Keywords: Symphony Concert
To be updated... |
| György Ligeti | Concert Românesc für Orchester |
| Antonín Dvořák | Konzert für Violine und Orchester a-Moll op. 53 B 108 |
| Ludwig van Beethoven | Sinfonie Nr. 2 D-Dur op. 36 |
These events are similar in terms of concept, place, musicians or the program.
Attracting around 8,000 visitors on site and considerably more via TV and radio, Klassik am Odeonsplatz is one of the highlights of every BRSO season. For this year’s program, Sir Simon Rattle has chosen excerpts from Wagner’s Walküre, of which Brahms probably would have approved. In his opinion, there were “wonderful things” in it, and said about one performance: “In the Second Act, I drink a glass of beer, deliberately lie down for half an hour, and afterwards I feel refreshed again.” Brahms wrote his Second Symphony during a summer holiday on Lake Wörthersee. It’s the perfect piece for a wonderful Munich open-air concert – possibly with a glass of beer to celebrate the new BRSO chief conductor’s first season.
A program defying conventions with conductor Constantinos Carydis, focusing on dance, featuring Carydis on piano, alongside concertmasters Florin Iliescu and Maximilian Junghanns. Experience Robert Schumann's unconventional Violin Concerto in D minor, a glimpse into the composer's depths. Violinist Sayaka Shoji, known for her captivating performances, takes on this challenging piece. Concert duration: approximately 135 minutes including intermission.
A program defying conventions with conductor Constantinos Carydis, focusing on dance, featuring Carydis on piano, alongside concertmasters Florin Iliescu and Maximilian Junghanns. Experience Robert Schumann's unconventional Violin Concerto in D minor, a glimpse into the composer's depths. Violinist Sayaka Shoji, known for her captivating performances, takes on this challenging piece. Concert duration: approximately 135 minutes including intermission.
Schalten Sie vom Alltag ab, ob in Ihrer Mittagspause oder als Insel der Ruhe beim Stadtbummel, und genießen Sie beglückende Chormusik!
At least since Rhythm Is It! and his staged reading of the St Matthew Passion, Simon Rattle has been considered a multi-media trailblazer in new forms of musical outreach. Now the designated head of the BRSO will give his début at “Klassik am Odeonsplatz” with an exciting evening of film scores. The programme features Korngold, Rósza, Raksin and John Williams, stylistic trendsetters in a genre that has itself long entered the classical repertoire. As early as 1989 Rattle first conducted the soundtrack to Henry V, and in 2006 he performed the score of Tom Tykwer’s Perfume at the helm of the Berlin Philharmonic. Odeonsplatz listeners will be treated to Korngold’s Robin Hood (1938) and Rózsa’s Ben Hur Suite (1959), both of which won Oscars, as well as Rósza’s Violin Concerto (1953), the basis of the film score to Billy Wilder’s The Private Life of Sherlock Holmes. The soloist is the young violinist Veronika Eberle. And it goes without saying that Hollywood’s éminence grise John Williams will also be there – with such classics as Star Wars, Harry Potter and Indiana Jones.
When Daniil Trifonov played Prokofiev’s Piano Concerto with the Chicago Symphony Orchestra, one critic recommended begging for a ticket for the following concert, or even stealing one if necessary, in order to experience the “electrifying performance” of this “fiendishly difficult” work. He praised the pianist for his “almost superhuman” technique and for imbuing his performance with exceptional visceral energy. At this Klassik am Odeonsplatz concert, Trifonov will perform this work in glorious harmony with the BRSO under the baton of Franz Welser-Möst, who is an expert in this repertoire. Strauss’ Rosenkavalier Suite (lasting a good 50 minutes), which renders the elegant conversations between the Marschallin, Baron Ochs, and Octavian audible even without words and singing, will then send the listeners dancing into the evening in infectious three-four time.
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