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Isabelle Faust & Friends

Date & Time
Sat, Aug 31, 2024, 21:00
Arnold Schönberg’s Chamber Symphony famously once led to a riot in Vienna, but now the only virtuoso handiwork happens on stage when violinist Isabelle Faust tackles this challenging and rarely performed piece. In this evening of chamber music, some of the great works of early new music lead into the melancholy of Brahms’s Clarinet Quintet. The performance of Brahms’s Clarinet Quintet corresponds with the Berliner Philharmoniker’s chamber music afternoon event on 15 September 2024: the programme includes the benchmark clarinet... Read full text

Keywords: Musikfest Berlin, Symphony Concert

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Musicians

Isabelle FaustViolin
Julia HagenCello
Florent BoffardPiano
Meesun Hong ColemanViolin
William ColemanViola
Pascal MoraguèsClarinet
Júlia GállegoFlute

Program

Chamber Concerto: 2nd Movement AdagioAlban Berg
Movement for String Trio, op. posth.Anton Webern
Chamber Symphony No. 1, op. 9Arnold Schönberg
Phantasy for violin and piano, op. 47Arnold Schönberg
Clarinet Quintet in B minor, op. 115Johannes Brahms
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Last update: Thu, Nov 21, 2024, 18:47

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Maxim Emelyanychev (Conductor), Isabelle Faust (Violin), Symphonieorchester des Bayerischen Rundfunks
The BRSO welcomes Maxim Emelyanychev, one of the most fascinating talents of the young generation of conductors, to its podium for the first time. Trained by the legendary Gennady Rozhdestvensky, Emelyanychev began his conducting career in his native Russia, while at the same time attracting attention as an extraordinary pianist – with CD recordings of Mozart sonatas, for example, or playing the fortepiano in Teodor Currentzis’ Da Ponte cycle. Since 2013 he has led the highly successful Italian Baroque ensemble Il pomo d’oro, and since 2019 he has also led the Scottish Chamber Orchestra. He has made highly acclaimed recordings with both ensembles. For his BRSO debut, Emelyanychev has put together an attractive Romantic program in which one can expect a fresh approach inspired by the music of the Classical and Baroque periods. This is also in line with violinist Isabelle Faust’s approach – especially for the Brahms concerto, in which she pursues the ideal of clarity, transparency and lightness.