Set your preferred locations for a better search. You can sign up here.

Isabel Mundry Showcase, Part 2

Date & Time
Sun, Sep 8, 2024, 19:00
A surprisingly different Beethoven enters into a dialogue with a composer who finds the music of the present in historical material, peeling it apart and digging it up, like a forward-looking archaeologist. In the second part of the Isabel Mundry showcase, the Ensemble Resonanz presents the final version of her piece Signaturen, based on the last bar of a Mozart sonata, before Riccardo Minasi conducts the ensemble through an unheard interpretation of Beethoven’s “Eroica”.

Keywords: Musikfest Berlin, Symphony Concert

Artistic depiction of the event

Musicians

Ensemble ResonanzEnsemble
Peter RundelConductor
Riccardo MinasiConductor
GrauSchumacher Piano DuoPiano Duo
Andreas GrauPiano
Götz SchumacherPiano
Johannes FischerDrums

Program

SignaturenIsabel Mundry
Depuis le jour (mit Blick auf Sweelinck)Isabel Mundry
Symphony No. 3 in E flat major, op. 55 "Eroica"Ludwig van Beethoven
Give feedback
Last update: Thu, Nov 21, 2024, 18:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Isabel Mundry Showcase, Part 1

Sat, Sep 7, 2024, 19:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Ensemble Musikfabrik (Ensemble), Bas Wiegers (Conductor), Hanna Weirich (Violin), Marco Blaauw (Trumpet), Markus Schwind (Trumpet), Dirk Rothbrust (Drums), Valerie Fritz (Cello)
How does the music of our accumulated yesterdays continue to write itself into today? This year a three-part showcase dedicated to the German composer Isabel Mundry positions her music as a dialogue between times. It opens with an evening featuring the Ensemble Musikfabrik and pieces that explore and open up the historical echo chambers of Gregorian chant and the Baroque.
Artistic depiction of the event

Exaudi / Phace Isabel Mundry Showcase, Part III

Thu, Sep 12, 2024, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Exaudi (Vocal Ensemble), James Weeks (Conductor), Phace (New music ensemble), Susanne Blumenthal (Conductor)
An ancient Egyptian sculpture finds new meaning as a desk-top ornament. But what status does it have between familiar discourse and the unknown? This question becomes the starting point for an archaeology of musical archetypes. In the concluding part of this tribute to the composer, the ensemble Phace and the vocal group Exaudi address perspectives on belonging and exclusion.