Keywords: Symphony Concert, Tour Concert, Vocal Music
| Cornelius Meister | Conductor |
| Illia Ovcharenko | Piano |
| Hanna-Elisabeth Müller | Soprano |
| Deutsches Symphonie-Orchester Berlin |
| ›D’un matin de printemps‹ | Lili Boulanger |
| Klavierkonzert Nr. 23 A-Dur | Wolfgang Amadeus Mozart |
| Symphony No. 4 in G major | Gustav Mahler |
These events are similar in terms of concept, place, musicians or the program.
»No original feeling … nothing but technical skill, calculation and inner deceit, a sickly, ill-tasting Supermusic«, an outraged critic wrote of the premiere of Mahler’s Fourth in Munich in 1901. Today we speak of a masterpiece. One can love or hate Mahler’s symphonies: some suffer vicariously with them, understanding their loneliness and loving their melancholy. Others find them outré, self-indulgent, hysterical. In the Fourth, it’s all not so bad. »We revel in heavenly pleasures«, it says at the end.
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