Keywords: Symphony Concert
| Dima Slobodeniouk | Conductor |
| Laura Mikkola | Piano |
| Einojuhani Rautavaara | Concerto for Piano and Orchestra No. 3 »Gift of Dreams« |
| Esa-Pekka Salonen | »Insomnia« for Orchester |
| Piotr Tchaikovsky | Symphony No. 1 in G minor, Opus 13 »Rêverie d’hiver« (Winter Dreams) |
These events are similar in terms of concept, place, musicians or the program.
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.
Mr. Levit, almost 75 minutes long, a large men’s chorus, and an immensely demanding piano part that is considered “not really rewarding.” What do you find particularly rewarding about Busoni’s Piano Concerto? The obvious: the work itself. It is so voluptuous, so romantic, so beautiful, so lyrical, so exciting, so thrilling, so elegiac. The Tarantella blows the roof off the concert hall! It is crazy, colorful, and profound. Playing and listening to this work is a unique experience. Despite, or perhaps because of, all the challenges.
Concert Pulse