Set your preferred locations for a better search. You can sign up here.

Film screening: “Geographies of Solitude”

Date & Time
Sun, Feb 23, 2025, 20:00
For decades, ecologist Zoe Lucas has been researching the flora and fauna on Sable Island, a remote island off the east coast of Canada, and documenting an ecosystem largely unaffected by human influence. Experimental filmmaker Jacquelyn Mills accompanies her, capturing her meticulous work on 16 mm film and immersing herself in the deep structures and beauty of life by editing and distorting the material. Nature appears as an overwhelming place of stillness and perpetual growth and decay, with large quantities of plastic waste highlighting the threat to this world.

Keywords: Admission Free, Biennale

Artistic depiction of the event

Musicians

Not provided

Program

Not provided
Give feedback
Last update: Fri, Nov 22, 2024, 12:43

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
Finished

Film screening: “Geographies of Solitude”

Sun, Feb 23, 2025, 20:00
For decades, ecologist Zoe Lucas has been researching the flora and fauna on Sable Island, a remote island off the east coast of Canada, and documenting an ecosystem largely unaffected by human influence. Experimental filmmaker Jacquelyn Mills accompanies her, capturing her meticulous work on 16 mm film and immersing herself in the deep structures and beauty of life by editing and distorting the material. Nature appears as an overwhelming place of stillness and perpetual growth and decay, with large quantities of plastic waste highlighting the threat to this world.
Artistic depiction of the event
Finished

Film screening “Suites4nature”

Sat, Feb 15, 2025, 14:00
Tanja Tetzlaff (Cello), Heinz von Loesch (Presentation)
The German cellist Tanja Tetzlaff plays J.S. Bach’s cello suites no. 4 to 6 – in the midst of wounded nature scarred by climate change. A musically and visually moving plea for more mindfulness and humility towards the beauty of our planet. The screening will be followed by a discussion with Tanja Tetzlaff and Heinz von Loesch. How to find us, address and more
Artistic depiction of the event
Finished

School concert Terminal Infinity

Mon, Feb 24, 2025, 11:00
Members of the Berliner Philharmoniker and of the Karajan-Akademie (Ensemble), Leah Marojević (Dance), Gyung Moo Kim (Dance), Dance On Ensemble (Tanzensemble), Ty Boomershine (Dance), Gesine Moog (Dance), Tim Persent (Dance), Lia Witjes Poole (Dance), Jugendtanzcompany von Sasha Waltz & Guests (Tanzensemble), Noomi Aldinger (Dance), Toni Lehnert (Dance), Leah Soltau (Dance), Nika Brovot (Dance), Jonathan Walker (Dance), Alexander Schubert (Art Director), Alexander Schubert (Conception), Alexander Schubert (Composition), Alexander Schubert (Sound Director), Colette Sadler (Concept), Colette Sadler (Development of the piece), Colette Sadler (Choreography), Dominic Huber (Scenography), Diego Muhr (Lighting Design), Felina Levits (Costumes), Ludmilla Mercier (Regieassistenz), Candid Rütter (Video mapping), Candid Rütter (Lighting assistance), Oscar Corpo (Music notation), Oscar Corpo (Instrumentation), Oscar Corpo (Composition assistance)
Terminal Infinity is an audiovisual, performative and immersive installation. Using music, dance and lighting design, it addresses the transition of humans into an increasingly technological world and reflects on the effects of technological progress on our environment and our identity.
Artistic depiction of the event
Finished

Family concert of the Biennale “Pastorale”

Sun, Feb 16, 2025, 11:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), David Robertson (Conductor), Stephan Baumecker (Acting), Tobias Ribitzki (Stage Director), Tobias Ribitzki (Text)
In this series, the Berliner Philharmoniker and guests spark enthusiasm for classical music and take a closer look at the art of composing. In moderated concerts, they demonstrate the sound colours of the instruments or show how nature can sound.
Artistic depiction of the event
Finished

Biennale “Paradise lost?” Marin Alsop conducts images of nature

Sat, Feb 22, 2025, 19:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Marin Alsop (Conductor), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
Artistic depiction of the event
Finished

Biennale “Paradise lost?” Marin Alsop conducts images of nature

Fri, Feb 21, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Marin Alsop (Conductor), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
Artistic depiction of the event
Finished

Biennale “Paradise lost?” Marin Alsop conducts images of nature

Thu, Feb 20, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Berliner Philharmoniker (Orchestra), Marin Alsop (Conductor), Rundfunkchor Berlin (Choir), Gijs Leenaars (Chorus Master)
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
Artistic depiction of the event
Finished

Biennale of the Berliner Philharmoniker Piano recital with Alexander Melnikov

Tue, Feb 18, 2025, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Alexander Melnikov (Piano)
Was the world a better place in the Romantic era? Alexander Melnikov explores this question through his piano recital – following the theme of our Biennale entitled Paradise lost? On the threat to nature. With Schubert’s Wanderer Fantasy, Melnikov leads you through idyllic landscapes and man-made chasms, reveals the poetry of Schumann’s Waldszenen, and shows atmospheric images of nature in Franz Liszt’s piano works. The forest appears here as a place of retreat – from the self and from encroaching industrialisation. By contrast, Alexander Scriabin prophesies the destruction of the world in the grand conflagration of Vers la flamme.
Artistic depiction of the event
Next month
In Warszawa

Concert of Film Music: Korngold in Hollywood

Fri, May 9, 2025, 19:30
Warsaw Philharmonic Orchestra, Rumon Gamba (Conductor), Johan Dalene (Violin)
Johan Dalene, photo: Marco Borggreve Erich Wolfgang Korngold was a child prodigy whose talent enchanted Gustav Mahler and Richard Strauss. He staged his most famous opera at the age of 23, pursued a career as a conductor shortly afterwards and then became, still at a very young age, a lecturer at the Staatsakademie für Musik in Vienna. Nothing foreshadowed his great turn to film, which – bored by the silent image – decided to speak with an audible voice. A few years before the outbreak of the Second World War, Korngold moved to the US, and he eventually took American citizenship. He became permanently associated with Hollywood, setting the mould for later film music composers. At the same time, he remained faithful to the style of the composers whom he had captivated in his early career. Korngold wrote music for many films, including The Adventures of Robin Hood (1938) and Kings Row (1941), twice receiving an Oscar. However, he did not abandon the classical forms and contexts of symphonic music. In 1945 he completed his Violin Concerto, with Jascha Heifetz performing the solo part. It is undoubtedly one of the most ‘cinematic’ of instrumental concertos, be it only because the composer took numerous themes from his film scores.