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Mahler Festival: Fabio Luisi and NHK Symphony Orchestra - Mahler's Symphony No. 3

Date & Time
Sun, May 11, 2025, 20:15
Born in Italy, Fabio Luisi is currently chief conductor on two continents. In Texas, he is the successor to Jaap van Zweden at the Dallas Symphony Orchestra. And in Tokyo, he leads the NHK Symphony Orchestra, which today performs Mahler's Third Symphony, one of Mahler's signature orchestral works with a major role for voice. The NHK Symphony Orchestra is joined by both the women of the National Radio Choir and the National Children's Choir.Initially, Mahler gave his Third Symphony a... Read full text

Keywords: Symphony Concert, Vocal Music

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Last update: Fri, Nov 22, 2024, 12:40

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Mahler Festival: Fabio Luisi and NHK Symphony Orchestra - Mahler's Symphony No. 4

Mon, May 12, 2025, 20:15
NHK Symphony Orchestra, Tokyo, Fabio Luisi (Conductor), Ying Fang (Soprano), Matthias Goerne (Bariton)
Born in Italy, Fabio Luisi is currently chief conductor on two continents. In Texas, he succeeded Jaap van Zweden at the Dallas Symphony Orchestra. And in Tokyo, he leads the NHK Symphony Orchestra, with which he will give two concerts during the Mahler Festival. Yesterday the Third Symphony was performed, today it is the Fourth Symphony's turn. Luisi's interpretation was called 'enchanting' by Dallas Morning News. In the fourth movement, soprano Ying Fang sings of the idyll of the afterlife.While walking through Austria, writing book in hand, Mahler got his Fourth Symphony in his mind. Consequently, it sounds remarkably scenic, light and lyrical. The Fourth Symphony initially met with resistance and incomprehension, and was slammed by the press. Later, however, the work grew to become perhaps Mahler's best-loved symphony. In this respect, Bruno Walter, Mahler's colleague and friend, was proved right when, after the first performance in Vienna, he lashed out at the boomer press that 'Mahler and his immortal work will be alive long after you are dead and buried'.
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Mahler Symphony No. 3

Thu, Sep 19, 2024, 19:00
Royal Stockholm Philharmonic Orchestra, Ryan Bancroft (Conductor), Beth Taylor (Alto), Female Chorus from Eric Ericson Chamber Choir, The Stockholm Boys’ Choir
With a massive orchestra, boys' choir, girls' choir, and alto solo, Mahler paints vivid pictures in his Third Symphony. He himself described it as "something like never before: a symphony that depicts creation, from the insensitive stiff, purely elementary existence to the delicate creation of the human heart, which reaches beyond itself. It goes far, far beyond natural size, and in comparison, everything human shrinks."In many ways, Gustav Mahler was a boundary-breaker with his "maximalist" symphonies. He both completed the symphonic tradition in the footsteps of Beethoven and set the course for the future. The dreamlike alto voice and the bright choirs in the fourth movement create a sense of fragility and tenderness. Here, the distinguished Scottish alto Beth Taylor participates. The symphony culminates in an emotional chorale that grows and sweeps everything along in a hymn to love.Royal Stockholm Philharmonic Orchestra's chief conductor Ryan Bancroft leads the forces. He conducted Mahler's Fifth Symphony with the orchestra in the autumn of 2023. "The Third is definitely a challenge for any orchestra and conductor, but the music is also very direct: Mahler tells a story."Read more about chief conductor Ryan Bancroft
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Mahler Symphony No. 3

Sat, Sep 21, 2024, 15:00
Royal Stockholm Philharmonic Orchestra, Ryan Bancroft (Conductor), Beth Taylor (Alto), Female Chorus from Eric Ericson Chamber Choir, The Stockholm Boys’ Choir
With a massive orchestra, boys' choir, girls' choir, and alto solo, Mahler paints vivid pictures in his Third Symphony. He himself described it as "something like never before: a symphony that depicts creation, from the insensitive stiff, purely elementary existence to the delicate creation of the human heart, which reaches beyond itself. It goes far, far beyond natural size, and in comparison, everything human shrinks."In many ways, Gustav Mahler was a boundary-breaker with his "maximalist" symphonies. He both completed the symphonic tradition in the footsteps of Beethoven and set the course for the future. The dreamlike alto voice and the bright choirs in the fourth movement create a sense of fragility and tenderness. Here, the distinguished Scottish alto Beth Taylor participates. The symphony culminates in an emotional chorale that grows and sweeps everything along in a hymn to love.Royal Stockholm Philharmonic Orchestra's chief conductor Ryan Bancroft leads the forces. He conducted Mahler's Fifth Symphony with the orchestra in the autumn of 2023. "The Third is definitely a challenge for any orchestra and conductor, but the music is also very direct: Mahler tells a story."Read more about chief conductor Ryan Bancroft
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Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 2

Sat, May 10, 2025, 20:15
Boedapest Festival Orkest, Groot Omroepkoor, Iván Fischer (Conductor), Christiane Karg (Soprano), Anna Lucia Richter (Mezzo-Soprano)
'Mahler's beauty always hurts', conductor Iván Fischer said recently. Tonight he conducts his own Budapest Festival Orchestra in Mahler's Symphony No. 2, full of passion, lyricism and brightly shining melodies. Mahler is in good hands with Fischer and the Budapest Festival Orchestra. Fischer knows like no other how to get Mahler's music flowing, there is no composer he understands better. As early as 2006, Fischer and the orchestra recorded Mahler's Symphony No. 2. 'Impressive', wrote Gramophone.He who calls us gives us eternal life - sings the choir towards the end of Mahler's Symphony No. 2. In this emotionally charged work, Mahler expresses his ideas about life after death. Bliss and melancholy are both given space. Pure, insinuatingly and moving.
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Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 2

Sun, May 11, 2025, 11:00
Boedapest Festival Orkest, Groot Omroepkoor, Iván Fischer (Conductor), Christiane Karg (Soprano), Anna Lucia Richter (Mezzo-Soprano)
'Mahler's beauty always hurts', conductor Iván Fischer said recently. Tonight he conducts his own Budapest Festival Orchestra in Mahler's Symphony No. 2, full of passion, lyricism and brightly shining melodies. Mahler is in good hands with Fischer and the Budapest Festival Orchestra. Fischer knows like no other how to get Mahler's music flowing, there is no composer he understands better. As early as 2006, Fischer and the orchestra recorded Mahler's Symphony No. 2. 'Impressive', wrote Gramophone.He who calls us gives us eternal life - sings the choir towards the end of Mahler's Symphony No. 2. In this emotionally charged work, Mahler expresses his ideas about life after death. Bliss and melancholy are both given space. Pure, insinuatingly and moving.
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Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 5

Tue, May 13, 2025, 20:15
Boedapest Festival Orkest, Iván Fischer (Conductor), Anna Lucia Richter (Mezzo-Soprano)
'The beauty of Mahler always hurts,' conductor Iván Fischer once said. At the Mahler Festival, he conducts both the Second Symphony and, today, the Fifth. A powerful work from a heyday in Mahler's life. Turbulent, full of life and passion. Mahler, having just met his great love Alma, seems to express his feelings in the beloved Adagietto.'Each part has its friends and its enemies', Mahler wrote of his Fifth Symphony. He was thrilled that this work raised such extremes of emotions. After three partly vocal symphonies, the Fifth is a purely instrumental. But therefore no less intense: sometimes jubilant, sometimes gloomy, always fiery. 'The work has come to represent the total of all the suffering that life brought to me.'
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Mahler: Symphony No. 3

Sun, Jun 29, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Norddeutsche Orchesterakademie, Frauenchor der Norddeutschen Orchesterakademie, Marta Herman (Alto), Kiril Stankow (Conductor)
Gustav Mahler’s Third Symphony is more than just music. It is an event. »For me, symphony means building a world with all the means of available technology,« said Mahler, and with his Third, he has moulded this aspiration into monumental music that breaks all boundaries. It tells a late Romantic story of creation: nature awakens from its icy torpor, flowers sway in the wind, animals dance in the forest, brass bands herald the arrival of summer, angels sing »Bim Bam«. But death lurks everywhere. At the end, in one of the most poignant finales in music history, the human soul soars to heavenly heights.
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Mahler Festival: Concertgebouworkest and Klaus Mäkelä - Mahler's Symphony No. 8

Fri, May 16, 2025, 20:15
Concertgebouw Orchestra, Groot Omroepkoor, Laurens Symfonisch, Le Chœur de l'Orchestre de Paris, Nationaal Kinderkoor, Klaus Mäkelä (Conductor), Hailey Clark (Soprano), Golda Schultz (Soprano), Miriam Kutrowatz (Soprano), Jennifer Johnston (Alto), Okka von der Damerau (Alto), Giorgio Berrugi (Tenor), Michael Nagy (Bariton), Tareq Nazmi (Bass)
Klaus Mäkelä has been artistic partner of the Concertgebouw Orchestra since 2022 and will become chief conductor in 2027. Earlier in this festival, he already conducted the First Symphony, today the Eighth. The Concertgebouw Orchestra shares the stage with no fewer than four vocal ensembles: the National Radio Choir, Laurens Symphonic, the Choeur de l'Orchestre de Paris and the National Children's Choir.Mahler wrote to his friend Willem Mengelberg that his Eighth Symphony was his greatest work ever. 'All the other symphonies were anticipating this.' Moreover, he experienced it as if the piece of music was dictated to him in a vision. In two monumental movements, Mahler says he sings of the entire universe. 'There are no longer human voices sounding. They are planets and suns, revolving in their orbits.' Practically speaking, it is also a rather voluminous work. Mahler did often need very many performers, and in this Mahler's 'symphony of a thousand', there are close to four hundred. Or more: in 1912, Mengelberg conducted a version with two thousand musicians and singers.
Artistic depiction of the event

Mahler Festival: Concertgebouworkest and Klaus Mäkelä - Mahler's Symphony No. 8

Sun, May 18, 2025, 13:30
Concertgebouw Orchestra, Groot Omroepkoor, Laurens Symfonisch, Le Chœur de l'Orchestre de Paris, Nationaal Kinderkoor, Klaus Mäkelä (Conductor), Hailey Clark (Soprano), Golda Schultz (Soprano), Miriam Kutrowatz (Soprano), Jennifer Johnston (Alto), Okka von der Damerau (Alto), Giorgio Berrugi (Tenor), Michael Nagy (Bariton), Tareq Nazmi (Bass)
Klaus Mäkelä has been artistic partner of the Concertgebouw Orchestra since 2022 and will become chief conductor in 2027. Earlier in this festival, he already conducted the First Symphony, today the Eighth. The Concertgebouw Orchestra shares the stage with no fewer than four vocal ensembles: the National Radio Choir, Laurens Symphonic, the Choeur de l'Orchestre de Paris and the National Children's Choir.Mahler wrote to his friend Willem Mengelberg that his Eighth Symphony was his greatest work ever. 'All the other symphonies were anticipating this.' Moreover, he experienced it as if the piece of music was dictated to him in a vision. In two monumental movements, Mahler says he sings of the entire universe. 'There are no longer human voices sounding. They are planets and suns, revolving in their orbits.' Practically speaking, it is also a rather voluminous work. Mahler did often need very many performers, and in this Mahler's 'symphony of a thousand', there are close to four hundred. Or more: in 1912, Mengelberg conducted a version with two thousand musicians and singers.
Artistic depiction of the event

Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 5

Tue, May 13, 2025, 17:00
Boedapest Festival Orkest, Iván Fischer (Conductor)
'The beauty of Mahler always hurts,' conductor Iván Fischer once said. At the Mahler Festival, he conducts both the Second Symphony and, today, the Fifth. A powerful work from a heyday in Mahler's life. Turbulent, full of life and passion. Mahler, having just met his great love Alma, seems to express his feelings in the beloved Adagietto.'Each part has its friends and its enemies', Mahler wrote of his Fifth Symphony. He was thrilled that this work raised such extremes of emotions. After three partly vocal symphonies, the Fifth is a purely instrumental. But therefore no less intense: sometimes jubilant, sometimes gloomy, always fiery. 'The work has come to represent the total of all the suffering that life brought to me.'