Mendelssohn and Bruckner

Mendelssohn and Bruckner

Felix Mendelssohn-Bartholdy's violin concerto ranks among the priceless masterpieces of classical music. He wrote it for his childhood friend and violin virtuoso Ferdinand David, and the result was extremely successful – for with its spiritual airiness and melodic beauty, the violin concerto is one of the most beloved works of all time.Violinist Augustin Hadelich began performing concerts at the age of 8 but suffered serious burns in an accident at the age of 15. After two years and many surgeries, he was able to resume playing the violin and now performs worldwide with leading orchestras and conductors. "It is a delight to work with Hadelich, for there is a clarity in his playing and everything is so well thought out without losing spontaneity", says chief conductor Ryan Bancroft, who leads the Royal Stockholm Philharmonic Orchestra.Anton Bruckner's extensive and grand symphonies never cease to amaze. According to Bruckner himself, the opening horn signal in the Fourth Symphony symbolizes the dawn after the night's rest. A captivating symphonic landscape emerges where the full range of the orchestra is used. This is Bruckner's most performed and beloved symphony, and it is also he who gave it the subtitle "The Romantic."Read more about chief conductor Ryan Bancroft

Mendelssohn Bartholdy Bruckner

Mendelssohn Bartholdy Bruckner

Mendelssohn Bartholdy Bruckner

Smetana and Dvorák

The oceans, lakes, streams, and rivers have always been important sources of inspiration for artists, poets, and composers. In the famous Moldau by Smetana, celebrating its 200th anniversary, we hear how the babbling smaller streams wind their way through the landscape before flowing together into the mighty river. The melody comes from an old folk song that we recognize as Ack Värmeland, du sköna. Perhaps Smetana heard the melody when he was working as a conductor in Gothenburg in the 1850s?Like Smetana, Antonín Dvorák was from Czechia. In both their music, Czech culture and nature are important ingredients. Dvorák had great international success during his lifetime, being appointed, for example, as a composition professor in New York. His Symphony No. 9, From the New World, is the most famous, but many consider the seventh symphony to be one of his very best works.The Royal Stockholm Philharmonic Orchestra is led by German conductor Ruth Reinhardt – currently involved in the Royal Swedish Opera's production of Verdi's La traviata in spring 2024. She made her debut with the Royal Stockholm Philharmonic Orchestra at a summer concert in 2018.

Haydn and Dvorák

Due to illness, cellist Amalie Stalheim has been forced to cancel. This also results in a programme change for tonight's concert. Instead of Grażyna Bacewicz’s First Cello Concerto, we will hear the German cellist Julian Steckel perform Haydn’s First Cello Concerto.The seas, lakes, streams, and rivers have always been important sources of inspiration for artists, poets, and composers. In Smetana's famous Moldau, celebrating its 200th anniversary, we hear how the bubbling smaller streams meander through the landscape before merging into the mighty river. The melody comes from an old folk song that we recognize as Ack Värmeland, du sköna. Perhaps Smetana heard the melody when he was working as a conductor in Gothenburg in the 1850s?Like Smetana, Antonín Dvorák was from Czechia. In both their music, Czech culture and nature are important ingredients. Dvorák had great international success during his lifetime and was appointed, for example, as a composition professor in New York. His Symphony No. 9, "From the New World", is the most famous, but many consider his seventh symphony to be one of his very best works.Julian Steckel steps in at the last minute as the soloist in a true classic: Joseph Haydn’s Cello Concerto No. 1 in C Major – a masterpiece that disappeared and was rediscovered almost 200 years later, in the mid-20th century (incidentally, in Prague, which adds a Czech connection to the programme). The renowned German cellist Julian Steckel is admired for his emotional depth and communication with audiences. His career took off after winning the ARD Music Competition in 2010, and since then, he has performed with many of the world's leading orchestras.The Royal Stockholm Philharmonic Orchestra is led by German conductor Ruth Reinhardt – currently involved in the Royal Swedish Opera's production of Verdi's La traviata in spring 2024. She made her debut with the Royal Stockholm Philharmonic Orchestra at a summer concert in 2018.

Beethoven and Nielsen

Beethoven's overture to Heinrich Joseph von Collin's tragic drama about the Roman general Coriolanus is grandiose and dramatic, yet also enchantingly beautiful. It is written in the key of C minor, which Beethoven often used in his most intense and heroic works.With Nielsen, humour is often present. This is particularly true for his second symphony, which was inspired by a visit to a village inn. On the wall hung a painting that ironically depicted the four temperaments of humans – the choleric, the phlegmatic, the melancholic, and the sanguine – which Nielsen portrays with good humour, a touch of drama, and palpable warmth in his second symphony, also known as the "Four Temperaments".The Royal Stockholm Philharmonic Orchestra is conducted by Alan Gilbert, the orchestra's former chief conductor (2000–2008) and since then its Conductor Laureate. He has served as the music director of the New York Philharmonic Orchestra and is currently the chief conductor of the NDR Elbphilharmonie Orchestra in Hamburg and the music director of the Royal Swedish Opera in Stockholm.

Beethoven and Pejacevic

Beethoven was drawn to figures, fictional or real, who dared to stand up against injustices. Egmont in Goethe's drama of the same name was one such fictional but clearly influential figure for Beethoven. In the overture, he summarizes the drama, from the slow introduction through tragedy to a triumphant conclusion.The orchestra is led by the young and increasingly renowned Czech conductor Jirí Rozen, who is making his debut with the Royal Stockholm Philharmonic Orchestra.In Dora Pejacevic's music, traces of Wagner, Brahms, and Bruckner can be found, but it is also strongly personal with rich colors and profound seriousness. After a cautious, slow introduction, the contrastive and determined music of this symphony from 1918 unfolds, painting vivid natural scenes. The music also contains exuberant pirouettes that are swept away by dazzling outbursts towards the end. It is an impressive work by a composer who was long neglected.

Haas and Mahler

Pavel Haas (1899–1944) and Gustav Mahler (1860–1911) emerged from similar roots in the Bohemia that is now Czechia: Haas from Brno and Mahler from Kaliste, 120 kilometers away. Both were Jewish, but Haas hailed from a Moravian-Jewish family and Mahler from an Austrian-Jewish one.Pavel Haas was deported during World War II to the Theresienstadt concentration camp, later to be murdered in Auschwitz. His only symphony remained unfinished. It wasn't until half a century later that the remaining material was orchestrated, and the work premiered in 1998. Haas' creative output is characterized by Bohemian and Jewish influences, with elements of folk music and jazz. The symphony is a remarkable, staggering piece.If darkness pervades Haas' symphony, Mahler's fourth symphony is brighter, lyrical, and playful. It's been dubbed "sky blue" at times, and the fourth movement features a soprano solo: "Wir geniessen die himmlischen Freuden," "We enjoy the heavenly pleasures."The soloist is our latest soprano star in the international music scene, Christina Nilsson. Conducting this captivating program with the Royal Stockholm Philharmonic Orchestra is the American conductor Joshua Weilerstein, noted for his championing of rare works.

Haas and Mahler

Pavel Haas (1899–1944) and Gustav Mahler (1860–1911) emerged from similar roots in the Bohemia that is now Czechia: Haas from Brno and Mahler from Kaliste, 120 kilometers away. Both were Jewish, but Haas hailed from a Moravian-Jewish family and Mahler from an Austrian-Jewish one.Pavel Haas was deported during World War II to the Theresienstadt concentration camp, later to be murdered in Auschwitz. His only symphony remained unfinished. It wasn't until half a century later that the remaining material was orchestrated, and the work premiered in 1998. Haas' creative output is characterized by Bohemian and Jewish influences, with elements of folk music and jazz. The symphony is a remarkable, staggering piece.If darkness pervades Haas' symphony, Mahler's fourth symphony is brighter, lyrical, and playful. It's been dubbed "sky blue" at times, and the fourth movement features a soprano solo: "Wir geniessen die himmlischen Freuden," "We enjoy the heavenly pleasures."The soloist is our latest soprano star in the international music scene, Christina Nilsson. Conducting this captivating program with the Royal Stockholm Philharmonic Orchestra is the American conductor Joshua Weilerstein, noted for his championing of rare works.