Isabelle van Keulen plays Mozart, and Mendelssohn's ‘Italian’

Nicolas van Poucke plays Debussy, Mozart, Ravel and Franck

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Mozart and Dvorák

In Mozart's fifth and final violin concerto, there is a new richness in the musical language compared to the previous ones. Here, the music is majestic and powerful. The soloist is Alva Holm, who in 2022 won Sweden's premier music competition: Solistpriset, the Soloist Prize. The citation stated: "With musical conviction, technical brilliance, and total presence, Alva Holm captivates the audience from the first note."The concert opens with a newly composed work by Tebogo Monnakgotla, one of Sweden's most acclaimed composers in her generation. In connection with the world premiere of her violin concerto in 2023, with Johan Dalene and the Royal Stockholm Philharmonic Orchestra, Dagens Nyheter's Camilla Lundberg wrote that "her colorful and elegant orchestral sounds captivate the listener" and gave the concert the highest rating.To conclude Norrköping Symphony Orchestra's guest appearance under the baton of Ola Rudner, we hear Dvorák's life-affirming Eighth Symphony. It is nature-inspired music full of joy and exuberant energy. Swedish Ola Rudner began his career as a violinist and has been internationally active as both a violinist and conductor, notably in Austria.

Schumann Quartet plays Mozart, Beethoven and Prokofiev

From a young age, the brothers Erik, Ken and Mark Schumann were deeply absorbed by the subtleties of chamber music. Then, when they were joined by violist Veit Hertenstein, the Schumann Quartet launched an international career, garnering the highest praise for their “dazzling virtuosity” (Süddeutsche Zeitung). For their debut in our series, the quartet has chosen Mozart’s galant A major Quartet and the dark First Quartet by Prokofiev, influenced by Beethoven’s quartets. These will also be represented by the Op. 127 quartet, from Beethoven’s audacious late period.

Works by Mozart and Schubert

Works by Mozart and Beethoven

Works by Mozart and Chopin

Works by Mozart and Beethoven

The Simply Quartet plays Mozart, Grieg, Clarke and Marsalis

Finding coherence in the complex – that is the Simply Quartet's recipe for success. After winning several international competitions, including the Carl Nielsen Competition in Copenhagen and the Joseph Haydn Chamber Music Competition in Vienna, the young ensemble is one of the rising stars of the quartet scene. For their debut in our quartet series, the four musicians will perform classics of the genre such as Mozart's “Hunting Quartet” and Grieg's Opus 27, as well as Wynton Marsalis’ jazzy Creole Contradanzas and American composer Rebecca Clarke’s thought-provoking Poem.

Giovanni Antonini conducts Mozart and Haydn

Few people are as passionate about the music of Joseph Haydn as Giovanni Antonini. He is currently in the process of recording all 107 of the composer’s symphonies – with a fresh, arresting approach. In this concert, we hear two symphonies of captivating originality and inspiration. Also on the programme are the cantata Arianna a Naxos, a touching emotional drama of an abandoned woman featuring Egyptian soprano Fatma Said, and Mozart’s little-known incidental music Thamos, King in Egypt, which is impressive in its dramatic power.

Giovanni Antonini conducts Mozart and Haydn

Few people are as passionate about the music of Joseph Haydn as Giovanni Antonini. He is currently in the process of recording all 107 of the composer’s symphonies – with a fresh, arresting approach. In this concert, we hear two symphonies of captivating originality and inspiration. Also on the programme are the cantata Arianna a Naxos, a touching emotional drama of an abandoned woman featuring Egyptian soprano Fatma Said, and Mozart’s little-known incidental music Thamos, King in Egypt, which is impressive in its dramatic power.