Sir Simon Rattle

Date & Time

Thu, Feb 13, 2025, 20:00

Venue

No hell, no Last Judgement, no wrath, no fear, no dread. Not even Jesus’ name is mentioned in this Requiem, which Brahms simply called “German.” Brahms dispenses with religious exaltation and, in a letter to Clara Schumann, refers to one of the pinnacles of his musical output as “the work of a human being.” And Brahms underlines its deeply human message through the use of words from the Sermon on the Mount in the opening measures: “Blessed are those who... Read full text

Keywords: Subscription Concert, Vocal Music

Info & Ticket (www.brso.de)

Musicians

Sir Simon Rattle	Conductor
Lucy Crowe	Soprano
Andrè Schuen	Bariton
Bavarian Radio Chorus
Symphonieorchester des Bayerischen Rundfunks

Program

“Remembering”	Mark-Anthony Turnage
“Ein deutsches Requiem” for soloists, choir and orchestra, op. 45	Johannes Brahms

Give feedback

Last update: Fri, Nov 22, 2024, 12:42

Similar events

These events are similar in terms of concept, place, musicians or the program.

Sir Simon Rattle

Thu, Sep 21, 2023, 20:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Lucy Crowe (Soprano), Benjamin Bruns (Tenor), Christian Gerhaher (Bariton), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Simon Rattle felt no hesitation in commencing his tenure as Chief Conductor of the Chor and Symphonieorchester des BR with Haydn’s Creation. “It contains everything. The whole world. It looks both towards the past and far into the future of everything music can be. It is balance and revolution at the same time, a true work of the Enlightenment.” Magnificent choruses, graceful melodies, the finest polyphony, all firmly anchored in an optimistic view of humanity: “Anyone who doesn’t automatically feel better after hearing it really needs help,“ Simon Rattle says with a wink.” The Creation is healthy in a very honest way.” But health also includes a good dose of humor, and Haydn provides it, even in a setting as sacred as the Creation story. At the same time, a work radiating light also casts some shadows on our own present. What has remained of the spirit of the Enlightenment? And what have we done with the “world, so great, so wonderful”?

Info (www.brso.de)

Sir Simon Rattle

Fri, Sep 22, 2023, 20:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Lucy Crowe (Soprano), Benjamin Bruns (Tenor), Christian Gerhaher (Bariton), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Simon Rattle felt no hesitation in commencing his tenure as Chief Conductor of the Chor and Symphonieorchester des BR with Haydn’s Creation. “It contains everything. The whole world. It looks both towards the past and far into the future of everything music can be. It is balance and revolution at the same time, a true work of the Enlightenment.” Magnificent choruses, graceful melodies, the finest polyphony, all firmly anchored in an optimistic view of humanity: “Anyone who doesn’t automatically feel better after hearing it really needs help,“ Simon Rattle says with a wink.” The Creation is healthy in a very honest way.” But health also includes a good dose of humor, and Haydn provides it, even in a setting as sacred as the Creation story. At the same time, a work radiating light also casts some shadows on our own present. What has remained of the spirit of the Enlightenment? And what have we done with the “world, so great, so wonderful”?

Info (www.brso.de)

Sir Simon Rattle

Sun, Sep 24, 2023, 15:00

Basilika (Ottobeuren)

Sir Simon Rattle (Conductor), Lucy Crowe (Soprano), Benjamin Bruns (Tenor), Christian Gerhaher (Bariton), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Simon Rattle felt no hesitation in commencing his tenure as Chief Conductor of the Chor and Symphonieorchester des BR with Haydn’s Creation. “It contains everything. The whole world. It looks both towards the past and far into the future of everything music can be. It is balance and revolution at the same time, a true work of the Enlightenment.” Magnificent choruses, graceful melodies, the finest polyphony, all firmly anchored in an optimistic view of humanity: “Anyone who doesn’t automatically feel better after hearing it really needs help,“ Simon Rattle says with a wink.” The Creation is healthy in a very honest way.” But health also includes a good dose of humor, and Haydn provides it, even in a setting as sacred as the Creation story. At the same time, a work radiating light also casts some shadows on our own present. What has remained of the spirit of the Enlightenment? And what have we done with the “world, so great, so wonderful”?

Info (www.brso.de)

Sir Simon Rattle

Thu, Sep 26, 2024, 18:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Mark Padmore (Tenor), Camilla Tilling (Soprano), Magdalena Kožená (Mezzo-Soprano), Andrew Staples (Tenor), Roderick Williams (Bariton), Georg Nigl (Bariton), Augsburger Domsingknaben, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

If Sir Simon could only take one work with him to a desert island, it would be Bach’s St. Matthew Passion. According to the BRSO Chief Conductor, “there is no better way to start the new season than with this profound, very personal spiritual journey.” This music is closer to perfection than almost anything written before or since. Just think of the famous alto aria “Erbarme dich.” Rattle, the BRSO, and the Bavarian Radio Chorus have been waiting for this moment for three years. Fortunately, this is the same exquisite line-up of vocal soloists as the previously planned concert that had to be cancelled at short notice due to the pandemic, and which could only be watched via livestream. This line-up includes the British tenor Mark Padmore, one of the most charismatic Evangelists of our time. For the BRSO, it represents a most joyful reunion with a long-standing artistic companion and former Artist in Residence.

Info (www.brso.de)

Sir Simon Rattle

Fri, Sep 27, 2024, 18:00

Herkulessaal (München)

If Sir Simon could only take one work with him to a desert island, it would be Bach’s St. Matthew Passion. According to the BRSO Chief Conductor, “there is no better way to start the new season than with this profound, very personal spiritual journey.” This music is closer to perfection than almost anything written before or since. Just think of the famous alto aria “Erbarme dich.” Rattle, the BRSO, and the Bavarian Radio Chorus have been waiting for this moment for three years. Fortunately, this is the same exquisite line-up of vocal soloists as the previously planned concert that had to be cancelled at short notice due to the pandemic, and which could only be watched via livestream. This line-up includes the British tenor Mark Padmore, one of the most charismatic Evangelists of our time. For the BRSO, it represents a most joyful reunion with a long-standing artistic companion and former Artist in Residence.

Info (www.brso.de)

Sir Simon Rattle

Fri, Nov 1, 2024, 20:00

Isarphilharmonie (München)

Sir Simon Rattle (Conductor), Stuart Skelton (Tenor), Lise Davidsen (Soprano), Karen Cargill (Mezzo-Soprano), Franz-Josef Selig (Bass), Sean Michael Plumb (Bariton), Symphonieorchester des Bayerischen Rundfunks

“Thus might we die, that together / ever one, without end / never waking, never fearing / namelessly enveloped in love / given up to each other / to live only for love!” In Act 2 of the music drama, Tristan and Isolde assure each other of their boundless love, which outlasts even death. “And regardless of how often you perform it, it continues to be shocking,” says Sir Simon Rattle. For the BRSO Chief Conductor, this music by Wagner, in which every bar trembles and sways until everything finally dissolves, is a narcotic, an addictive drug. Rattle continues his series of Wagner operas in concert performances with the brilliant Lise Davidsen as Isolde, who is singing this role for the first time. This will undoubtedly be an eagerly awaited highlight of the early part of the concert season.

Info (www.brso.de)

Sir Simon Rattle

Sun, Nov 3, 2024, 19:00

Isarphilharmonie (München)

“Thus might we die, that together / ever one, without end / never waking, never fearing / namelessly enveloped in love / given up to each other / to live only for love!” In Act 2 of the music drama, Tristan and Isolde assure each other of their boundless love, which outlasts even death. “And regardless of how often you perform it, it continues to be shocking,” says Sir Simon Rattle. For the BRSO Chief Conductor, this music by Wagner, in which every bar trembles and sways until everything finally dissolves, is a narcotic, an addictive drug. Rattle continues his series of Wagner operas in concert performances with the brilliant Lise Davidsen as Isolde, who is singing this role for the first time. This will undoubtedly be an eagerly awaited highlight of the early part of the concert season.

Info (www.brso.de)

Sir Simon Rattle

Fri, Feb 14, 2025, 20:00

Herkulessaal (München)

Sir Simon Rattle (Conductor), Lucy Crowe (Soprano), Andrè Schuen (Bariton), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

No hell, no Last Judgement, no wrath, no fear, no dread. Not even Jesus’ name is mentioned in this Requiem, which Brahms simply called “German.” Brahms dispenses with religious exaltation and, in a letter to Clara Schumann, refers to one of the pinnacles of his musical output as “the work of a human being.” And Brahms underlines its deeply human message through the use of words from the Sermon on the Mount in the opening measures: “Blessed are those who mourn / for they shall be comforted.” The work is intended for those seeking hope and light. While it may be a Mass for the dead, Brahms does not dedicate it to the deceased but rather to those who are left behind. Providing a fitting complement is Turnage’s Remembering, which was written after the untimely death of a musician friend’s son from cancer.

Info & Ticket (www.brso.de)

Sir Simon Rattle

Thu, Sep 28, 2023, 20:00

Isarphilharmonie (München)

Sir Simon Rattle (Conductor), Symphonieorchester des Bayerischen Rundfunks

For his second concert as the new Chief Conductor of the BRSO, Simon Rattle has also chosen a piece that is very dear to him: Mahler’s Sixth Symphony. He once said in an interview that Haydn and Mahler were the two composers for whom he needed no translation; they had come to live with him. Similar to Haydn’s Creation, Mahler’s music is about the whole world – but a world that, only 100 years later, is already showing traces of considerable degradation. Mahler, especially in his Sixth Symphony and its devastating final movement, heralds the totality of human experience in the modern age. It is a work that Rattle considers an “icon,” and with his performance he joins the great Mahler tradition of the BRSO and its former chief conductors. Simon Rattle was already enthusiastic about the music of Betsy Jolas as a student, saying it was “like a late summer day, like a premium wine, full of character and color.” It was only much later that he got to know the French-American composer personally. The new piece by the 97-year-old, who for him remains youthfully wise, will “blend wonderfully with Mahler’s wild, timeless Sixth.”

Info (www.brso.de)

Sir Simon Rattle

Fri, Sep 29, 2023, 20:00

Isarphilharmonie (München)

Sir Simon Rattle (Conductor), Symphonieorchester des Bayerischen Rundfunks

For his second concert as the new Chief Conductor of the BRSO, Simon Rattle has also chosen a piece that is very dear to him: Mahler’s Sixth Symphony. He once said in an interview that Haydn and Mahler were the two composers for whom he needed no translation; they had come to live with him. Similar to Haydn’s Creation, Mahler’s music is about the whole world – but a world that, only 100 years later, is already showing traces of considerable degradation. Mahler, especially in his Sixth Symphony and its devastating final movement, heralds the totality of human experience in the modern age. It is a work that Rattle considers an “icon,” and with his performance he joins the great Mahler tradition of the BRSO and its former chief conductors. Simon Rattle was already enthusiastic about the music of Betsy Jolas as a student, saying it was “like a late summer day, like a premium wine, full of character and color.” It was only much later that he got to know the French-American composer personally. The new piece by the 97-year-old, who for him remains youthfully wise, will “blend wonderfully with Mahler’s wild, timeless Sixth.”

Info (www.brso.de)