Sonja Kowollik is a piano student in Professor Eldar Nebolsin's class.A summary from original text in German | Read the original
Keywords: Admission Free
To be updated... |
| Karol Szymanowski | (1882–1937) |
| Karol Szymanowski | Mazurken op. 5 |
| Sergei Prokofiev | (1891–1953) |
| Sergei Prokofiev | Romeo und Julia. Zehn Klavierstücke op. 75 |
| Robert Schumann | (1810–1856) |
| Robert Schumann | Klaviersonate Nr. 2 in g-Moll op. 22 |
These events are similar in terms of concept, place, musicians or the program.
Piano students from the Berlin University of the Arts (UdK) and the Hanns Eisler Academy of Music visited C. Bechstein.
For many years now, Lunchtime Concerts have been held in the Main Hall and the Recital Hall. The concerts range from public rehearsals by the Concertgebouworkest, to chamber music performances by young up-and-coming artists.For Lunchtime Concerts you will require a free ticket, which you can buy online. Doors to the concert hall open about 30 minutes before the Lunchtime Concert starts.We offer a broad range of music: the majority of concerts include classical music, but you can sometimes hear more modern repertoire. The concert programme is announced one week in advance on our website. The concerts last thirty minutes and are free of charge. Visitors are advised that these concerts are suitable for children from six years old.
For many years now, Lunchtime Concerts have been held in the Main Hall and the Recital Hall. The concerts range from public rehearsals by the Concertgebouworkest, to chamber music performances by young up-and-coming artists.For Lunchtime Concerts you will require a free ticket, which you can buy online. Doors to the concert hall open about 30 minutes before the Lunchtime Concert starts.We offer a broad range of music: the majority of concerts include classical music, but you can sometimes hear more modern repertoire. The concert programme is announced one week in advance on our website. The concerts last thirty minutes and are free of charge. Visitors are advised that these concerts are suitable for children from six years old.
For many years now, Lunchtime Concerts have been held in the Main Hall and the Recital Hall. The concerts range from public rehearsals by the Concertgebouworkest, to chamber music performances by young up-and-coming artists.For Lunchtime Concerts you will require a free ticket, which you can buy online. Doors to the concert hall open about 30 minutes before the Lunchtime Concert starts.We offer a broad range of music: the majority of concerts include classical music, but you can sometimes hear more modern repertoire. The concert programme is announced one week in advance on our website. The concerts last thirty minutes and are free of charge. Visitors are advised that these concerts are suitable for children from six years old.
A university exchange program between young singers from the Eisler and Franz Liszt Academy of Music in Budapest will present the story of the sorceress Armida. Arias and ensemble scenes set to music by Handel, Gluck, Lully, Haydn, and Rossini will bring this opera material to life.
Chi-Chi Nwanoku was the only black woman to be a founding member and principal double bassist of the Orchestra of the Age of Enlightenment for 30 years. Convinced that diversity in classical music needs role models, she founded the revolutionary Chineke! Orchestra, the first orchestra consisting exclusively of black and ethnically diverse musicians, which is now celebrating its Berlin premiere at the Konzerthaus. Its concerts feature classical repertoire and works by black and ethnically diverse composers in equal measure. Discover Derrick Syke's “Prisms”, which brings together influences from the Balkans, Ghana and Hindu classical music, and the nature-loving spirituality of the “Concerto for Orchestra” by Brian Raphael Nabors, a church musician, keyboardist in an R&B band and classical music professor from the south of the USA. The young British pianist Isata Kanneh-Mason, sister of our current Artist in Residence Sheku Kanneh-Mason, will also be making her Konzerthaus debut.
In the Karajan Akademie of the Berliner Philharmoniker, outstanding young musicians are prepared for artistic work in a world-class orchestra. The concert series Carte blanche – Berlin, hör mal! particularly highlights the Academy’s educational mission. Here, the young musicians step out of the orchestra to perform as soloists or in ensembles. They select the repertoire and design the programmes themselves – a true Carte blanche in every sense of the term.
In the Karajan Akademie of the Berliner Philharmoniker, outstanding young musicians are prepared for artistic work in a world-class orchestra. The concert series Carte blanche – Berlin, hör mal! particularly highlights the Academy’s educational mission. Here, the young musicians step out of the orchestra to perform as soloists or in ensembles. They select the repertoire and design the programmes themselves – a true Carte blanche in every sense of the term.
In the Karajan Akademie of the Berliner Philharmoniker, outstanding young musicians are prepared for artistic work in a world-class orchestra. The concert series Carte blanche – Berlin, hör mal! particularly highlights the Academy’s educational mission. Here, the young musicians step out of the orchestra to perform as soloists or in ensembles. They select the repertoire and design the programmes themselves – a true Carte blanche in every sense of the term.
Concert Pulse