Sir Donald with Holst

Sir Donald with Brahms

With this concert, Sir Donald Runnicles assumes his position as chief conductor of the Dresden Philharmonic and simultaneously opens our British Festival. The evening, full of European and British music history, begins with Ralph Vaughan Williams' "Fantasia on a Theme by Thomas Tallis," a deeply emotional and majestic piece that highlights the beauty of the English music tradition. William Walton's Concerto for Viola and Orchestra puts the larger sister of the violin in the spotlight. With virtuosic solo passages and dynamic orchestral accompaniment, this piece creates goosebump moments and showcases the viola in all its versatility and expressiveness. The crowning finale is Johannes Brahms' Fourth Symphony, a masterpiece that initially faced challenges at its inception. Its beginning appeared too abstract to contemporaries. Today, 140 years after its creation, the poetry of this beginning, the exuberance of the third movement, and the solemnity of the finale make Brahms' Fourth one of the most beloved symphonies of all time.

Sir Donald with Debussy

Claude Debussy's "Prélude à l'après-midi d'un faune" is a masterpiece of Impressionism. Inspired by a poem by the Symbolist Stéphane Mallarmé, the music paints the picture of a dreaming faun on a warm afternoon. With floating flute sounds and gentle harmonies, Debussy transports us into a world between dream and reality – a sensory delight in sound. Not many works of the 20th century are as naturally included in concert programs today as the music of Maurice Duruflé, who passed away in 1986. Particularly his sacred vocal music continues to enjoy enduring popularity, surely also due to its accessible musical language. Duruflé had little interest in breaking with tradition; in his 1947 Requiem, he engaged with the model of the two generations older Gabriel Fauré and let his enthusiasm for Gregorian chant run free. However, the work is not backward-looking: Contrary to the operatic settings of the Requiem in the 19th century, Duruflé focused less on the pains of the Last Judgment and more on the otherworldly redemption. Chief conductor Sir Donald Runnicles and the MDR Radio Choir infuse this work with a special intensity through their sensitivity and beauty of sound.

Sir Donald with Mahler

When Beethoven wrote his Fifth and final piano concerto in 1809, Vienna was besieged by Napoleon's troops. The sounds of war and economic uncertainty – his patron Archduke Rudolf had left the city – influenced the creation of the work. Beethoven composed a piano concerto with an exceptionally new form for the time, in which the soloist alternates between heroic and peaceful moments. Despite the difficult circumstances, the work does not reflect fatalism, but rather a solemn struggle for freedom and against oppression. Gustav Mahler's First Symphony also reflects intense personal experiences. His unhappy love for the singer Johanna Richter inspired him to create the "Songs of a Wayfarer," from which he incorporated motifs into the first and third movements of the symphony. In an emotional state of exception, Mahler completed the symphony in just six weeks. The premiere in Budapest in 1889 was met with incomprehension, prompting Mahler to revise the work multiple times. Today, it is among his most frequently performed symphonies.

Asia tour with Sir Simon Rattle

Asia tour with Sir Simon Rattle

Asia tour with Sir Simon Rattle

Asia tour with Sir Simon Rattle

Asia tour with Sir Simon Rattle

Asia tour with Sir Simon Rattle