Set your preferred locations for a better search. You can sign up here.

Seong-Jin Cho / Piano Recital

Date & Time
Tue, May 13, 2025, 20:00
When it sparkles and shimmers, when it becomes transparent and at the same time shines in all colours, then it quickly becomes clear who is sitting at the piano: Seong-Jin Cho, a distinctive artist who shot to fame in 2015 when he won the prestigious Chopin Competition – and a contract as an exclusive artist with Deutsche Grammophon quickly followed. He was already considered a pop star in his native South Korea. A fame that he himself only acknowledges with... Read full text

Keywords: Recital

Info & Ticket (www.elbphilharmonie.de)
Artistic depiction of the event

Musicians

Seong-Jin ChoPiano

Program

Information not provided
Give feedback
Last update: Sat, Nov 23, 2024, 10:27

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Seong-Jin Cho

Mon, May 19, 2025, 20:00
Kölner Philharmonie (Köln)
Seong-Jin Cho (Piano)
When it sparkles and shimmers, when it becomes transparent and shines in all colors, it quickly becomes clear who is sitting at the piano: the charismatic sound magician Seong-Jin Cho. In 2015, the Korean became famous overnight when he won the prestigious Chopin Competition. Now, in Ravel Year 2025, he sets out to explore the colorful cosmos of the French tone painter.
Info & Ticket (www.koelner-philharmonie.de)
Artistic depiction of the event

Jakub Hrůša, Seong-Jin Cho

Wed, Jan 22, 2025, 18:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Seong-Jin Cho (Piano)
»To play without passion is unforgivable.« Beethoven famously said – and under the spirited conducting of Jakub Hrůša, emotionally moving concerts happen regularly. In this programme, we delve into the depths of two moving pieces: We start with Beethoven’s last piano concerto, with which he opened the door wide for the incipient Romantic period. He wrote this popular masterpiece at a time of unfavourable circumstances, when Vienna was occupied by the Napoleonic troops. It was premiered in 1811 and features revolutionary, upbeat passages as well as a rich variety of complex emotions. As soloist we welcome the young South Korean artist Seong-Jin Cho, one of the most remarkable pianists of his generation. Our Chief Conductor is always in his element with Martinů’s colourful pieces. He has loved the visionary power of this composer since his childhood and is now President of the International Martinů Circle. The composer was an exceptionally prolific man – and with the Symphony No. 4 we are interpreting one of his impressive instrumental masterpieces: it was written in exile in America in 1945 and reflects his joy over the end of the war as well as his longing for his homeland with folkloristic episodes. Martinů’s Fourth is one of those fascinating pieces that fulfils what Jakub Hrůša once said about the appeal of his Czech compatriot: »It’s wonderful to play Martinů. He is one of those composers who speak directly to everyone – musicians and audience alike. As soon as you put his music on the programme, it’s a success.«
Info (www.bamberger-symphoniker.de)
Artistic depiction of the event

James Gaffigan & Seong-Jin Cho

Thu, Nov 3, 2022, 20:00
Isarphilharmonie (München)
James Gaffigan (Conductor), Seong-Jin Cho (Piano), Symphonieorchester des Bayerischen Rundfunks
“Rach 3”: thus the name often lovingly bestowed on Rachmaninoff’s Third Piano Concerto. Composed in 1909 for his first American tour, it has always languished somewhat in the shadow of his popular Second Piano Concerto. Yet this very fact reflects its special charisma: it is the longest of Rachmaninoff’s four concertos, is said to contain the greatest number of piano notes per second, and poses the greatest challenges to the soloist’s technique. But its virtuosity is not superficial and bombastic; time and again it is pervaded by gentle hues. The BRSO is delighted to rejoin the Korean pianist Seong-Jin Cho, who stepped in for Lang Lang at a benefit concert in 2018 and has long numbered among the world’s élite.
Info (www.brso.de)
Artistic depiction of the event

James Gaffigan & Seong-Jin Cho

Fri, Nov 4, 2022, 20:00
Isarphilharmonie (München)
James Gaffigan (Conductor), Seong-Jin Cho (Piano), Symphonieorchester des Bayerischen Rundfunks
“Rach 3”: thus the name often lovingly bestowed on Rachmaninoff’s Third Piano Concerto. Composed in 1909 for his first American tour, it has always languished somewhat in the shadow of his popular Second Piano Concerto. Yet this very fact reflects its special charisma: it is the longest of Rachmaninoff’s four concertos, is said to contain the greatest number of piano notes per second, and poses the greatest challenges to the soloist’s technique. But its virtuosity is not superficial and bombastic; time and again it is pervaded by gentle hues. The BRSO is delighted to rejoin the Korean pianist Seong-Jin Cho, who stepped in for Lang Lang at a benefit concert in 2018 and has long numbered among the world’s élite.
Info (www.brso.de)
Artistic depiction of the event

Seong-Jin Cho performs Beethoven’s Fifth Piano Concerto

Sat, Mar 15, 2025, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Jakub Hrůša (Conductor), Seong-Jin Cho (Piano)
Aleady as a child, artist in Residence Seong-Jin Cho was impressed by “the brilliant and dramatic expression” of Beethoven’s Piano Concerto No. 5. His view has since evolved, he says: “This music is not only fiery, but also lyrical, deep and broad”. He will perform the work with Jakub Hrůša, chief conductor of the Bamberg Symphony Orchestra. The Concerto for Orchestra, which shifts between melancholy and joie de vivre, is also one of Béla Bartók’s most popular works. Leoš Janáček’s folk suite from the opera Osud (Fate), on the other hand, is a rarely performed.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event

Seong-Jin Cho performs Beethoven’s Fifth Piano Concerto

Fri, Mar 14, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Jakub Hrůša (Conductor), Seong-Jin Cho (Piano)
Aleady as a child, artist in Residence Seong-Jin Cho was impressed by “the brilliant and dramatic expression” of Beethoven’s Piano Concerto No. 5. His view has since evolved, he says: “This music is not only fiery, but also lyrical, deep and broad”. He will perform the work with Jakub Hrůša, chief conductor of the Bamberg Symphony Orchestra. The Concerto for Orchestra, which shifts between melancholy and joie de vivre, is also one of Béla Bartók’s most popular works. Leoš Janáček’s folk suite from the opera Osud (Fate), on the other hand, is a rarely performed.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event

Seong-Jin Cho performs Beethoven’s Fifth Piano Concerto

Thu, Mar 13, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Jakub Hrůša (Conductor), Seong-Jin Cho (Piano)
Aleady as a child, artist in Residence Seong-Jin Cho was impressed by “the brilliant and dramatic expression” of Beethoven’s Piano Concerto No. 5. His view has since evolved, he says: “This music is not only fiery, but also lyrical, deep and broad”. He will perform the work with Jakub Hrůša, chief conductor of the Bamberg Symphony Orchestra. The Concerto for Orchestra, which shifts between melancholy and joie de vivre, is also one of Béla Bartók’s most popular works. Leoš Janáček’s folk suite from the opera Osud (Fate), on the other hand, is a rarely performed.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event

A Ravel evening with Seong-Jin Cho

Tue, Apr 29, 2025, 19:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Seong-Jin Cho (Piano)
Seong-Jin Cho loves the “incredible wealth of colours” and “often orchestral sound” of Maurice Ravel's piano music, where he finds a special form of sensitivity. He sees in Ravel “a person who smiles gently, but with tears in his eyes”. To mark the 150th anniversary of the French composer's birth, our Artist in Residence will perform Ravel's complete works for solo piano, including the gravitational Pavane pour une infante défunte, the mysterious Gaspard de la nuit and the sometimes lively, sometimes dreamy Valses nobles et sentimentales.
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event

Piano Recital

Sun, Dec 1, 2024, 19:00
Filharmonia Narodowa, Concert Hall (Warszawa)
Grigory Sokolov (Piano)
Grigory Sokolov, photo: Mary Slepkova / DG Grigory Sokolov has worked hard to secure privileges that few contemporary musicians can boast. He gives practically no interviews, rarely visits the recording studio, has performed solo for a number of years and compiles his own recital programmes, without particularly hurrying to announce them. He first sat at a piano at the age of five, almost 70 years ago. Ever since he has been reluctant to part with his beloved instrument, especially during his lengthy performances, giving endless encores (at times as long as a separate recital). Paradoxically, he is a rare example of an artist who communicates with the outside world almost exclusively through his performances, which force reviewers into extraordinary, at times quite humorous, verbal gymnastics in search of the right concepts to describe the artistry of his playing and the aura he creates around him. A voluminous anthology of surprising metaphors might be compiled from the texts on Sokolov’s playing, which may suggest that it is impossible to capture the personality of this remarkable pianist, let alone his interpretations, in words. Bartłomiej Gembicki
Info (filharmonia.pl)