Set your preferred locations for a better search. You can sign up here.

Shenzhen Concert Hall

Date & Time
Wed, Jan 1, 2025, 19:30
The London Philharmonic Orchestra perform at the Shenzhen Concert Hall.Conductor Paavo Järvi presents a powerful programme featuring works by Weber, Haydn and Tchaikovsky. Julia Hagen takes centre stage for a dazzling performance of Haydn’s First Cello Concerto.

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Paavo JärviConductor
Julia HagenCello

Program

Oberon OvertureCarl Maria von Weber
Cello Concerto No. 1Joseph Haydn
Symphony No. 4Piotr Tchaikovsky
Give feedback
Last update: Mon, Nov 25, 2024, 19:36

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Royal Concert Hall, Nottingham

Tue, Jan 28, 2025, 19:00
Karina Canellakis (Conductor), Benjamin Grosvenor (Piano)
The London Philharmonic Orchestra perform at Nottingham's Royal Concert Hall.LPO Principal Guest Conductor, Karina Canellakis, begins her first visit to Nottingham in this role with Sibelius’s En Saga. Although he described it as the ‘expression of a state of mind’ rather than a mythical adventure, there’s no shortage of action in this powerful ‘psycho-drama’. There’s an altogether more serene mood in Mozart’s most popular Piano Concerto, particularly in the ethereal central movement which gained the nickname, the ‘dream andante.’ It’s performed here by the exceptional British pianist, Benjamin Grosvenor, a perfect match for Mozart’s light-touch lyricism.Bringing the concert to an emphatic close is Tchaikovsky’s fiery Fourth Symphony. Emerging from the wreckage of his short-lived marriage, it bares its soul in a maelstrom of emotions, opening up with an arresting fanfare signalling the malign forces of fate. But there’s also heartfelt poignancy and some delightfully deft play between the separate sections of the orchestra before it all ends exuberantly with a whirling folk dance finale.
Artistic depiction of the event

Glasgow Royal Concert Hall

Sat, Mar 15, 2025, 19:30
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Artistic depiction of the event

Open Day: 30 years Bamberg Concert Hall

Sat, Sep 16, 2023, 11:00
Gemma New (Conductor), Christian Schmitt (Organ), Members of the Bamberg Symphony, Swantje Vesper (Concept), Swantje Vesper (Moderator)
The concert hall of Bamberg, situated on the picturesque banks of the river Regnitz, has been the centre of the region of Upper Franconia for events, trade fairs, congresses – and has been the home of the Bamberg Symphony for 30 years now. In the Joseph Keilberth Hall, with an audience of more than 1,400, the orchestra plays major symphonic concerts, but also chamber music, concerts for students, educational programmes and organ concerts are presented here. Furthermore, many award-winning CD recordings by the Bamberg Symphony have been made on this stage with its much-praised acoustics. On the occasion of its 30th anniversary, the concert hall opens its doors and offers a colourful and varied concert programme for all ages. On this day, the Bamberg Symphony will perform Ludwig van Beethoven's Symphony No. 5 under the baton of Gemma New in a very special concert in honour of »their own« home venue. The afternoon will already see a revisit to »Ruby Red« as well as the popular Seat Cushion Concerts for the little ones. Christian Schmitt will also be performing on the Jann-organ. More opportunities to discover the concert hall as well as various activities in the halls and foyers top off this special event. Come and celebrate with us!
Artistic depiction of the event

The Bridgewater Hall, Manchester

Mon, Mar 17, 2025, 19:30
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Artistic depiction of the event

LPO at Saffron Hall

Sun, Apr 6, 2025, 15:30
Vladimir Jurowski (Conductor), Vilde Frang (Violin)
Not for nothing is Schubert’s expansive final symphony known as ‘The Great’ – it is music of broad vistas, lofty ambition, but also a sparkling vivacity and seamlessly stitched, intricate detail.LPO Conductor Emeritus Vladamir Jurowski brings a depth of insight and imagination to this totemic work, and to the arresting drama of Beethoven’s work. He and violinist Vilde Frang are a perfectly attuned pairing to bring out the poetry and eloquence of Schumann’s concerto. Frang is making waves. A deeply expressive communicator with a luminous sound, and astonishing technical facility, she is an ever-thoughtful interpreter.
Artistic depiction of the event

NOSPR / Berglund / In the Hall of the Mountain King

Sun, Jun 15, 2025, 12:00
Tabita Berglund (Conductor), NOSPR
With song, he delved into the abyss, To the bottom of the world’s beginning– Kalevala, ed. Elias Lönnrot Edvard Grieg and Jean Sibelius are not only prominent representatives of late Romanticism, but also captivating storytellers and guides among the myths and tales of the Northern nations. In their works, legends emerging from the darkness of the past are painted with vivid colours and become filled with a modern emotionality. Slightly older of the two, Edvard Grieg, born to a family of Scottish descent in the Norwegian town of Bergen, studied in Germany and maintained contacts with numerous Danish artists. His Suite in Olden Style “From Holberg’s Time” is also one of Danish origin – the piece was commissioned to celebrate Ludvig Holberg’s, a writer dubbed “Molier of the North”, birth anniversary. The work balances between free stylistic inspiration and a tribute to Baroque forms. Nevertheless, in music written to scenes from Henrik Ibsen’s Peer Gynt, the wigged key yields to distinct emotions enchanted in the music.The first of two suites contains some of the most suggestive themes in Romanticism, with which Grieg awakens mountain monsters, trolls and kobolds within the orchestra (In the Hall of the Mountain King) and evokes Arabic and African motives, very popular at the time. (Anitra’s Dance, Morning). The Lemminkäinen Suite is a piece inspired by the Kalevala, a Finnish epic built from a compilation of folk songs of the North. Thanks to Sibelius’ imagination, the fantastical, dense and gripping poetic narrative is transformed into a nearly impressionist fresco, the death of a mythical trifler becoming just as moving as the dramatic fates of characters in Thomas Mann’s novels.Krzysztof SiwońConcert duration: approximately 70 minutes
Artistic depiction of the event

Symphonic Concert

Sat, Nov 16, 2024, 18:00
Warsaw Philharmonic Orchestra, Jerzy Maksymiuk (Conductor), Karen Gomyo (Violin)
Karen Gomyo, photo: Gabrielle Revere It is generally accepted that short pieces performed at the beginning of symphonic concerts play the role of a kind of overture (even if they are not overtures in the strict sense of the word). What, then, is the function of the composition Ceci n'est pas une ouverture [This is not an overture], written a dozen years ago by Paweł Szymański for the Warsaw Philharmonic and the Polish Composers' Union? Perhaps similar to French surrealist René Magritte’s famous painting signed Ceci n'est pas une pipe, which depicts nothing but a pipe. Szymanski's thrilling piece conjures up the image of a laboratory technician dissecting classical scores in front of an audience in the anatomical theatre he has built. Sergei Prokofiev’s ‘Classical’ Symphony, on the other hand, provides a fascinating answer to the question of how Joseph Haydn might have composed if a time machine had transported him to the twentieth century. Another great composer writing at the beginning of the last century took an imaginary journey (this time in space). Ibéria, the middle and longest movement in Claude Debussy’s Images cycle, is regarded as one of the great musical evocations of Spain, although the composer was never fated to visit the country. Max Bruch, who was already old at the time, reportedly found it difficult to come to terms with the end of romanticism. His Violin Concerto No. 1, composed while Johannes Brahms was still alive, was so successful that hardly anyone noticed that the German composer had written two others!