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Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Date & Time
Wed, Jan 22, 2025, 20:15
Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin... Read full text

Keywords: Baroque

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Musicians

Concertgebouw Orchestra
Klaus MäkeläConductor
Janine JansenViolin

Program

MarsHenry Purcell
Violin Concerto in d minor, op. 15Benjamin Britten
Lachrimae antiquaeDowland
Symfonie nr. 2 in C majorRobert Schumann
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Last update: Sun, Nov 24, 2024, 21:54

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Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Thu, Jan 23, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Janine Jansen (Violin)
Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter.Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’
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Concertgebouw Orchestra Annual Gala with Klaus Mäkelä

Fri, Jan 24, 2025, 20:30
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Janine Jansen (Violin)
The Concertgebouw Orchestra presents its festive Annual Gala concert for loyal audience members, friends, and donors. The Annual Gala starts with a reception at 19.30, and the fashionable after-party goes on until midnight.Dress code: black tie.Guests are welcomed to a reception at 19.30, after which they will be ushered into the Main Hall for a uniquely memorable conducted by our artistic partner and future chief conductor, Klaus Mäkelä. Leading violinist Janine Jansen performs as soloist in Britten’s deeply moving Violin Concerto, the work with which she made her Concertgebouw Orchestra debut twenty years ago.The Concerto is preceded on the programme by the royal funeral march by Britten’s predecessor Purcell. Another well-known English lament from long ago opens Schumann’s deceptively sunny Second Symphony. Like Britten’s music, Schumann’s is also in dialogue with the past. Klaus Mäkelä says, ‘A concert is a journey. The cathedral-like, almost sacred atmosphere of Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’After the concert, you are invited to partake in the tantalising follow-up programmes in the foyers of the Concertgebouw. There will be ample opportunity to mingle with other guests, the conductor, soloists, and choir and orchestra members until midnight.
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Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Lisa Batiashvili (Violin)
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Wed, Mar 26, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Julian Rachlin (Violin)
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Artistic depiction of the event

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Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Julian Rachlin (Violin)
From the first notes, the Fourth Symphony carries us away into Schumann’s utterly original world of dark romanticism. ‘Robert Schumann is the romantic composer’, says conductor Klaus Mäkelä. ‘His symphonies contain such wonderful moments. It always makes me feel good to play them. His music fills your heart with joy and sadness – the emotions are very pure and honest. Schumann makes me happy; he makes me a better person.’His romantic musical language notwithstanding, Schumann was a great admirer of the early music of Johann Sebastian Bach. The famous Russian composer Sofia Gubaidulina also shows her indebtedness to the Baroque master, as in her much-praised Offertorium.The concert opens with a newly commissioned work by the successful Korean Seung-Won Oh. The final piece of her Spiri trilogy, Spiri III ‘seeks to transform the transient nature of human affection, and expand and enhance it to the next level’, the composer says. ‘Rather than limiting the view of the flower blooming and withering to a local event, we can contextualize this minute event as the beginning of a perpetual cycle that can't be measured or truly experienced by humans.’
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Artistic depiction of the event

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Sat, May 10, 2025, 13:30
Concertgebouw Orchestra, Klaus Mäkelä (Conductor)
In 1903, Gustav Mahler conducted his own work with the Concertgebouw Orchestra for the first time. He was lyrical about orchestra, choirs and audience. 'The music culture in this country is astonishing! The way these people can listen.' Tonight, in the First Symphony, the ensemble is led by Klaus Mäkelä. He has been artistic partner of the Concertgebouw Orchestra since 2022 and will become chief conductor in 2027. In an interview, he said Mahler's work is probably the best first symphony ever. 'Fascinating how he manages to bring together sounds of nature, dances and childhood memories.'Stormy, lyrical and inventive: Mahler's First Symphony is one that hints forward to all that follows. Mahler arranged his First symphony several times. Central is a theme from one of the Lieder eines fahrenden Gesellen. Spring dreams, peasant dances, a real storm, hunting scenes... they culminate in a triumphant finale. Swedish composer Anders Hillborg is writing a new work, the Dutch premiere of which you will hear today.