Set your preferred locations for a better search. You can sign up here.

Bachs Matthäus-Passion

Date & Time
Mon, Apr 14, 2025, 19:00
The St. Matthew Passion has always been a masterpiece, a pinnacle of oratorical art. Through double choirs and two orchestras, we experience existential emotions and enormous musical depth. The reflective arias offer insights into the human soul; we encounter our fear, hope, and confidence.

A summary from original text in German | Read the original

Keywords: Vocal Music

Artistic depiction of the event
Give feedback
Last update: Sat, Dec 7, 2024, 16:15

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Bachs Matthäus-Passion

Tue, Apr 15, 2025, 19:00
Cathrin Lange (Soprano), Henriette Gödde (Mezzo-Soprano), Daniel Johannsen (Tenor), Maximilian Lika (Bariton), Daniel Ochoa (Bass), Knaben des Kölner Domchores (Ensemble), Eberhard Metternich (Rehearsal), WDR Rundfunkchor (Ensemble), Philharmonisches Orchester Hagen (Ensemble), Joseph Trafton (Conductor), Alexander Lüken (Rehearsal)
The St. Matthew Passion has always been a masterpiece, a pinnacle of oratorical art. Through double choirs and two orchestras, we experience existential emotions and enormous musical depth. The reflective arias offer insights into the human soul; we encounter our fear, hope, and confidence.
Artistic depiction of the event

Bach: Matthäus-Passion / Hans-Christoph Rademann

Mon, Mar 24, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Gaechinger Cantorey, Matthias Winckhler (Bass), Daniel Johannsen (Tenor), Miriam Feuersinger (Soprano), Alex Potter (Alto), Tobias Berndt (Bass), Lucy De Butts (Soprano), Tobias Knaus (Alto), Christoph Pfaller (Tenor), Martin Schicketanz (Bass), Hans-Christoph Rademann (Director)
In January 2023, the audience in the Elbphilharmonie responded to the performance of Bach’s St John Passion with the Gaechinger Cantorey with minutes of cheering. »There was a lot to celebrate«, commented Marcus Stäbler for the Hamburger Abendblatt at the time, citing the »eye for the big picture«, the »dense arc of tension«, the »sense of context« and the »flair for detail« in Hans-Christoph Rademann’s interpretation. Now the long-established ensemble of the International Bach Academy Stuttgart is returning to the Elbe with the St Matthew Passion. The monumental oratorio with nine soloists, two choirs and a double orchestra immerses the audience in a deeply spiritual, moving and poetic experience. Bach’s depiction of Jesus’ last hours offers a journey through the human soul in the spirit of the Protestant tradition of the time. He masterfully brings the sacred text to life with vivid harmonies and exquisite interplay between soloists and choirs. With a hand-picked choir, a first-class baroque orchestra and outstanding soloists, Hans-Christoph Rademann presents a renewed and faithful version of this highlight of vocal music of all time.