Konzerthausorchester Berlin, Thomanerchor Leipzig

Date & Time

Sat, Dec 7, 2024, 20:00

Venue

Konzerthaus Berlin, Großer Saal (Berlin)

What would the Advent season be without Johann Sebastian Bach's music, especially the Weihnachts-Oratorium (Christmas Oratorio) that all the musicians in Germany simply call ‘WO’? The Konzerthausorchester Berlin, the traditional boys' choir of the Leipzig Thomaner - founded in 1212 and thus one of the oldest choirs of all - and renowned soloists fill the Great Hall with the familiar sounds and festive atmosphere.

Keywords: Symphony Concert, Vocal Music

Info & Ticket (www.konzerthaus.de)

Musicians

Konzerthausorchester Berlin
Thomanerchor Leipzig
Andreas Reize	Conductor
Christina Germolus	Soprano
Marie Claude Chappuis	Alto
Patrick Grahl	Tenor
Peter Harvey	Bass

Program

„Gelobet seist du, Jesu Christ“ - Kantate zum 1. Weihnachtstag für Soli, Chor, Orchester und Basso continuo BWV 91	Johann Sebastian Bach
Weihnachts-Oratorium BWV 248 (Teil I)	Johann Sebastian Bach
Weihnachts-Oratorium BWV 248 (Teile IV & V)	Johann Sebastian Bach
aus der Messe h-Moll BWV 232: Sanctus in D (1724)	Johann Sebastian Bach

Give feedback

Last update: Fri, Nov 22, 2024, 12:43

Similar events

These events are similar in terms of concept, place, musicians or the program.

Konzerthausorchester Berlin, Thomanerchor Leipzig

Fri, Dec 6, 2024, 19:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Thomanerchor Leipzig, Andreas Reize (Conductor), Christina Germolus (Soprano), Marie Claude Chappuis (Alto), Patrick Grahl (Tenor), Peter Harvey (Bass)

What would the Advent season be without Johann Sebastian Bach's music, especially the Weihnachts-Oratorium (Christmas Oratorio) that all the musicians in Germany simply call ‘WO’? The Konzerthausorchester Berlin, the traditional boys' choir of the Leipzig Thomaner - founded in 1212 and thus one of the oldest choirs of all - and renowned soloists fill the Great Hall with the familiar sounds and festive atmosphere.

Info (www.konzerthaus.de)

Konzerthausorchester Berlin, Thomanerchor Leipzig

Sun, Dec 8, 2024, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Thomanerchor Leipzig, Andreas Reize (Conductor), Christina Germolus (Soprano), Marie Claude Chappuis (Alto), Patrick Grahl (Tenor), Peter Harvey (Bass)

What would the Advent season be without Johann Sebastian Bach's music, especially the Weihnachts-Oratorium (Christmas Oratorio) that all the musicians in Germany simply call ‘WO’? The Konzerthausorchester Berlin, the traditional boys' choir of the Leipzig Thomaner - founded in 1212 and thus one of the oldest choirs of all - and renowned soloists fill the Great Hall with the familiar sounds and festive atmosphere.

Info (www.konzerthaus.de)

Thomanerchor Leipzig

Sat, Jun 15, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Thomanerchor Leipzig (Choir)

The Thomanerchor Leipzig looks back on over 800 years of history. Composers from all eras have written works for the famous choir. The motets by Johann Sebastian Bach, the most famous St Thomas’ cantor, are part of the choir’s core repertoire. In this concert, the choir presents a musical cross-section of all eras, with works by Johann Sebastian Bach, Samuel Scheidt, Felix Mendelssohn Bartholdy and contemporary motets by Ivo Antognini, Ko Matsushitas and John Rutter.

Info (www.elbphilharmonie.de)

Thomanerchor Leipzig

Sun, Jun 28, 2026, 11:00

Elbphilharmonie, Großer Saal (Hamburg)

Thomanerchor Leipzig

The Thomanerchor Leipzig can look back on a history of over 800 years. Composers from all eras have written works for the famous choir. The motets by Johann Sebastian Bach, the most famous St Thomas‘ cantor in its long history, are just as much a part of the core repertoire of the Thomanerchor as many choral works by other St Thomas’ cantors. In this concert, the choir presents a cross-section of choral music from all eras, with works by Johann Sebastian Bach, Samuel Scheidt, Felix Mendelssohn Bartholdy and contemporary motets by Ivo Antognini, Ko Matsushitas and John Rutter, among others.

Info & Ticket (www.elbphilharmonie.de)

Musikfest Berlin: Konzerthausorchester Berlin, Joana Mallwitz

Sat, Sep 14, 2024, 20:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Sarah Aristidou (Soprano), Tamara Stefanovich (Piano), Christina Bauer (Sound design)

For the second time in a row, the Konzerthausorchester and chief conductor Joana Mallwitz will be guests at the Musikfest. The solo parts in both works on the programme will be sung by the French-Cypriot soprano Sarah Aristidou, who has made a name for herself particularly in the field of contemporary music. In 1971, composer Luigi Nono met with artists and politicians in Chile, including Luciano Cruz Aguayo, one of the leaders of the Revolutionary Left. Back in Italy, he learnt of the young man's accidental death. Nono then composed a kind of ‘secular requiem’ for the activist, which was intended not only to convey grief but also the motivation to continue his social struggle. To this end, the composer set a memorial poem by Julio Huasi to Luciano, which was also given the title ‘Como una ola de fuerza y luz’ (Like a wave of strength and light). Among Mahler's symphonies, No. 4 is comparatively straightforward in terms of instrumentation and length. There is ‘much laughter’ in it, the composer assured us in a letter after its completion in 1901. However, the feeling that hilarity and horror exist side by side and that the idyll is not to be trusted creeps in as soon as the retuned solo violin plays in the second movement. And if you listen very carefully to the text of the ambiguous Wunderhorn song ‘Das himmlische Leben’, you will learn that, at least for the ox and lamb, heaven in the land of milk and honey is not full of violins, as a German saying goes.

Info (www.konzerthaus.de)

Konzerthausorchester Berlin, Iván Fischer

Fri, Nov 8, 2024, 19:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Iván Fischer (Conductor), Vocalconsort Berlin, Samuel Mariño (Soprano), Deniz Uzun (Mezzo-Soprano)

Mozart's “Magic Flute” is a masterpiece of the 18th century that reflects the moral concepts of the time with regard to the roles of men and women. Iván Fischer wants to confront parts of this favorite opera with 21st century values. He concentrates on well-known arias and scenes: Reversed gender roles of central characters invite an unexpected new listening experience as well as reflection. For example, a King of the Night, interpreted by the outstanding countertenor Samuel Mariño, appears as the antagonist of the powerful Sarastra, sung by Deniz Uzun. Iván Fischer also plays with the music itself, for example when he has the famous overture performed not only by the Konzerthausorchester but also by the Vocalconsort Berlin.

Info (www.konzerthaus.de)

Konzerthausorchester Berlin, Iván Fischer

Sun, Nov 10, 2024, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Iván Fischer (Conductor), Vocalconsort Berlin, Samuel Mariño (Soprano), Deniz Uzun (Mezzo-Soprano)

Mozart's “Magic Flute” is a masterpiece of the 18th century that reflects the moral concepts of the time with regard to the roles of men and women. Iván Fischer wants to confront parts of this favorite opera with 21st century values. He concentrates on well-known arias and scenes: Reversed gender roles of central characters invite an unexpected new listening experience as well as reflection. For example, a King of the Night, interpreted by the outstanding countertenor Samuel Mariño, appears as the antagonist of the powerful Sarastra, sung by Deniz Uzun. Iván Fischer also plays with the music itself, for example when he has the famous overture performed not only by the Konzerthausorchester but also by the Vocalconsort Berlin.

Info (www.konzerthaus.de)

Konzerthausorchester Berlin, William Christie

Sat, Mar 15, 2025, 20:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)

„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.

Info & Ticket (www.konzerthaus.de)

Konzerthausorchester Berlin, William Christie

Sun, Mar 16, 2025, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)

„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.

Info & Ticket (www.konzerthaus.de)

Konzerthausorchester Berlin, Iván Fischer

Fri, Apr 11, 2025, 19:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Iván Fischer (Conductor), Lawrence Power (Viola), Sarah Maria Sun (Soprano)

Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.

Info & Ticket (www.konzerthaus.de)