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Jacquot & Midori

Date & Time
Sun, Jun 22, 2025, 20:00
We admire stars because they are talented, beautiful, strong, awe-inspiring. We love them when they show their weaknesses. As Midori did. She was a child prodigy before whom Leonard Bernstein fell to his knees in awe. After a stunning career, she gave an account of her mother, who was consumed by ambition, in her 2004 German autobiography ›Einfach Midori’‹ as well as on her teachers and her addictions. She keeps returning after retiring from the stage, this time with Dvořák‘s... Read full text

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Marie JacquotConductor
MidoriViolin
Deutsches Symphonie-Orchester Berlin

Program

›Earworms‹Vivian Fung
Violin Concerto in A minorAntonín Dvořák
›Gaelic Symphony‹ in E minorAmy Beach
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Last update: Mon, Nov 25, 2024, 13:36

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Thu, Oct 6, 2022, 20:00
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“Significant, original, mature in its form”: thus Hans von Bülow waxed lyrical at the young Richard Strauss’s Symphony in F minor. Before achieving worldwide fame with his tone-poems, Strauss wrote two classical four-movement symphonies rarely heard in today’s concert halls. Even the BRSO is giving its very first performance of the Second Symphony, a blend of youthful bravado and masterly craftsmanship. A biographical counterpart to this symphony is Elgar’s elegiac Cello Concerto of 1918-19, whose introverted orchestral sound and long, pensive melodic lines from the soloist exude an atmosphere of farewell and nostalgia. The French conductor Marie Jacquot, designated chief conductor of the Royal Danish Theatre Copenhagen, is using this programme to make her BRSO début. She will also introduce the audience to a piece by the Scottish composer David Horne: The Turn of the Tide, after a painting by John Duncan.
Artistic depiction of the event

Marie Jacquot & Gautier Capuçon

Fri, Oct 7, 2022, 20:00
Marie Jacquot (Conductress), Gautier Capuçon (Cello), Symphonieorchester des Bayerischen Rundfunks
“Significant, original, mature in its form”: thus Hans von Bülow waxed lyrical at the young Richard Strauss’s Symphony in F minor. Before achieving worldwide fame with his tone-poems, Strauss wrote two classical four-movement symphonies rarely heard in today’s concert halls. Even the BRSO is giving its very first performance of the Second Symphony, a blend of youthful bravado and masterly craftsmanship. A biographical counterpart to this symphony is Elgar’s elegiac Cello Concerto of 1918-19, whose introverted orchestral sound and long, pensive melodic lines from the soloist exude an atmosphere of farewell and nostalgia. The French conductor Marie Jacquot, designated chief conductor of the Royal Danish Theatre Copenhagen, is using this programme to make her BRSO début. She will also introduce the audience to a piece by the Scottish composer David Horne: The Turn of the Tide, after a painting by John Duncan.