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Concerts with works by
Maurice Duruflé

Overview

Quick overview of Maurice Duruflé by associated keywords

New Arrivals

These concerts with works by Maurice Duruflé became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Dresden

Interstellar

Wed, Nov 26, 2025, 20:00
Anna Lapwood (Organ)
Film music on the concert organ, how does that work together? Anna Lapwood herself says: "In recent years, I have increasingly stopped defining music by genres, and started thinking about what music brings joy to me and my listeners. The boundaries between genres are so flexible anyway, and it's really fun to experiment with blurring these boundaries even more." You can feel this joy in this concert as well, when she plays her transcriptions from the films "The Da Vinci Code," "Interstellar," and "Pirates of the Caribbean" (Hans Zimmer) and "The Hunchback of Notre Dame" (Alan Menken). In addition, classics such as the famous Prelude by Johann Sebastian Bach, which was turned into "Ave Maria" by Charles Gounod, and Benjamin Britten's "Four Sea Interludes" from the opera "Peter Grimes" can be heard, as well as new works written for Anna Lapwood.
Artistic depiction of the event
This season
In Dresden

Sir Donald with Debussy

Sat, Mar 28, 2026, 19:00
Sir Donald Runnicles (Conductor), Heidi Stober (Soprano), Karis Tucker (Mezzo-Soprano), Markus Eiche (Bariton), Thomas Ospital (Organ), MDR-Rundfunkchor, Dresdner Philharmonie
Claude Debussy's "Prélude à l'après-midi d'un faune" is a masterpiece of Impressionism. Inspired by a poem by the Symbolist Stéphane Mallarmé, the music paints the picture of a dreaming faun on a warm afternoon. With floating flute sounds and gentle harmonies, Debussy transports us into a world between dream and reality – a sensory delight in sound. Not many works of the 20th century are as naturally included in concert programs today as the music of Maurice Duruflé, who passed away in 1986. Particularly his sacred vocal music continues to enjoy enduring popularity, surely also due to its accessible musical language. Duruflé had little interest in breaking with tradition; in his 1947 Requiem, he engaged with the model of the two generations older Gabriel Fauré and let his enthusiasm for Gregorian chant run free. However, the work is not backward-looking: Contrary to the operatic settings of the Requiem in the 19th century, Duruflé focused less on the pains of the Last Judgment and more on the otherworldly redemption. Chief conductor Sir Donald Runnicles and the MDR Radio Choir infuse this work with a special intensity through their sensitivity and beauty of sound.

Upcoming Concerts

Concerts in season 2024/25 or later where works by Maurice Duruflé is performed

Artistic depiction of the event
This season
In Dresden

Interstellar

Wed, Nov 26, 2025, 20:00
Anna Lapwood (Organ)
Film music on the concert organ, how does that work together? Anna Lapwood herself says: "In recent years, I have increasingly stopped defining music by genres, and started thinking about what music brings joy to me and my listeners. The boundaries between genres are so flexible anyway, and it's really fun to experiment with blurring these boundaries even more." You can feel this joy in this concert as well, when she plays her transcriptions from the films "The Da Vinci Code," "Interstellar," and "Pirates of the Caribbean" (Hans Zimmer) and "The Hunchback of Notre Dame" (Alan Menken). In addition, classics such as the famous Prelude by Johann Sebastian Bach, which was turned into "Ave Maria" by Charles Gounod, and Benjamin Britten's "Four Sea Interludes" from the opera "Peter Grimes" can be heard, as well as new works written for Anna Lapwood.
Artistic depiction of the event
This season
In Dresden

Sir Donald with Debussy

Sat, Mar 28, 2026, 19:00
Sir Donald Runnicles (Conductor), Heidi Stober (Soprano), Karis Tucker (Mezzo-Soprano), Markus Eiche (Bariton), Thomas Ospital (Organ), MDR-Rundfunkchor, Dresdner Philharmonie
Claude Debussy's "Prélude à l'après-midi d'un faune" is a masterpiece of Impressionism. Inspired by a poem by the Symbolist Stéphane Mallarmé, the music paints the picture of a dreaming faun on a warm afternoon. With floating flute sounds and gentle harmonies, Debussy transports us into a world between dream and reality – a sensory delight in sound. Not many works of the 20th century are as naturally included in concert programs today as the music of Maurice Duruflé, who passed away in 1986. Particularly his sacred vocal music continues to enjoy enduring popularity, surely also due to its accessible musical language. Duruflé had little interest in breaking with tradition; in his 1947 Requiem, he engaged with the model of the two generations older Gabriel Fauré and let his enthusiasm for Gregorian chant run free. However, the work is not backward-looking: Contrary to the operatic settings of the Requiem in the 19th century, Duruflé focused less on the pains of the Last Judgment and more on the otherworldly redemption. Chief conductor Sir Donald Runnicles and the MDR Radio Choir infuse this work with a special intensity through their sensitivity and beauty of sound.