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Riccardo Chailly conducts the Concertgebouw Orchestra in Bruckner's Ninth

Date & Time
Thu, Feb 6, 2025, 20:15
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety... Read full text

Keywords: Symphony Concert

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Musicians

Concertgebouw Orchestra
Riccardo ChaillyConductor

Program

Symphony No. 9 in d minor 'To the beloved God'Anton Bruckner
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Last update: Fri, Nov 22, 2024, 12:40

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Riccardo Chailly conducts Bruckner's Symphony No. 9

Fri, Feb 7, 2025, 20:15
Concertgebouw Orchestra, Riccardo Chailly (Conductor)
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
Artistic depiction of the event

Riccardo Chailly conducts Bruckner's Symphony No. 9

Sun, Feb 9, 2025, 14:15
Concertgebouw Orchestra, Riccardo Chailly (Conductor)
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
Artistic depiction of the event

Jaap van Zweden conducts the Concertgebouw Orchestra in Bruckner's Fourth

Wed, Oct 2, 2024, 20:15
Concertgebouw Orchestra, Jaap van Zweden (Conductor)
Jaap van Zweden conducts Anton Bruckner’s popular Fourth Symphony. Enticing, entreating themes and motifs which are constantly repeated lure us into a new sound world. Bruckner was more than a century ahead of Steve Reich’s hypnotic music. The American minimalist pioneer has written increasingly exuberant compositions over the years. Reich claims that the calibre of modern orchestras is now so high that he no longer need limit himself to composing for small ensembles. Music for Ensemble and Orchestra is an enchanting tapestry of tight rhythmic patterns and kaleidoscopic harmonies, with a timeless effect.Time also seems to stand still in Anton Bruckner’s symphonies, as if one were viewing a slowly revolving celestial body from a great distance. The Fourth Symphony, however, is an exceptionally agile and anecdotal work, which Bruckner himself described as a ‘romantic spectacle’ of medieval castles, magical forests and knights on proud horses.
Artistic depiction of the event

Jaap van Zweden conducts the Concertgebouw Orchestra in Bruckner's Fourth

Fri, Oct 4, 2024, 20:15
Concertgebouw Orchestra, Jaap van Zweden (Conductor)
Jaap van Zweden conducts Anton Bruckner’s popular Fourth Symphony. Enticing, entreating themes and motifs which are constantly repeated lure us into a new sound world. Bruckner was more than a century ahead of Steve Reich’s hypnotic music. The American minimalist pioneer has written increasingly exuberant compositions over the years. Reich claims that the calibre of modern orchestras is now so high that he no longer need limit himself to composing for small ensembles. Music for Ensemble and Orchestra is an enchanting tapestry of tight rhythmic patterns and kaleidoscopic harmonies, with a timeless effect.Time also seems to stand still in Anton Bruckner’s symphonies, as if one were viewing a slowly revolving celestial body from a great distance. The Fourth Symphony, however, is an exceptionally agile and anecdotal work, which Bruckner himself described as a ‘romantic spectacle’ of medieval castles, magical forests and knights on proud horses.
Artistic depiction of the event

Jaap van Zweden conducts the Concertgebouw Orchestra in Bruckner's Fourth

Sat, Oct 5, 2024, 20:15
Concertgebouw Orchestra, Jaap van Zweden (Conductor)
Jaap van Zweden conducts Anton Bruckner’s popular Fourth Symphony. Enticing, entreating themes and motifs which are constantly repeated lure us into a new sound world. Bruckner was more than a century ahead of Steve Reich’s hypnotic music. The American minimalist pioneer has written increasingly exuberant compositions over the years. Reich claims that the calibre of modern orchestras is now so high that he no longer need limit himself to composing for small ensembles. Music for Ensemble and Orchestra is an enchanting tapestry of tight rhythmic patterns and kaleidoscopic harmonies, with a timeless effect.Time also seems to stand still in Anton Bruckner’s symphonies, as if one were viewing a slowly revolving celestial body from a great distance. The Fourth Symphony, however, is an exceptionally agile and anecdotal work, which Bruckner himself described as a ‘romantic spectacle’ of medieval castles, magical forests and knights on proud horses.
Artistic depiction of the event

Jaap van Zweden conducts the Concertgebouw Orchestra in Bruckner’s ‘Romantic’ Fourth

Thu, Oct 3, 2024, 20:15
Concertgebouw Orchestra, Jaap van Zweden (Conductor)
The Concertgebouw Orchestra is performing the Fourth Symphony, one of Bruckner’s most popular works, under the direction of Jaap van Zweden. Bruckner himself called his Fourth the ‘Romantic’ – and by that, he mainly meant ‘romantic’ in the sense of medieval knights and castles. The composer sketched the following outline, for instance, for the first movement: ‘Medieval city – Daybreak – Morning calls sound from the city towers – the gates open – On proud horses the knights burst out into the open… – forest murmurs’. Of the third movement, he wrote, ‘hunt’ and ‘a barrel organ plays during the midday meal in the forest’. What about the stark Finale? ‘I don’t recall what I was thinking about there,’ the composer admitted. In any event, this is highly evocative music that lets each listener imagine their own story.
Artistic depiction of the event

Vladimir Jurowski conducts the Concertgebouw Orchestra in Bruckner’s Symphony No. 1

Sun, Dec 8, 2024, 14:15
Concertgebouw Orchestra, Vladimir Jurowski (Conductor)
Bruckner’s FirstAnton Bruckner’s First Symphony is rarely performed. And that’s a shame, since this delightful journey through the Austrian countryside of Bruckner’s youth is a comprehensive introduction to his symphonic œuvre. Conductor Vladimir Jurowski considers it ‘an amazing artistic achievement to write such a symphony ten years before the composition of Brahms’ First Symphony (…). Bruckner takes Schubert's lyrical symphonic style to its extremes and even beyond them. One can clearly sense the essence of all later symphonies by Bruckner in this one, as if contained in a nutshell.’ At the premiere of Bruckner’s First Symphony in Linz, audiences were above all amazed that their city organist could write symphonies. Shortly afterwards, the ambitious Bruckner moved to Vienna, the city of his predecessors Haydn, Mozart, Beethoven and Schubert, whose Viennese classical influences are still palpable in his First Symphony. Vladimir Jurowski juxtaposes Bruckner’s First with Mozart’s penultimate symphony, the tempestuous No. 40 in G minor, a forerunner of Romanticism.Jurowski has been a popular guest conductor with the Concertgebouw Orchestra since 2006, one with a versatile repertoire – indeed, this is the first time he is conducting Bruckner in Amsterdam.
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Andrew Manze leads the Concertgebouw Orchestra in Bruckner's Second

Fri, Sep 27, 2024, 20:15
Concertgebouw Orchestra, Andrew Manze (Conductor)
Bruckner’s Second Symphony is very different in tone from the extroverted First, a fact which is apparent right from the opening, when the high strings cautiously lay out a carpet of sound for the plaintive melody in the cellos. Unusual in this work are the silences (or Pausen in German) that regularly occur, which resulted in the Second jokingly being called the ‘Pausen’ Symphony. ‘Well,’ Bruckner is said to have answered, ‘when I have something important to say, I must take a deep breath first!’ The extraordinarily beautiful slow movement has a religious feel to it, with a secondary theme which is often described as mystical, a quotation from Bruckner’s own Mass in f-minor, and an enigmatic passage which anticipates his Ninth Symphony.Up to now, only five conductors have led the Concertgebouw Orchestra in this work – its last performance was under the direction of Riccardo Chailly in 1992. Now Andrew Manze is taking up the gauntlet. Originally an early music specialist, Manze applies his insights to music from all periods with great ease.
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Simone Young conducts the Concertgebouw Orchestra Bruckner’s Symphony No. 6

Fri, Jan 17, 2025, 20:15
Concertgebouw Orchestra, Simone Young (Conductor)
The Sixth Symphony is shorter, lighter in tone and less monumental than Bruckner’s other symphonies. Bruckner himself was in the habit of saying ‘Die Sechste ist die keckste’ (the Sixth is the sauciest). Perhaps most remarkable is the third movement: instead of the lively, Ländler-like folk dances that characterise his scherzos, Bruckner wrote a rather dark and eerie movement here, with a theme from his Fifth appearing in the Trio. It was not until December 1930, under the baton of Willem Mengelberg, that the Concertgebouw Orchestra would programme the Sixth Symphony for the first time. The performance was hailed as a success. ‘Although most of Bruckner’s symphonies can be compared to a proud Baroque cathedral,’ one critic wrote, ‘his Sixth bears a greater resemblance to a chapel – intimate and transparent, standing in an open, sunny clearing in a proud forest.’Bruckner expert Simone Young devoted herself exclusively to her work as artistic director of the Hamburg State Opera and chief music director of the Hamburg Philharmonic from 2005 to 2015. In recent years, she has returned to performing regularly as a guest conductor with major orchestras all over the world; she is making her first appearance with the Concertgebouw Orchestra conducting Bruckner’s Sixth Symphony.
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Klaus Mäkelä conducts the Concertgebouw Orchestra in Mahler

Thu, Sep 19, 2024, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor)
When Gustav Mahler came to Amsterdam to conduct the Dutch premiere of his First Symphony in 1903, a close collaboration started – so began the Concertgebouw Orchestra’s much-vaunted Mahler tradition. Klaus Mäkelä steps into that tradition with respect and self-confidence. He previously gave stunning interpretations of the Sixth and the Third, now it is time for the First, which he calls Mahler's 'pastoral’ symphony: ‘I’ve always been attracted to its imaginative beauty, and its freshness. The expression is extremely clear, and it contains all the elements of his later work.’Klaus Mäkelä opens the concert with Verklärte Nacht by Mahler's contemporary Arnold Schoenberg, who was born 150 years ago in Vienna. The late-romantic work is based on a poem by Richard Dehmel about a woman who confesses to her loved one that she is carrying someone else’s child. The music closely follows the conversation and draws the listener into an intimate emotional journey leading from fear and guilt to pure happiness.