Roberto Gonzalez-Monjas Hilary Hahn Jean Sibelius Antonín Dvořák Ludwig van Beethoven

Marta Gardolińska Jeneba Kanneh-Mason Joseph Haydn Florence Price Ludwig van Beethoven

Joseph Haydn (1732-1809) finished the oratory The Creation in 1798, inspired by great experiences with G.F. Handel's oratorios during his stay in London. The lyrics are based on the first chapters of the Bible, and the opening for the orchestra describes the darkness and emptiness before the creation. In 2009, a couple were cleaning out a run-down building in the small American town of St. Anne when they came across a large collection of sheet music. The collection turned out to be many unreleased works by the composer Florence Price (1887-1953), who had used the building as a summer house. One of the works they discovered, which has experienced a renaissance in recent years, is Florence Price's Piano Concerto in One Movement from 1934. In the work, Price combines a romantic tonal language with Afro-American folk tunes. The composer was the soloist during the premiere in Chicago. "How happy I shall be when I can walk for a while between bushes and woods, under trees, through grass and around rocks,” Ludwig van Beethoven (1770-1827) wrote to a friend in 1810. The composer went out to parks or forests and fields as often as he could. Beethoven’s Symphony No. 6 in F Major, with the nickname Pastoral Symphony, is the most apparent expression of his love for nature. The first and last movements describe the joy of being out in the open; in the movements in between, he describes, among other things, a scene by the stream, folk dancing, and a heavy thunderstorm.