JazzKLUB / Wonderfully swinging / Kresten Osgood Quintet

Date & Time

Wed, Apr 30, 2025, 19:30

Venue

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

It is difficult to overestimate Kresten Osgood’s significance for the Danish scene. There is nothing he would not play, no challenge he would not accept. And even when he wants to pay tribute to the jazz tradition in the iconic formula of a quintet with the trumpet and the saxophone, he does it on his own terms – alongside the immortal standards by Monk and Dolphy, he reaches for contemporary musicians (such as Kirk Knuffke), ones who have not found... Read full text

Keywords: Jazz & World, Subscription Concert

Info & Ticket (nospr.org.pl)

Musicians

Kresten Osgood	Drums
Jeppe Zeeberg	Piano
Erik Kimestad Pedersen	Trumpet
Mads Egetoft	Saxophon
Matthias Petri	Double bass

Program

Information not provided

Give feedback

Last update: Sat, Nov 23, 2024, 12:14

Similar events

These events are similar in terms of concept, place, musicians or the program.

JazzKLUB / Insane Imagination / James Brandon Lewis’ Red Lily Quintet

Tue, Nov 26, 2024, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

James Brandon Lewis (Tenor Saxophone), Kirk Knuffke, Tomeka Reid (Cello), Silvia Bolognesi (Double bass), Lily Finnegan (Drums)

The 40-year-old saxophonist’s music is a bridge between the religious tradition of the Black South, the heritage of wonderful jazz tenors, and the fire of free jazz. It is not so much located in the borderlands of jazz classics and the so-called avant garde, as it is above the division, ever more artificial these days. The leader of the Red Lily Quintet managed to bring together musicians who think similarly to him, the very best in the generation of great synthesis. Lewis’ skills as a saxophonist go through the roof and his imagination is insane – this much is well known. He is also characterised by charisma and a specific type of fervour that is sometimes described as “soulful”, “emotional” and “deep”, but none of the words alone could ever summarise the attitude. To see James Brandon Lewis playing live is an experience like none other. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info (nospr.org.pl)

JazzKLUB / Gombrowicz-style irony

Tue, Nov 5, 2024, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Michał Żak, Szymon Miśniak (Drums), Piotr Damasiewicz, Franciszek Pospieszalski, Samuel Yirga (Piano), Endris Hassen

Bands such as the Transatlantyk are the ultimate proof of the existence of a wave of creators integrating Polish folk music with various forms of improvised music. The power of this current lies in its diversity, which is why Michał Żak’s ensemble can be deemed its part, even though it sounds like no other. The band’s leader inherited the old dulcimer, made from a grand piano lid and saved from the whirlwinds and turmoil of the war, from his grandfather, a folk musician from the Vilnius region. He found a fitting repertoire and – most importantly – had an ingenious idea for its interpretation. One can hear a little nostalgia for a bygone world, as well as echoes of cheesy village-hall discos, some free jazz from underground clubs, and sometimes a bit of America and Africa, i.e. everything that musical Polishness has met while travelling the world – both literally and metaphorically. And all this is spiced up with irony straight from Gombrowicz’ novels. There was no better companion Michał Żak could invite to join him in the concert than Piotr Damasiewicz, who also blazes new trails for the folk-free-jazz current in his own band, Into the Roots. Tomasz Gregorczyk Concert duration: approximately 70 minutes

Info (nospr.org.pl)

JazzKLUB / Fire, heat, wildness

Tue, Feb 18, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Jamie Benzies (Bass guitar), Jamie Benzies (Vocal), Tilé Gichigi-Lipere (Electronics), Rob Milne (Tenor Saxophone), Rob Milne (Flute), Javi Perez (Electric Guitar), Anna Chai (Saxophon), Haryy Ling (Percussion)

When the cicadas start their evening concert, the world is filled with sound, and so it is with the British band. They are masters of arranging space, centred around bass guitar, drums and keyboards combined with electronics, creators of a dense but not overpowering sound, enthusiasts of musical ideas from which fire, heat, and, as they claim, wildness emanate. They are said to be the new wave of jazz-rock as they return to Jamaican rhythms, electronic soundscapes, the groove of hip-hop and the danceable beat of the drums. At times, Cykada can be raw, but on the other hand, it combines dance with the improvisation and freedom typical of jazz. It is a fusion unique in its league, balancing on the edge of genres. Maria Wilczek-Krupa Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)

JazzKLUB / Theo Croker Quartet / The Visionary Trumpet

Tue, May 20, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Theo Croker (Trumpet), Mike King, Eric Wheeler (Double bass), Jaylen Petinaud (Drums)

It is not easy to live up to the legend and bear the legacy of your grandfather – a trumpet player who was a favourite of Armstrong and toured with Goodman. The grandfather was an icon of New Orleans jazz who had little to do with New Orleans itself but went down in history as a significant genre representative. From Doc Cheatham, Croker inherited determination and a propensity for titanic work. He was exposed to jazz as a child, although at the time, he didn't understand what heritage was, and he wanted to play the trumpet because it sounded majestic and loud. His music has a lot of elegance and a willingness to experiment with style. You can hear soul music, R&B, or hip-hop there, and Croker does not shy away from electronic music either. His artistic emploi can be summed up in two words: ambition and vision. A quote could also be used: 'The world is constantly changing. It was fought differently by my grandfather; it is fought differently by me.' Maria Wilczek-Krupa Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)

JazzKLUB / Jazzy Oberek / Jose Manuel Albán-Juárez

Tue, Dec 3, 2024, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Jose Manuel Albán-Juárez (Percussion instruments), Nikodem Bąkowski (Percussion instruments), Radosław Nowicki (Saxophon), Piotr Zabrodzki (Piano), Sławomir Kurkiewicz (Double bass), Shachar Elnatan (Electric Guitar)

The oberek has already been paired with jazz, both classical and free, but a combination like this is a true innovation. In José Manuel Albán-Juárez’ music, the triple-step dance of the Polish lowlands meets Afroamerican music, and precisely that of Peru, the homeland of the Szczecin-born artist’s father. “Why so late!” – is what one feels like shouting out loud. The artist’s 25 years on stage – from Maanam, through Łona and Radzimir Dębski, to symphony orchestras – are crowned in the best way possible: presenting his most personal vision to the world. Albán-Juárez would spend his childhood holidays in the Mazovian countryside and in Peru – he quickly observed a correspondence between the musical traditions of those distant places. Musica negra y blanca is a realisation of those childhood observations – moving and natural, as if Poland and Peru were not over 11 thousand kilometres and several time zones away. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info (nospr.org.pl)

JazzKLUB / Marcin Masecki Trio / Thelonious Monk’s New Incarnation

Tue, Jan 21, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Marcin Masecki (Piano), Eldar Tsalikov (Clarinet), Jan Pieniążek (Drums)

„He’s got time!” is what Tomasz Stańko used to say about Thelonious Monk, but he could just as well say the same about Marcin Masecki. „He has time” – meaning that he is its master, stretching it or condensing it, with disregard for any rules whatsoever, except those he created himself. Monk felt the basic dimension of reality and expressed it in his music unlike anyone else – so it is with Masecki. The artistic kinship between the two artists is striking, with their special sense for timing enhanced by the propensity for dissonance, so characteristic for both. They could not meet – Monk passed away in February of 1982 and Masecki was born in September the same year. In the concert, however, the Polish pianist is going to converse with his American predecessor. And there is so much they have to say to one another. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info (nospr.org.pl)

JazzKLUB / Monk’s Casino / How to love Monk? Unorthodoxically!

Tue, Apr 1, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Alexander von Schlippenbach (Piano), Axel Dörner (Trumpet), Rudi Mahall (Bass clarinet), Jan Roder (Double bass), Michael Griener (Drums)

Reportedly, for many years, Alexander von Schlippenbach was considered the only European able to play Monk’s Off Minor properly. An exquisite proof of how well the German free jazz legend felt Monk was the album Monk’s Casino, probably the first instance in history, in which all, nearly seventy, of Monk’s compositions were recorded together. The ensemble, made up of great personalities of European improvised music, such as Axel Dörner and Rudi Mahall – whose personal attitudes to Monk are no less interesting – proved perfect and has now been performing together for twenty years. The group’s formula has not burnt out, as the last thing to be expected from Schlippenbach is an orthodox approach to originals. Nevertheless, there is respect and love for the music by the composer of Epistrophy to be found in every sound of those, very personal, interpretations. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)

JazzKLUB / Myra Melford Splash Trio / Juicy Boogie Woogie

Tue, May 6, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Myra Melford (Piano), Michael Formanek (Double bass), Ches Smith (Drums)

She debuted in the early 90s, in the golden era of New York’s Downtown. Since the beginnings of her collaboration with such musicians as Dave Douglas or Chris Speed, her further projects have constantly confirmed her status as a pianist at the forefront of modern unorthodox jazz. Melford’s openness to the world is unparallelled – she finds artistic inspiration in a journey to India, the ceremonies of the Mexican Huichol tribe, poetry by the Sufi mystic Rumi, as well as in the story of the architect Frank Lloyd Wright. The music of her newest trio is inspired by the paintings of the American abstractionist Cy Twombly. The fact that each member of the trio can boast impressive skill while simultaneously keeping their minds open, enables the group to fluently meander between the abstract and the concrete, between a delicateness of mood and pure expressiveness. With years of experience behind her, Melford’s music today is as refined as it has never been before, and yet not devoid of wildness and unpredictability. There are few pianists capable of transitioning between clusters in then vein of Cecil Taylor and a juicy boogie woogie with such elan. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)

JazzKLUB / “Laborka”, or the showpiece of jazz Krakow

Tue, Jun 3, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Janusz Grzywacz (Keyboards), Janusz Grzywacz (Vocoder), Marek Stryszowski (Alto saxophone), Marek Stryszowski (Soprano saxophone), Marek Stryszowski (EWI), Marek Stryszowski (Vocals), Krzysztof Ścierański (Bass guitar), Marcin Ścierański (Drums), Marek Raduli (Guitar)

This band has more than half a century of history if we don't count the break of a dozen years arranged by Janusz Grzywacz and Marek Stryszowski at the turn of the century. They debuted in 1971 at Gitariada '71, a festival they organised in Nowa Huta, Krakow, which introduced fusion and jazz-rock elements to the Polish scene. Over the years, they have developed their style, which has been compared to that of the American group Weather Report, consisting, especially in the early period, of experimenting with instrumentation and combining different types of sound. Laborka ("Lab"), as they are colloquially called, is undoubtedly a showpiece of jazz Krakow and, simultaneously, a top spot on the list of Polish bands of all time. Maria Wilczek-Krupa Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)

JazzKLUB / Tomasz Stańko Experience / The energy Stańko sought

Tue, Jun 17, 2025, 19:30

Narodowej Orkiestry Symfonicznej Polskiego Radia, Chamber Hall (Katowice)

Artur Tuźnik (Piano), Tomasz Dąbrowski (Trumpet), Martin Fabricius, Johanna Sulkunen (Voice), Stian Swensson (Guitar), Richard Anderson (Bass), Radek Wośko (Drums), Snorri Sigurdarsson (Trumpet), Thomas Hass (Saxophon)

Initially, the project’s existence was only momentary. In 2015, Tomasz Stańko gathered the Scandinavian and Polish musicians in Copenhagen for the Summer Session master’s workshop. The energy – which Stańko was so intent on finding in young artists – was so good that, in February 2016, the group, under the name Tomasz Stańko Experience, gave three concerts in Denmark. Back then already, the Polish trumpeter’s mentees were no schoolkids any more – after all, the master had his requirements. Today, however, dozens of recordings and hundreds of concerts away from those gigs, they are in a completely different position. And although Stańko had his influence on every one of them, regardless of the instrument, unavoidably, the central place belongs to the trumpeter, Tomasz Dąbrowski, whose relationship with the master was exceptional. In his bands, he channels Stańko’s spirit – the message of individualism, courage, and constant change. Tomasz Gregorczyk Concert duration: approximately 90 minutes

Info & Ticket (nospr.org.pl)