Plácido Domingo und die Bremer Philharmoniker – My Life for Music

Ultraschall – Festival for new Music

Vladimir Jurowski sees himself as a politically aware artist who intervenes and takes a stand on current events. The RSB’s concert at Ultraschall Berlin is therefore particularly characterised by current affairs.Olga Rayeva: On the seaMany of her compositions deal with the theme of the sea. This is no coincidence: her early childhood is deeply connected with two cities: Moscow, where there is no sea, and Mariupol, where her mother’s parents lived at the time. She was always very happy in Mariupol and dreamed her whole life of being back there one day, near the somewhat murky, green Sea of Azov. She would then walk along an alleyway in this southern city to the small theatre…Now neither the theatre nor the town itself exists.This is a personal tragedy for Olga. The events of the last few years have destroyed her to a large extent internally. And the only way for a composer to deal with trauma is to write music.Elnaz Seyedi: a mark of our breathElnaz Seyedi’s compositions are influenced by literature, architecture and the visual arts as well as her studies in computer science. The sounds often oscillate between rigour and delicacy. Her work “a mark of our breath” was premiered as part of the concert series ‘Miniatures of Time’ – a series of twelve short orchestral pieces commissioned by Westdeutscher Rundfunk from various composers. They all deal with issues of our time, such as sustainability or the coronavirus crisis. Elnaz Seyedi himself writes about a mark of our breath:“The composition was created in 2021 during a stay in Wendland. Inspired by the expansive view with three quarters of the sky, which is different in every weather and every time of day, but actually always spectacular, and a landscape with a rich spectrum of green and later in autumn of yellow. The piece begins in this peaceful landscape, which gradually breaks up from within. The human voices – played and sung simultaneously in the brass instruments – are on the one hand part of this landscape, enriching it with their very special colour. On the other hand, their flipside is the destruction of the seemingly original.”Farzia Fallah “Traces of a Burning Mass” for orchestraLike Seyedi, Farzia Fallah was also born in Iran. Her orchestral work, for which she received the Heidelberg Women Artists’ Prize, was written during the protests against the violent death of Mahsa Amini in police custody in autumn 2022: musical traces of a burning, angry, freedom-loving mass. The concert can be heard on the radio on the following dates:Deutschlandfunk Kultur: 18 January 2024, 8:03 pm rbbKultur: 12 March 2024, 11:03 pm About the festival:The “Ultraschall – Festival for New Music” presents recently created works in a music-historical context that goes back to the beginnings of the post-war avant-garde, a period that now spans more than 70 years.In recent years, more and more premieres and first performances have been presented at the festival, and some of the works are also commissioned by the festival, but the approach remains the same: to give space to current trends in contemporary music and at the same time to categorise these current productions in terms of music history.

Ultraschall – Festival for New Music

The concert will be broadcasted live on Deutschlandfunk Kultur at 8 pm.

Guest performance ‟The Soundtrack of My Lifeˮ

Schumann: Das Paradies und die Peri

Robert Schumann’s only oratorio is based on an oriental legend: the Peri, a fallen angelic being, seeks the way back to heavenly paradise. Only those who bring »heaven’s favourite gift« will open the door to heaven. The Peri travels around the world searching until she finally finds the right gift and »Eden’s gate« opens for her again. Robert Schumann learnt about the story of the fallen angel from the Irish poet Thomas Moore, who put this »oriental romance« into verse. It inspired him to write one of his most beautiful and important works, a »new genre for the concert hall, an oratorio, but not for the prayer hall – but for cheerful people«.

Kinder- und Jugendchor Die Jungs / Rolf Zuckowski

When a cool children’s and youth choir like DIE JUNGS performs on stage together with Rolf Zuckowski at the beginning of December, you can look forward to a very special way to get into the Christmas spirit. Because what more do you need than 50 boys who are really looking forward to Christmas? A mixture of traditional Christmas songs in a special JUNGS guise, with a few modern Christmas songs thrown in, and Rolf, who sings the audience into a wonderful Christmas mood with his Christmas songs anyway. This is exactly why choirmaster Jens Pape, Rolf Zuckowski and DIE JUNGS are looking forward to ringing in December with lots of fun, energy and great singing at the Laeiszhalle Rectial Hall for all those in search of Christmas.

Bach's Suite for Orchestra No. 3 and Handel's Water Music

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

»Senta und die verfluchte Partitur« Concert for families, schools and pre-school groups

»Senta und die verfluchte Partitur«, a spooky musical for young and old about a musical score that is cursed will give you goosebumps and make you laugh as you marvel at its magic! Four actors whisk you off into a magical mystery world and, together with around 80 musicians from the Munich Philharmonic, play music for you that has long been forgotten and may even be cursed. More information