical adventures. They discover marmots, listen to an alphorn, and take a fast-paced sled ride. A concert for the little ones to listen to and participate in!
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