Opera Lecture: Lash

Opera Lecture: Macbeth

About 560 employees and innumerable guests behind and before the stage see to it that at the Deutsche Oper Berlin “the cloth is raised”, enabling the audience to leave the scene enriched by unforgettable impressions. We cannot introduce you to every personality at once in our OPERNWERKSTATT series. But if you regularly visit the OPERNWERKSTATT you will gradually get to know them: the clever brains behind the Opera as work of Art, and the dreams, thoughts, emotions and ambitions associated with her. OPERNWERKSTATT brings you together with directors, conductors, singers, study directors, dramaturges, theatre creators. Each event starts with a visit to a scenic or musical rehearsal. After a glimpse into the workshop we shall introduce you to the emerging project and answer your questions. So that you can see what moves us.

Opera Lecture: Die Frau ohne Schatten

About 560 employees and innumerable guests behind and before the stage see to it that at the Deutsche Oper Berlin “the cloth is raised”, enabling the audience to leave the scene enriched by unforgettable impressions. We cannot introduce you to every personality at once in our OPERNWERKSTATT series. But if you regularly visit the OPERNWERKSTATT you will gradually get to know them: the clever brains behind the Opera as work of Art, and the dreams, thoughts, emotions and ambitions associated with her. OPERNWERKSTATT brings you together with directors, conductors, singers, study directors, dramaturges, theatre creators. Each event starts with a visit to a scenic or musical rehearsal. After a glimpse into the workshop we shall introduce you to the emerging project and answer your questions. So that you can see what moves us.

Opera Lecture: Aufstieg und Fall der Stadt Mahagonny

About 560 employees and innumerable guests behind and before the stage see to it that at the Deutsche Oper Berlin “the cloth is raised”, enabling the audience to leave the scene enriched by unforgettable impressions. We cannot introduce you to every personality at once in our OPERNWERKSTATT series. But if you regularly visit the OPERNWERKSTATT you will gradually get to know them: the clever brains behind the Opera as work of Art, and the dreams, thoughts, emotions and ambitions associated with her. OPERNWERKSTATT brings you together with directors, conductors, singers, study directors, dramaturges, theatre creators. Each event starts with a visit to a scenic or musical rehearsal. After a glimpse into the workshop we shall introduce you to the emerging project and answer your questions. So that you can see what moves us.

Lash

About the work A woman is suspended in the in the immediate aftermath of a death. She recounts fantasies and memories of love and loss and fucking and sickness, kissing, eyeballs, genitals, fingertips, lips and lashes – each scoured for consoling significance to hold back death’s meaninglessness. Through the imminence of her own body, her own mortality, she rediscovers loss as the precondition of experience – of love. LASH is the first opera by celebrated German-British composer Rebecca Saunders. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins. About the production LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Lash

About the work A woman is suspended in the in the immediate aftermath of a death. She recounts fantasies and memories of love and loss and fucking and sickness, kissing, eyeballs, genitals, fingertips, lips and lashes – each scoured for consoling significance to hold back death’s meaninglessness. Through the imminence of her own body, her own mortality, she rediscovers loss as the precondition of experience – of love. LASH is the first opera by celebrated German-British composer Rebecca Saunders. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins. About the production LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Lash

About the work A woman is suspended in the in the immediate aftermath of a death. She recounts fantasies and memories of love and loss and fucking and sickness, kissing, eyeballs, genitals, fingertips, lips and lashes – each scoured for consoling significance to hold back death’s meaninglessness. Through the imminence of her own body, her own mortality, she rediscovers loss as the precondition of experience – of love. LASH is the first opera by celebrated German-British composer Rebecca Saunders. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins. About the production LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Lash

About the work A woman is suspended in the in the immediate aftermath of a death. She recounts fantasies and memories of love and loss and fucking and sickness, kissing, eyeballs, genitals, fingertips, lips and lashes – each scoured for consoling significance to hold back death’s meaninglessness. Through the imminence of her own body, her own mortality, she rediscovers loss as the precondition of experience – of love. LASH is the first opera by celebrated German-British composer Rebecca Saunders. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins. About the production LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Lash

About the work A woman is suspended in the in the immediate aftermath of a death. She recounts fantasies and memories of love and loss and fucking and sickness, kissing, eyeballs, genitals, fingertips, lips and lashes – each scoured for consoling significance to hold back death’s meaninglessness. Through the imminence of her own body, her own mortality, she rediscovers loss as the precondition of experience – of love. LASH is the first opera by celebrated German-British composer Rebecca Saunders. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins. About the production LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Family opera: Der herzlose Riese