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Le Concert Olympique / Kit Armstrong / Jan Caeyers

Date & Time
Sat, Mar 8, 2025, 20:00
After the opening tour of their »Beethoven 27« project in November 2024, Jan Caeyers and the orchestra he founded, Le Concert Olympique, will return to the Elbphilharmonie together with Kit Armstrong. Jan Caeyers, a recognised Beethoven specialist, has set himself a special goal with the »Beethoven 27« project, which will run for several years: With 27 works from the pen of the great composer, he wants to build bridges to the 27 member states of the European Union. In the... Read full text

Keywords: Symphony Concert

Info & Ticket (www.elbphilharmonie.de)
Artistic depiction of the event

Musicians

Le Concert Olympique
Ilya GringoltsViolin
Christian PoltéraCello
Kit ArmstrongPiano
Jan CaeyersConductor

Program

Symphony No. 3 in E-flat major, Op. 55 »Eroica«Ludwig van Beethoven
Präludium und Fuge f-Moll BWV 881 / aus: Das wohltemperierte Klavier, Band 2Johann Sebastian Bach
Sonate für Klavier F-Dur op. 54Ludwig van Beethoven
Concerto for Piano, Violin, Violoncello and Orchestra in C major, Op. 56 »Triple Concerto«Ludwig van Beethoven
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Last update: Thu, Nov 21, 2024, 15:06

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Kit Armstrong / Jan Caeyers / Le Concert Olympique

Sun, Nov 3, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Le Concert Olympique, Kit Armstrong (Piano), Jan Caeyers (Conductor)
Following their successful Elbphilharmonie debut with Sabine Meyer and Mozart’s clarinet concerto, Jan Caeyers and the orchestra he founded, Le Concert Olympique, are returning to the Elbphilharmonie. The renowned Beethoven specialist has set himself a special goal with the »Beethoven 27« project, which will run for several years: With 27 works from the pen of the great composer, he wants to build bridges to the 27 member states of the European Union. The second part of the series can be experienced at the Elbphilharmonie on 8 March 2025, featuring, among other works, Beethoven’s »Eroica« Symphony. As a prelude to this, Beethoven’s first works in two orchestral genres will be performed – in Hamburg and at guest performances throughout Europe – because the Second Piano Concerto is actually also a first work (it was only printed as the second). And so this work in particular reveals a likeable impulsiveness and an exuberant wealth of ideas – youthful enthusiasm at the beginning of a new musical era.
Info (www.elbphilharmonie.de)
Artistic depiction of the event

Bertrand de Billy, Kit Armstrong

Sat, Feb 15, 2025, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Bertrand de Billy (Conductor), Kit Armstrong (Piano)
How is the house built? When are the roof, walls and floors added? And will the structure be able to support itself? These are the questions of an architect – but they can also be the questions of conductors when they approach musical structures with their very own style and passion. It is therefore hardly surprising that Bertrand de Billy, who was already fantasising about becoming a conductor at the age of four, once said: »If it hadn’t worked out with music, I would probably have been an architect.« From an early age, he carefully observed the movements of conductors – whether from the choirboy's perspective or as an orchestral musician. Today, he conducts numerous renowned orchestras himself. His specialities include classics and key works of the 20th century and, as a native of Paris, time and again declarations of love for French music. With us, he combines Gershwin and Ravel, two composers who knew each other well and both absorbed the other’s idiom. Ravel’s dazzling piece »Daphnis et Chloé« is a fairytale story about two foundlings, which premiered in the French metropolis in 1912. Gershwin’s pulsating piano concerto also has something to do with the city of love: although it was composed in 1925 in the jazzy melting pot that is New York, large parts of it were later woven into the film »An American in Paris«. As a congenial sound designer, Bertrand de Billy will work with us and the pianist Kit Armstrong to delicately emphasise the different currents and similarities of the compositions like a musical architect: Because he never wants to be an overbearing chef d'orchestre, but simply to be an artist among artists: »The fulfilment of creating something together is indescribably beautiful.«
Info & Ticket (www.bamberger-symphoniker.de)